02.19 - 2019-02-12 (Bulletin de Novum) 

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 02.19 - 2019-02-12 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Aliments -- Conditionnement Art de performance -- 21e siècle Arts graphiques -- Mise en page et typographie Blanc Braille -- Typographie -- 21e siècle Couleur en design Couleurs Couleurs -- Interprétation -- Mise en page Illustration des livres -- 21e siècle Marques de commerce Noir Olislaeger, François (1978-....) Peinture monochrome Scheinberger, Felix (1969-....) Stark, Martin (1973-....) Index. décimale : 766 Arts graphiques Résumé : Even though a whole rainbow of colours is available, creatives still love black and white. Elegant, expressive and somehow fascinatingly elusive, this play of light and shade gives rise to some fantastic work of all kinds. Starting with a wonderful, lavishly produced cover, we bring you exciting work in black and white!For example, we look at the new Frankenstein book, impressively illustrated by Martin Stark in black and white, and we conduct an interview with this gifted illustrator. Sagmeister+Walsh, too, delight us with some insights into a new and exciting project. In Australia we discover the Dolphin Hotel which had it´s new visual identity done all in monochrome (m35). François Olislaeger intrigues us with an installation … entirely without colour. For their own CI, the creatives at Forth+Back also went for monochrome, as did Paul Belford in his packaging for a brand of soap. All this and more awaits in the monochrome world presented in novum 02.19. Note de contenu : In the Showroom section we interviewed Kilian Stauss in his studio processform and talked about interdisciplinary work and the delights of the unexpected. A thought-provoking encounter! We head to Thailand, to Jackkrit Anantakul and delight in his fireworks display of colour and form. In the Netherlands, we discover a talented duo - twins Janna and Hilde Meeus, and their top-class graphic design. Then there´s Studio91 and the intriguing story of how it got going … something you´ll not find by googling. A new series by Patrick Rössler takes us to the more hidden aspects of the Bauhaus, on this, the 100th anniversary of the influential design school. We bring you the first part in this issue. The cover The splendid, mostly hand-finished (!) cover of this issue plays with contrasts in multiple ways: two levels give added charm – finely lasered by Stigler and also hand laminated there. The material AstroKing by Gruppo Cordenons in variants black and white provides the perfect base. You can read just how this was created, and about the technique of delicate lasering and laminating in an interview with Andrea Stigler in this issue. A handy hint in case you want to try out this technique: If you want to do it in a large print run, then start planning well ahead, because it takes time. A lot of it is high-precision work done by hand, and you don´t get this kind of perfection overnight. The result is even more fascinating: Our typographical cover in black and white, designed by Melville Brand Design, was in expert hands at Stigler, who have the skill and patience to produce this kind of quality. Our choice of paper for this – AstroKing (250 gsm, white and 350 gsm black) from Grupo Cordenons, was also perfect for this production: The deep black variant was used as the background, because for lasering it would have produced too much black dust. The bright white variant was no problem to laser. To avoid any colour leakage of the black paper (this, too, you have to check), we varnished the surface, which in turn produced a very interesting surface feel. We also did a binding test on it at f&w (offset printing) – with laminated sheets the final thickness is very much something to take into account. Showrooms processform (GER) Jackkrit Anantakul (THA) Meeusantwerp (NLD) Serie: 100 Jahre Bauhaus Studio 91 (GBR) novum+ BIS Studio Graphique (FRA) Forth + Back (USA) François Olislaeger (FRA) M35 (AUS) Martin Stark (GER) Paul Belford (GBR) SDL (SWE) Sagmeister+Walsh (USA) Studio Oeding (GER) Cover: Melville Brand Design Fotos: Tobias Holzmann / Miriam Zimmer Offset-Druck: f+w Filigranlaserung + -kaschierung: Stigler GmbH Papier: AstroKing (Gruppo Cordenons) [n° ou bulletin]  est un bulletin de Novum 02.19 - 2019-02-12 [texte imprimé] . - 2019. