no.12(1998:déc.) - 1998-12-01 (Bulletin de Conservation restauration des biens culturels (CRBC))  

Public ISBD [n° ou bulletin]  est un bulletin de Conservation restauration des biens culturels (CRBC) Titre : no.12(1998:déc.) - 1998-12-01 Type de document : texte imprimé Année de publication : 1998 Langues : Français (fre) Anglais (eng) Catégories : Conservation et restauration -- Étude et enseignement (supérieur) -- Japon -- 20e siècle Patrimoine culturel -- Chine -- Conservation et restauration Patrimoine culturel -- Conservation et restauration -- Bibliographie critique Patrimoine culturel -- Conservation et restauration -- Thèses et écrits académiques -- France -- 20e siècle Patrimoine culturel -- Japon -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Sommaire : La restauration des sabres du Japon ancien. D'est en ouest : une expérience des techniques japonaises de restauration. Les couleurs des vêtements dans le Japon de l'époque Heian (794-1183). Conservation Challenges : Adapting to change in restauration perspectives. En ligne : http://araafu.com/crbc-n35/ [n° ou bulletin]  est un bulletin de Conservation restauration des biens culturels (CRBC) no.12(1998:déc.) - 1998-12-01 [texte imprimé] . - 1998. Langues : Français (fre) Anglais (eng) Catégories : Conservation et restauration -- Étude et enseignement (supérieur) -- Japon -- 20e siècle Patrimoine culturel -- Chine -- Conservation et restauration Patrimoine culturel -- Conservation et restauration -- Bibliographie critique Patrimoine culturel -- Conservation et restauration -- Thèses et écrits académiques -- France -- 20e siècle Patrimoine culturel -- Japon -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Sommaire : La restauration des sabres du Japon ancien. D'est en ouest : une expérience des techniques japonaises de restauration. Les couleurs des vêtements dans le Japon de l'époque Heian (794-1183). Conservation Challenges : Adapting to change in restauration perspectives. En ligne : http://araafu.com/crbc-n35/

Contient

• Conservation Challenges : Adapting to change in restoration perspectives / Kazunori Oryu in Conservation restauration des biens culturels (CRBC), no.12(1998:déc.) (1998-12-01)
• Conservation des peintures en Chine et au Japon : différences techniques et culturelles / Claire Illouz in Conservation restauration des biens culturels (CRBC), no.12(1998:déc.) (1998-12-01)
• La restauration des sabres du Japon ancien / Laurent Milhau in Conservation restauration des biens culturels (CRBC), no.12(1998:déc.) (1998-12-01)
• Les couleurs des vêtements dans le Japon de l'époque de Heian (794-1183) / Sonia Engberts in Conservation restauration des biens culturels (CRBC), no.12(1998:déc.) (1998-12-01)
• D'est en ouest : une expérience des techniques japonaises de restauration / Claude Laroque in Conservation restauration des biens culturels (CRBC), no.12(1998:déc.) (1998-12-01)
• La restauration des peintures et calligraphies chinoises anciennes / Huansheng Lin in Conservation restauration des biens culturels (CRBC), no.12(1998:déc.) (1998-12-01)
• Les albums de photographies japonaises / Annabelle Simon in Conservation restauration des biens culturels (CRBC), no.12(1998:déc.) (1998-12-01)
• Encore un retable coupé en morceaux ! : restauration d'un panneau retrouvé : Église de Nantois (Meuse) / Ariel Bertrand ; Juliette Mertens in Conservation restauration des biens culturels (CRBC), no.12(1998:déc.) (1998-12-01)

Réservation

Réserver ce document

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 17112	CRBC	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

Restauration des peintures et calligraphies chinoises anciennes / Huansheng Lin in Conservation restauration des biens culturels (CRBC), no.13(1999:mai) (1999-05-01)

Public ISBD [article]  inConservation restauration des biens culturels (CRBC) > no.13(1999:mai) (1999-05-01) . - P. 3-6 Titre : Restauration des peintures et calligraphies chinoises anciennes : éthique et humeur Type de document : texte imprimé Auteurs : Huansheng Lin, Auteur Année de publication : 1999 Article en page(s) : P. 3-6 Langues : Français (fre) Catégories : Calligraphie chinoise -- Conservation et restauration Patrimoine culturel -- Chine -- Conservation et restauration Patrimoine culturel -- Conservation et restauration -- Coopération internationale Patrimoine culturel -- Japon -- Conservation et restauration Peinture sur rouleau -- Chine -- Antiquité -- Conservation et restauration Restaurateurs d'art -- Chine -- Entretiens Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Ill. en noir [article] Restauration des peintures et calligraphies chinoises anciennes : éthique et humeur [texte imprimé] / Huansheng Lin, Auteur . - 1999 . - P. 3-6. Langues : Français (fre) in Conservation restauration des biens culturels (CRBC) > no.13(1999:mai) (1999-05-01) . - P. 3-6 Catégories : Calligraphie chinoise -- Conservation et restauration Patrimoine culturel -- Chine -- Conservation et restauration Patrimoine culturel -- Conservation et restauration -- Coopération internationale Patrimoine culturel -- Japon -- Conservation et restauration Peinture sur rouleau -- Chine -- Antiquité -- Conservation et restauration Restaurateurs d'art -- Chine -- Entretiens Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Ill. en noir

Vol.16 no2(2001) - 2001-05-01 - Destruction of World Heritage (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

Public ISBD [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Titre : Vol.16 no2(2001) - 2001-05-01 - Destruction of World Heritage Type de document : texte imprimé Année de publication : 2001 Langues : Anglais (eng) Catégories : Antiquités -- Conservation et restauration Dommages de guerre Guerre mondiale (1939-1945) -- Destruction et pillage Monuments historiques -- Conservation et restauration -- Chine Patrimoine culturel -- Chine -- Conservation et restauration Patrimoine culturel -- Protection -- Coopération internationale Patrimoine mondial culturel et naturel -- Mutilation, dégradation, etc. Photographie -- Conservation et restauration Sites historiques -- Conservation et restauration Statues colossales -- Mutilation, dégradation, etc. -- Bāmiyān (Afghanistan ; région) Unesco. Convention concernant la protection du patrimoine mondial, culturel et naturel (1972) Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Enlarge The 1,500-year-old Colossal Buddha in Bamiyan, Afghanistan, as it appeared in 1963. It was the largest Buddhist sculpture in the world until it was destroyed in March 2001 by the Taliban regime. Photo: UNESCO/A. Lézine. A Note From the Director World Heritage: Shield or Target? In the latter part of the 20th century, a new consensus on the importance of cultural heritage and the necessity to protect it—prompted in part by the two world wars, unprecedented in their devastation—led to the creation of international agreements designed to shield cultural heritage. But, as the destruction by the ruling Taliban of two giant fifth-century statues of Buddha in Afghanistan may demonstrate, the notion of world heritage, intended as a shield, may instead, at times, act as a target. Cultural Heritage and International Law: A Conversation with Lyndel Prott The director of UNESCO's Division of Cultural Heritage discusses the impact of a half-century of international law on protecting cultural heritage from damage or destruction amid armed conflict. The China Principles China's 3,000 years of unbroken civilization have created a vast range of immovable heritage. But rampant economic development and the rapidly expanding tourism industries pose threats to this heritage. In 1997 the Getty Conservation Institute and the State Administration for Cultural Heritage in China began a collaborative program with the Australian Heritage Commission to develop a set of principles to guide the conservation