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Aliments -- Conditionnement Art de performance -- 21e siècle Arts graphiques -- Mise en page et typographie Blanc Braille -- Typographie -- 21e siècle Couleur en design Couleurs Couleurs -- Interprétation -- Mise en page Illustration des livres -- 21e siècle Marques de commerce Noir Olislaeger, François (1978-....) Peinture monochrome Scheinberger, Felix (1969-....) Stark, Martin (1973-....) Index. décimale : 766 Arts graphiques Résumé : Even though a whole rainbow of colours is available, creatives still love black and white. Elegant, expressive and somehow fascinatingly elusive, this play of light and shade gives rise to some fantastic work of all kinds. Starting with a wonderful, lavishly produced cover, we bring you exciting work in black and white!For example, we look at the new Frankenstein book, impressively illustrated by Martin Stark in black and white, and we conduct an interview with this gifted illustrator. Sagmeister+Walsh, too, delight us with some insights into a new and exciting project. In Australia we discover the Dolphin Hotel which had it´s new visual identity done all in monochrome (m35). François Olislaeger intrigues us with an installation … entirely without colour. For their own CI, the creatives at Forth+Back also went for monochrome, as did Paul Belford in his packaging for a brand of soap. All this and more awaits in the monochrome world presented in novum 02.19. Note de contenu : In the Showroom section we interviewed Kilian Stauss in his studio processform and talked about interdisciplinary work and the delights of the unexpected. A thought-provoking encounter! We head to Thailand, to Jackkrit Anantakul and delight in his fireworks display of colour and form. In the Netherlands, we discover a talented duo - twins Janna and Hilde Meeus, and their top-class graphic design. Then there´s Studio91 and the intriguing story of how it got going … something you´ll not find by googling. A new series by Patrick Rössler takes us to the more hidden aspects of the Bauhaus, on this, the 100th anniversary of the influential design school. We bring you the first part in this issue. The cover The splendid, mostly hand-finished (!) cover of this issue plays with contrasts in multiple ways: two levels give added charm – finely lasered by Stigler and also hand laminated there. The material AstroKing by Gruppo Cordenons in variants black and white provides the perfect base. You can read just how this was created, and about the technique of delicate lasering and laminating in an interview with Andrea Stigler in this issue. A handy hint in case you want to try out this technique: If you want to do it in a large print run, then start planning well ahead, because it takes time. A lot of it is high-precision work done by hand, and you don´t get this kind of perfection overnight. The result is even more fascinating: Our typographical cover in black and white, designed by Melville Brand Design, was in expert hands at Stigler, who have the skill and patience to produce this kind of quality. Our choice of paper for this – AstroKing (250 gsm, white and 350 gsm black) from Grupo Cordenons, was also perfect for this production: The deep black variant was used as the background, because for lasering it would have produced too much black dust. The bright white variant was no problem to laser. To avoid any colour leakage of the black paper (this, too, you have to check), we varnished the surface, which in turn produced a very interesting surface feel. We also did a binding test on it at f&w (offset printing) – with laminated sheets the final thickness is very much something to take into account. Showrooms processform (GER) Jackkrit Anantakul (THA) Meeusantwerp (NLD) Serie: 100 Jahre Bauhaus Studio 91 (GBR) novum+ BIS Studio Graphique (FRA) Forth + Back (USA) François Olislaeger (FRA) M35 (AUS) Martin Stark (GER) Paul Belford (GBR) SDL (SWE) Sagmeister+Walsh (USA) Studio Oeding (GER) Cover: Melville Brand Design Fotos: Tobias Holzmann / Miriam Zimmer Offset-Druck: f+w Filigranlaserung + -kaschierung: Stigler GmbH Papier: AstroKing (Gruppo Cordenons)

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10.19 - 2019-10-14 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 10.19 - 2019-10-14 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Aliments -- Conditionnement Arts graphiques -- 21e siècle Arts graphiques -- Design Arts graphiques -- Mise en page et typographie Arts graphiques -- Norvège -- 21e siècle Bauhaus Bauhaus -- Publicité -- Europe Gaufrage Impression numérique Impression sérigraphique Impression sur étoffes -- Design Livres -- Couvertures Livres d'artistes Papier -- Dans l'art Périodiques -- Couvertures Publicité -- Mise en page et typographie -- 20e siècle Réalité augmentée Scheinberger, Felix (1969-....) Textiles et tissus -- Design Vieux papiers -- Recyclage Index. décimale : 766 