and management of cultural sites in China. Values and Site Management: New Case Studies Recently the heritage field has seen the introduction of values-based management, which takes a holistic view of a site. Its objective is always the conservation and communication of the values that make a particular site significant. In collaboration with the Australian Heritage Commission, English Heritage, Parks Canada, and the U.S. National Park Service, the GCI has initiated the development of a series of case studies that can serve as examples of how values-driven site management can be interpreted, employed, and evaluated. GCI News: Projects, Events, Publications and Staff Updates on Getty Conservation Institute projects, events, publications, and staff. The GCI Newsletter Staff Box En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v16n2.p [...] [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Vol.16 no2(2001) - 2001-05-01 - Destruction of World Heritage [texte imprimé] . - 2001. Langues : Anglais (eng) Catégories : Antiquités -- Conservation et restauration Dommages de guerre Guerre mondiale (1939-1945) -- Destruction et pillage Monuments historiques -- Conservation et restauration -- Chine Patrimoine culturel -- Chine -- Conservation et restauration Patrimoine culturel -- Protection -- Coopération internationale Patrimoine mondial culturel et naturel -- Mutilation, dégradation, etc. Photographie -- Conservation et restauration Sites historiques -- Conservation et restauration Statues colossales -- Mutilation, dégradation, etc. -- Bāmiyān (Afghanistan ; région) Unesco. Convention concernant la protection du patrimoine mondial, culturel et naturel (1972) Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Enlarge The 1,500-year-old Colossal Buddha in Bamiyan, Afghanistan, as it appeared in 1963. It was the largest Buddhist sculpture in the world until it was destroyed in March 2001 by the Taliban regime. Photo: UNESCO/A. Lézine. A Note From the Director World Heritage: Shield or Target? In the latter part of the 20th century, a new consensus on the importance of cultural heritage and the necessity to protect it—prompted in part by the two world wars, unprecedented in their devastation—led to the creation of international agreements designed to shield cultural heritage. But, as the destruction by the ruling Taliban of two giant fifth-century statues of Buddha in Afghanistan may demonstrate, the notion of world heritage, intended as a shield, may instead, at times, act as a target. Cultural Heritage and International Law: A Conversation with Lyndel Prott The director of UNESCO's Division of Cultural Heritage discusses the impact of a half-century of international law on protecting cultural heritage from damage or destruction amid armed conflict. The China Principles China's 3,000 years of unbroken civilization have created a vast range of immovable heritage. But rampant economic development and the rapidly expanding tourism industries pose threats to this heritage. In 1997 the Getty Conservation Institute and the State Administration for Cultural Heritage in China began a collaborative program with the Australian Heritage Commission to develop a set of principles to guide the conservation and management of cultural sites in China. Values and Site Management: New Case Studies Recently the heritage field has seen the introduction of values-based management, which takes a holistic view of a site. Its objective is always the conservation and communication of the values that make a particular site significant. In collaboration with the Australian Heritage Commission, English Heritage, Parks Canada, and the U.S. National Park Service, the GCI has initiated the development of a series of case studies that can serve as examples of how values-driven site management can be interpreted, employed, and evaluated. GCI News: Projects, Events, Publications and Staff Updates on Getty Conservation Institute projects, events, publications, and staff. The GCI Newsletter Staff Box En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v16n2.p [...]