Arts graphiques Résumé : The Oktoberfest in Munich is not normally relevant to the design world, but in this issue of novum it serves as a wonderful source of inspiration for the cover, which is quite literally an all-round delight. On a standard recycling card we used different hot-foil stampings, adding micro-embossing for stylish accent. A total of four different colour variants was produced, finished with two foils in silver and gold and a gold spot colour – the wrap-around motif comes from the Munich design agency Milch+Honig. Other great projects that exploit the possibilities of paper, print and finishing can be found in our novum+ and Showroom sections. There you can enjoy first-class design from France, Hungary, Norway and the Netherlands, as well as eight pages of prize-winning posters from Germany, Austria and Switzerland. Note de contenu : Paper & Print Multisensorics is a big theme at the moment in marketing and communication. After all, we human beings don´t just see, we can also feel, hear and smell. Things that appeal to us on several levels are therefore perceived more intensively, we feel them to be more positive and we remember them for longer. Unusually designed print products can achieve this sustained effect. In the novum+ section this month we bring you lots of exciting examples, such as intelligently conceived packaging, illustrations with hand-made charm and campaigns that attract attention through high-quality finishes. Also there´s lots to discover about recycling papers, beautiful books and sophisticated CIs. In the Showroom section Dutch designer Gilles de Brock explains how coding can boost creativity. Treize Grammes from France takes an opposite line, building charming settings by hand, and Kind from Norway impresses with visual identities that combine emotions with Nordic minimalism. Patrick Rössler presents graphic design treasures from the Bauhaus era, the Hungarian design agency Classmate shows how designers collaborate across different countries and still manage to maintain a coherent line in terms of design. Last, but not least, we interviewed Anette Lenz, jury member of the competition »100 Best Posters — Germany, Austria, Switzerland«, about trends and the meaning of posters today. The cover Why just one cover, when you can have a variety? Embracing this idea, the October issue of novum appears in four different colours and was embossed with two different hot foils and a gold spot colour. For the first time we also used micro-embossing, a technique that enables very fine details to be worked into the embossing die. Often this technique is used in protection against forgery, but as you see from our cover, it is also a great way to create intriguing optical accents. On the wrap-around cover we used five embossing dies in different sizes, made by MSP Prägetechnik. As both larger areas and also fine details were embossed, it was necessary to do extensive testing to produce the best results with foils (Kurz) and paper (RecyCard from Papyrus Deutschland). The embossing itself also required great skill and sensitivity and that was delivered superbly by August Conzelmann AG. The design on the cover comes from Milch+Honig, and, as a design bureau based in Munich, for the October issue the subject foremost in many people´s minds here is the Oktoberfest. As the designers at Milch+Honig have extensive experience with high-end print products, the finishing technique, the paper and the design were all expertly coordinated to produce a beautiful and successful result. And, as masters of all that, Milch+Honig went one step further: with micro-embossing to integrate hidden messages. Working with the motion agency Paul Bewegt, they also concealed one or two things in the cover of novum – digitally, you understand. Using augmented reality parts of the cover can be brought to life – you can see this via an app on your smartphone or tablet. Inhalt Showroom Gilles de Brock Classmate Kind Treize grammes 100 Beste Plakate Bauhaus novum+ Clormann Design WRK Recycling Papiere Anna Niestroj Luminous Editions Non Standard Commission Anagrama Cover design: Milch+Honig Paper: Papyrus Deutschland Hot foil & micro embossing: August Conzelmann GmbH Stamping die: MSP Prägetechnik Foils: Kurz Offset: f&w Medien Augmented Reality: Paul Bewegt Photography: Janina Engel, Tobias Holzmann En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1019/ [n° ou bulletin]  est un bulletin de Novum 10.19 - 2019-10-14 [texte imprimé] . - 2019. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Aliments -- Conditionnement Arts graphiques -- 21e siècle Arts graphiques -- Design Arts graphiques -- Mise en page et typographie Arts graphiques -- Norvège -- 21e siècle Bauhaus Bauhaus -- Publicité -- Europe Gaufrage Impression numérique Impression sérigraphique Impression sur étoffes -- Design Livres -- Couvertures Livres d'artistes Papier -- Dans l'art Périodiques -- Couvertures Publicité -- Mise en page et typographie -- 20e siècle Réalité augmentée Scheinberger, Felix (1969-....) Textiles et tissus -- Design Vieux papiers -- Recyclage Index. décimale : 766 Arts graphiques Résumé : The Oktoberfest in Munich is not normally relevant to the design world, but in this issue of novum it serves as a wonderful source of inspiration for the cover, which is quite literally an all-round delight. On a standard recycling card we used different hot-foil stampings, adding micro-embossing for stylish accent. A total of four different colour variants was produced, finished with two foils in silver and gold and a gold spot colour – the wrap-around motif comes from the Munich design agency Milch+Honig. Other great projects that exploit the possibilities of paper, print and finishing can be found in our novum+ and Showroom sections. There you can enjoy first-class design from France, Hungary, Norway and the Netherlands, as well as eight pages of prize-winning posters from Germany, Austria and Switzerland. Note de contenu : Paper & Print Multisensorics is a big theme at the moment in marketing and communication. After all, we human beings don´t just see, we can also feel, hear and smell. Things that appeal to us on several levels are therefore perceived more intensively, we feel them to be more positive and we remember them for longer. Unusually designed print products can achieve this sustained effect. In the novum+ section this month we bring you lots of exciting examples, such as intelligently conceived packaging, illustrations with hand-made charm and campaigns that attract attention through high-quality finishes. Also there´s lots to discover about recycling papers, beautiful books and sophisticated CIs. In the Showroom section Dutch designer Gilles de Brock explains how coding can boost creativity. Treize Grammes from France takes an opposite line, building charming settings by hand, and Kind from Norway impresses with visual identities that combine emotions with Nordic minimalism. Patrick Rössler presents graphic design treasures from the Bauhaus era, the Hungarian design agency Classmate shows how designers collaborate across different countries and still manage to maintain a coherent line in terms of design. Last, but not least, we interviewed Anette Lenz, jury member of the competition »100 Best Posters — Germany, Austria, Switzerland«, about trends and the meaning of posters today. The cover Why just one cover, when you can have a variety? Embracing this idea, the October issue of novum appears in four different colours and was embossed with two different hot foils and a gold spot colour. For the first time we also used micro-embossing, a technique that enables very fine details to be worked into the embossing die. Often this technique is used in protection against forgery, but as you see from our cover, it is also a great way to create intriguing optical accents. On the wrap-around cover we used five embossing dies in different sizes, made by MSP Prägetechnik. As both larger areas and also fine details were embossed, it was necessary to do extensive testing to produce the best results with foils (Kurz) and paper (RecyCard from Papyrus Deutschland). The embossing itself also required great skill and sensitivity and that was delivered superbly by August Conzelmann AG. The design on the cover comes from Milch+Honig, and, as a design bureau based in Munich, for the October issue the subject foremost in many people´s minds here is the Oktoberfest. As the designers at Milch+Honig have extensive experience with high-end print products, the finishing technique, the paper and the design were all expertly coordinated to produce a beautiful and successful result. And, as masters of all that, Milch+Honig went one step further: with micro-embossing to integrate hidden messages. Working with the motion agency Paul Bewegt, they also concealed one or two things in the cover of novum – digitally, you understand. Using augmented reality parts of the cover can be brought to life – you can see this via an app on your smartphone or tablet. Inhalt Showroom Gilles de Brock Classmate Kind Treize grammes 100 Beste Plakate Bauhaus novum+ Clormann Design WRK Recycling Papiere Anna Niestroj Luminous Editions Non Standard Commission Anagrama Cover design: Milch+Honig Paper: Papyrus Deutschland Hot foil & micro embossing: August Conzelmann GmbH Stamping die: MSP Prägetechnik Foils: Kurz Offset: f&w Medien Augmented Reality: Paul Bewegt Photography: Janina Engel, Tobias Holzmann En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1019/