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23371	GETTY	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Exclu du prêt

Vol.18 no2(2003) - 2003-05-01 - Mural Conservation (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

Public ISBD [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Titre : Vol.18 no2(2003) - 2003-05-01 - Mural Conservation Type de document : texte imprimé Année de publication : 2003 Langues : Anglais (eng) Catégories : Art dans la rue -- Conservation et restauration Art public -- Conservation et restauration Graffiti Healy, Wayne (1946-....) Hiéroglyphes -- Copán (Honduras ; site archéologique) -- Conservation et restauration Patrimoine culturel -- Chine -- Conservation et restauration Peinture et décoration murales -- 20e siècle -- Conservation et restauration Peinture et décoration murales -- Cambridge (Mass.) -- 20e siècle -- Conservation et restauration Peinture et décoration murales -- États-Unis -- 20e siècle Siqueiros, David Alfaro (1896-1974) Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Detail of Ghosts of the Barrio, 1974, by Wayne Alaniz Healy, prior to conservation. This Los Angeles mural suffered from extensive graffiti damage on the lower section of the work, as well as fading and deterioration of the paint binder in some colors. (For a view Ghosts of the Barrio, 1974, by Wayne Alaniz Healy, prior to conservation of the mural after conservation, please see the feature article.) Photo: Courtesy the Los Angeles Murals Assessment and Conservation Project, City of Los Angeles, Cultural Affairs Department. Mural: © Wayne Alaniz Healy, East Los Streetscapers. The Conservation of Outdoor Contemporary Murals From the beginning of the 20th century, murals have had a significant presence in the architecture of the Americas. In the second half of the 20th century, social change, political activism, and the rise of the Chicano mural movement generated new impetus for murals in the United States. Through redevelopment programs, percent-for-art initiatives, and youth training programs, such funding has led to an explosion of public art in cities and towns across America, and a vast number of exterior murals have been created. Today, as these murals age, many require conservation treatment if they are to survive. Preserving Art in Public Places: A Discussion about Mural Painting and Conservation Art historian Leonard Folgarait, attorney Ann Garfinkle, artist Wayne Healy, and conservator Will Shank offer their perspectives on the creation, significance, and conservation of modern outdoor murals in a conversation with the GCI's Leslie Rainer and Jeffrey Levin. The Painted Murals of Cambridge: Maintaining the City's Collection Like many public art agencies, the Cambridge Arts Council, in its early years, conserved its artworks on an ad hoc basis. Without a comprehensive view of the collection, some pieces were restored, while others—perhaps more important but lesser-known works—fell apart. As the collection grew and aged, the problems became too demanding for only occasional care, and the Arts Council was forced to look for a consistent and sustainable approach. This led to the establishment of a conservation and maintenance program in 1996. Mural Painting and Conservation in the Americas: A Symposium In many respects, murals are an archetypal form of 20th-century art, constituting an important historical record and valued not only as a means of artistic expression but also as a representation of the social and political concerns of individuals and communities. In recognition of the significance of 20th-century mural painting, the Getty Research Institute and the Getty Conservation Institute cosponsored a spring 2003 symposium devoted to current research and practice in art history and conservation of 20th-century mural painting in the Americas. GCI News: Projects, Events, Publications and Staff Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v18n2.p [...] [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Vol.18 no2(2003) - 2003-05-01 - Mural Conservation [texte imprimé] . - 2003. Langues : Anglais (eng) Catégories : Art dans la rue -- Conservation et restauration Art public -- Conservation et restauration Graffiti Healy, Wayne (1946-....) Hiéroglyphes -- Copán (Honduras ; site archéologique) -- Conservation et restauration Patrimoine culturel -- Chine -- Conservation et restauration Peinture et décoration murales -- 20e siècle -- Conservation et restauration Peinture et décoration murales -- Cambridge (Mass.) -- 20e siècle -- Conservation et restauration Peinture et décoration murales -- États-Unis -- 20e siècle Siqueiros, David Alfaro (1896-1974) Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Detail of Ghosts of the Barrio, 1974, by Wayne Alaniz Healy, prior to conservation. This Los Angeles mural suffered from extensive graffiti damage on the lower section of the work, as well as fading and deterioration of the paint binder in some colors. (For a view Ghosts of the Barrio, 1974, by Wayne Alaniz Healy, prior to conservation of the mural after conservation, please see the feature article.) Photo: Courtesy the Los Angeles Murals Assessment and Conservation Project, City of Los Angeles, Cultural Affairs Department. Mural: © Wayne Alaniz Healy, East Los Streetscapers. The Conservation of Outdoor Contemporary Murals From the beginning of the 20th century, murals have had a significant presence in the architecture of the Americas. In the second half of the 20th century, social change, political activism, and the rise of the Chicano mural movement generated new impetus for murals in the United States. Through redevelopment programs, percent-for-art initiatives, and youth training programs, such funding has led to an explosion of public art in cities and towns across America, and a vast number of exterior murals have been created. Today, as these murals age, many require conservation treatment if they are to survive. Preserving Art in Public Places: A Discussion about Mural Painting and Conservation Art historian Leonard Folgarait, attorney Ann Garfinkle, artist Wayne Healy, and conservator Will Shank offer their perspectives on the creation, significance, and conservation of modern outdoor murals in a conversation with the GCI's Leslie Rainer and Jeffrey Levin. The Painted Murals of Cambridge: Maintaining the City's Collection Like many public art agencies, the Cambridge Arts Council, in its early years, conserved its artworks on an ad hoc basis. Without a comprehensive view of the collection, some pieces were restored, while others—perhaps more important but lesser-known works—fell apart. As the collection grew and aged, the problems became too demanding for only occasional care, and the Arts Council was forced to look for a consistent and sustainable approach. This led to the establishment of a conservation and maintenance program in 1996. Mural Painting and Conservation in the Americas: A Symposium In many respects, murals are an archetypal form of 20th-century art, constituting an important historical record and valued not only as a means of artistic expression but also as a representation of the social and political concerns of individuals and communities. In recognition of the significance of 20th-century mural painting, the Getty Research Institute and the Getty Conservation Institute cosponsored a spring 2003 symposium devoted to current research and practice in art history and conservation of 20th-century mural painting in the Americas. GCI News: Projects, Events, Publications and Staff Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v18n2.p [...]