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10.20 - 2020-10-12 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 10.20 - 2020-10-12 Type de document : texte imprimé Année de publication : 2020 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Arts graphiques -- 21e siècle Arts graphiques -- Corée -- 21e siècle Arts graphiques -- Mise en page et typographie Communication visuelle -- 21e siècle Covid-19 -- Aspect économique -- 21e siècle Covid-19 -- Aspect social -- 21e siècle Data visualisation Mobilité spatiale -- Design Scheinberger, Felix (1969-....) Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : Tourism, commuter traffic, leisure activities, business travel – few sectors have been so avidly talked about, fought over and sorely missed over past months as mobility, both private and public. For the first time society has asked itself: »What good is freedom when we can´t move around unhindered, plan trips and just generally be out and about living our lives?« We took this opportunity to explore in this new issue not only design concepts for conventional means of transport such as planes, cars and bicycles, but also to interview studios and designers who are re-interpreting and re-designing the theme of mobility, and making it fit for the future. Note de contenu : Visionary ideas, innovative concepts For example, our editor-in-chief, Christine Moosmann, talked to the Dutch studio Clever°Franke which specialises in data visualisation, a tool that can have a key impact on improving traffic flows and urban planning. And Corinna Natter, creative director at BMW Mini LIving and responsible for spatial designs for the future, explains in an interview some of the ideas that are being considered in the automotive sector at the moment. Tom Hegen, whose work you saw on the cover of our recent issue on photography, made his »Lockdown Series« available to us, in which he portrays airports where all the planes are grounded. Bratus, a Vietnamese agency, told us about their highly apt corporate identity for the aviation supplier Incentex, and Carlo Ratti Associati, an Italian design studio, set out its visionary idea of turning old shipping containers into mobile, provisional intensive care units for Covid-19 patients, in an open-source initiative. In the Showroom section we present the creative female duo Works Services of Seoul, which in its highly diverse creations, combines Korean design traditions with brightly coloured design elements. Our correspondent Susanne Schaller went to visit the designer Carlotta Origoni, a specialist in silk-screen printing – and produced a studio portrait on this versatile creative. In this issue you can also get to know the Dutch graphic designer Lex Reitsma, who, as a documentary film maker, portrays design greats such as Wim Crouwel. And finally, we take you to Belgium where the agency Oilinwater develops sensational projects. The cover »Finding a motif on such a broad-ranging subject as mobility it not so easy,« admits our art director Tobias Holzmann, who accepted the challenge of designing the cover this month. »After all it covers so many things – from a rocket to a bicycle, and even a stamp on a letter!« And so his design reflects many different directions. It seemed appropriate to make use of the many and varied symbols, signs and graphic designs that we encounter in day-to-day transport, or in long-distance travel. He even sought inspiration in the design of the signs and runway markings at airports. In producing this cover we decided to do something we have been wanting to do for a long time – and, in cooperation with printers Stainer, we have printed this design in screenprint on a rough machine-grey card from Igepa. And the result is, we think, a wonderful contrast of glowing citron yellow and cool grey. In this way the cover takes up visually the many differences, conflicts even, in themes that we are confronted with daily: proximity and distance, technical progress and a return to nature, tradition and innovation. We hope you enjoy the read – and that this issue will also set some wheels in motion in your own heads! The content novum+ mobility Clever°Franke Bike Space Bratus Mini Living Tom Hegen NASA / Standards Manual Cura Pods Thijs Verbeek Showroom Lex Reitsma Works Services Oilinwater Carlotta Origoni Cover Paper: Machine gray cardboard, 300g/qm (Leipa) Distribution: Igepa (Artikelnummer 704370) Screen printing: Stainer Schriften & Siebdruck Cover design: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1020/ [n° ou bulletin]  est un bulletin de Novum 10.20 - 2020-10-12 [texte imprimé] . - 2020. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Arts graphiques -- 21e siècle Arts graphiques -- Corée -- 21e siècle Arts graphiques -- Mise en page et typographie Communication visuelle -- 21e siècle Covid-19 -- Aspect économique -- 21e siècle Covid-19 -- Aspect social -- 21e siècle Data visualisation Mobilité spatiale -- Design Scheinberger, Felix (1969-....) Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : Tourism, commuter traffic, leisure activities, business travel – few sectors have been so avidly talked about, fought over and sorely missed over past months as mobility, both private and public. For the first time society has asked itself: »What good is freedom when we can´t move around unhindered, plan trips and just generally be out and about living our lives?« We took this opportunity to explore in this new issue not only design concepts for conventional means of transport such as planes, cars and bicycles, but also to interview studios and designers who are re-interpreting and re-designing the theme of mobility, and making it fit for the future. Note de contenu : Visionary ideas, innovative concepts For example, our editor-in-chief, Christine Moosmann, talked to the Dutch studio Clever°Franke which specialises in data visualisation, a tool that can have a key impact on improving traffic flows and urban planning. And Corinna Natter, creative director at BMW Mini LIving and responsible for spatial designs for the future, explains in an interview some of the ideas that are being considered in the automotive sector at the moment. Tom Hegen, whose work you saw on the cover of our recent issue on photography, made his »Lockdown Series« available to us, in which he portrays airports where all the planes are grounded. Bratus, a Vietnamese agency, told us about their highly apt corporate identity for the aviation supplier Incentex, and Carlo Ratti Associati, an Italian design studio, set out its visionary idea of turning old shipping containers into mobile, provisional intensive care units for Covid-19 patients, in an open-source initiative. In the Showroom section we present the creative female duo Works Services of Seoul, which in its highly diverse creations, combines Korean design traditions with brightly coloured design elements. Our correspondent Susanne Schaller went to visit the designer Carlotta Origoni, a specialist in silk-screen printing – and produced a studio portrait on this versatile creative. In this issue you can also get to know the Dutch graphic designer Lex Reitsma, who, as a documentary film maker, portrays design greats such as Wim Crouwel. And finally, we take you to Belgium where the agency Oilinwater develops sensational projects. The cover »Finding a motif on such a broad-ranging subject as mobility it not so easy,« admits our art director Tobias Holzmann, who accepted the challenge of designing the cover this month. »After all it covers so many things – from a rocket to a bicycle, and even a stamp on a letter!« And so his design reflects many different directions. It seemed appropriate to make use of the many and varied symbols, signs and graphic designs that we encounter in day-to-day transport, or in long-distance travel. He even sought inspiration in the design of the signs and runway markings at airports. In producing this cover we decided to do something we have been wanting to do for a long time – and, in cooperation with printers Stainer, we have printed this design in screenprint on a rough machine-grey card from Igepa. And the result is, we think, a wonderful contrast of glowing citron yellow and cool grey. In this way the cover takes up visually the many differences, conflicts even, in themes that we are confronted with daily: proximity and distance, technical progress and a return to nature, tradition and innovation. We hope you enjoy the read – and that this issue will also set some wheels in motion in your own heads! The content novum+ mobility Clever°Franke Bike Space Bratus Mini Living Tom Hegen NASA / Standards Manual Cura Pods Thijs Verbeek Showroom Lex Reitsma Works Services Oilinwater Carlotta Origoni Cover Paper: Machine gray cardboard, 300g/qm (Leipa) Distribution: Igepa (Artikelnummer 704370) Screen printing: Stainer Schriften & Siebdruck Cover design: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1020/

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