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23365	GETTY	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Exclu du prêt

Vol.21 no2(2006) - 2006-05-01 - Conservation at the Getty (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

Public ISBD [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Titre : Vol.21 no2(2006) - 2006-05-01 - Conservation at the Getty Type de document : texte imprimé Année de publication : 2006 Langues : Anglais (eng) Catégories : Antiquités -- Conservation et restauration Architecture -- Conservation et restauration Archives -- Conservation et restauration Arts décoratifs -- Conservation et restauration Bas-reliefs -- Abomey (Bénin) -- Conservation et restauration Documents audiovisuels -- Conservation et restauration Gestion électronique de documents Getty conservation institute (Los Angeles, Calif.) Getty research institute (Los Angeles, Calif.) J. Paul Getty museum (Los Angeles, Calif.) Maquettes (architecture) -- Conservation et restauration Matériaux organiques -- Analyse Musées -- Éclairage Papier -- Conservation et restauration Patrimoine culturel -- Chine -- Conservation et restauration Patrimoine culturel -- Conservation et restauration -- Documentation Patrimoine culturel -- Conservation et restauration -- Étude et enseignement Patrimoine culturel -- Conservation et restauration -- Recherche Patrimoine culturel -- Numérisation Peinture -- Conservation et restauration Peinture -- Nettoyage Sculpture - Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover A photograph of a conservator at work, circa 1930, from the William Suhr archive of the Research Library at the Getty Research Institute (GRI). Suhr was a conservator at the Detroit Institute of the Arts from 1927 to 1933, before moving to New York to become conservator to the Frick Collection (he also maintained a private practice and after World War II worked closely with dealers and other clients active in the art market). The Suhr archive, which includes photographs and treatment notes from a nearly sixty-year period (1920–1979), is one of a number of collections relevant to conservation that are housed among the extensive holdings of the Research Library at the GRI. Photo: Courtesy the Research Library, Getty Research Institute. © circa 1930, The Detroit Institute of the Arts. A Note from the Director An introduction to this special issue of Conservation, which explores conservation work conducted throughout the programs of the J. Paul Getty Trust. The Getty Conservation Institute The J. Paul Getty Museum The Getty Research Institute The Getty Foundation Conservation Documentation in Digital Form: A Dialogue about the Issues A report on an April 2006 meeting in New York, where representatives from over a dozen major museums in the United States and the United Kingdom gathered for an important discussion regarding conservation documentation. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v21n2.p [...] [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Vol.21 no2(2006) - 2006-05-01 - Conservation at the Getty [texte imprimé] . - 2006. Langues : Anglais (eng) Catégories : Antiquités -- Conservation et restauration Architecture -- Conservation et restauration Archives -- Conservation et restauration Arts décoratifs -- Conservation et restauration Bas-reliefs -- Abomey (Bénin) -- Conservation et restauration Documents audiovisuels -- Conservation et restauration Gestion électronique de documents Getty conservation institute (Los Angeles, Calif.) Getty research institute (Los Angeles, Calif.) J. Paul Getty museum (Los Angeles, Calif.) Maquettes (architecture) -- Conservation et restauration Matériaux organiques -- Analyse Musées -- Éclairage Papier -- Conservation et restauration Patrimoine culturel -- Chine -- Conservation et restauration Patrimoine culturel -- Conservation et restauration -- Documentation Patrimoine culturel -- Conservation et restauration -- Étude et enseignement Patrimoine culturel -- Conservation et restauration -- Recherche Patrimoine culturel -- Numérisation Peinture -- Conservation et restauration Peinture -- Nettoyage Sculpture - Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover A photograph of a conservator at work, circa 1930, from the William Suhr archive of the Research Library at the Getty Research Institute (GRI). Suhr was a conservator at the Detroit Institute of the Arts from 1927 to 1933, before moving to New York to become conservator to the Frick Collection (he also maintained a private practice and after World War II worked closely with dealers and other clients active in the art market). The Suhr archive, which includes photographs and treatment notes from a nearly sixty-year period (1920–1979), is one of a number of collections relevant to conservation that are housed among the extensive holdings of the Research Library at the GRI. Photo: Courtesy the Research Library, Getty Research Institute. © circa 1930, The Detroit Institute of the Arts. A Note from the Director An introduction to this special issue of Conservation, which explores conservation work conducted throughout the programs of the J. Paul Getty Trust. The Getty Conservation Institute The J. Paul Getty Museum The Getty Research Institute The Getty Foundation Conservation Documentation in Digital Form: A Dialogue about the Issues A report on an April 2006 meeting in New York, where representatives from over a dozen major museums in the United States and the United Kingdom gathered for an important discussion regarding conservation documentation. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v21n2.p [...]

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23356	GETTY	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Exclu du prêt

Vol.31 no1(2016:spring) - 2016-03-01 - Conservation in China (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

Permalink

---

1 (1 - 6 / 6)