01.19 - 2019-01-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 01.19 - 2019-01-12 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design Arts graphiques -- Mise en page et typographie Brechbühl, Erich (1977-....) Cartonnages (reliure) -- 21e siècle Communication visuelle -- 21e siècle Design interactif Identité visuelle -- 21e siècle Illustration des livres -- 21e siècle Livres -- Couvertures Marques de commerce Reinke, Katinka Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : Visual identities from all over the world are the focus of this month’s novum+. For clients as diverse as festivals, craftsmen, cannabis products suppliers, or an international ceramic tile award. Explore visual identities in all their facets and international showroom articles on themes from poster design to illustration. Developing visual identities is an exciting process, and not infrequently it involves a lot of work persuading clients to venture in new directions. In the novum+ section of this issue we present a very broad spectrum of distinctive and eye-catching visual identities. The multiple-award-winning visual identity for Theater Rotterdam by Vruchtvlees definitely grabbed our attention, and so, too, did the perfect storytelling in the CI for a Greek boutique hotel by the Luminous Design Group. Last year MRD, a German TV channel, also ventured a new look, with a very finely positioned and strongly conceptual design. Contrasting with this, we present a playful interpretation, for the Edelwise Festival (Das Buro), and a design for an electronics retailer (by Werner Design Werks) that really makes this business stand out from its competitors. In total eleven exciting projects are lined up here for you to explore and enjoy... For our Showroom section we conducted an interview with the outstanding Swiss-school designer and typographer Erich Brechbühl, who has produced some remarkable posters. You can also discover Eva-Maria Offermann’s very conceptual approach to unconventional projects and designs. Plus, we look at how contemporary campaigns develop, in an article about the agency Wolf/Osmankovic, whose work includes the design for a successful election campaign by the Green Party. Also not to be missed is a dip into the portfolio of Casmic Lab, and the imaginative illustrations of Katinka Reinke. Altogether a rich collection of inspiration for a successful new year! The cover Whether it’s for a festival, a new brand or a woodworking business – visual identities all start with the proverbial blank canvas. To reflect this initially neutral surface, we chose for our cover a paper that is very elegant in appearance, but not overt; its charm lies in the interesting structure that lends an added haptic experience. Zeta from Reflex is available in five colours and different weights, which makes it perfect for creating a good impression in both standard business applications and as packaging. It comes in a range of surface finishes – hammered, micro, matt, smooth or linen, each of these variants communicated in a very subtle way. The trouble-free processing and finishing of Zeta gives this paper added advantages as the perfect »blank canvas«. Munich-based designer Christian Hundertmark (C100 Studio) used all these qualities to best effect in communicating our novum+ theme on this month´s cover. Showroom: Erich Brechbühl (SWI) Katinka Reinke (GER) Casmic Lab (ESP) Wolf/Osmankovic (GER) Eva-Maria Offermann (GER) novum+ Bruketa&Zinic&Grey (HRV) Bob Design (GBR) Vruchtvlees (NLD) Das Buro (NLD) Studio Yinsen (ESP) Jens Nilsson (SWE) TRÜF (USA) Werner Design Werks (USA) Blok Design (CAN) Luminous Design Group (GRI) MDR (GER) Cover: Christian Hundertmark (c100 studio) Paper: Reflex Pure (Zeta, 350 g/qm, Leinen, weiß) Print: f&w Mediencenter Photos: Miriam Zimmer, Tobias Holzmann En ligne : https://novum.graphics/magazin/aktuelle-ausgabe/detail/novum-0119/ [n° ou bulletin]  est un bulletin de Novum 01.19 - 2019-01-12 [texte imprimé] . - 2019. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design Arts graphiques -- Mise en page et typographie Brechbühl, Erich (1977-....) Cartonnages (reliure) -- 21e siècle Communication visuelle -- 21e siècle Design interactif Identité visuelle -- 21e siècle Illustration des livres -- 21e siècle Livres -- Couvertures Marques de commerce Reinke, Katinka Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : Visual identities from all over the world are the focus of this month’s novum+. For clients as diverse as festivals, craftsmen, cannabis products suppliers, or an international ceramic tile award. Explore visual identities in all their facets and international showroom articles on themes from poster design to illustration. Developing visual identities is an exciting process, and not infrequently it involves a lot of work persuading clients to venture in new directions. In the novum+ section of this issue we present a very broad spectrum of distinctive and eye-catching visual identities. The multiple-award-winning visual identity for Theater Rotterdam by Vruchtvlees definitely grabbed our attention, and so, too, did the perfect storytelling in the CI for a Greek boutique hotel by the Luminous Design Group. Last year MRD, a German TV channel, also ventured a new look, with a very finely positioned and strongly conceptual design. Contrasting with this, we present a playful interpretation, for the Edelwise Festival (Das Buro), and a design for an electronics retailer (by Werner Design Werks) that really makes this business stand out from its competitors. In total eleven exciting projects are lined up here for you to explore and enjoy... For our Showroom section we conducted an interview with the outstanding Swiss-school designer and typographer Erich Brechbühl, who has produced some remarkable posters. You can also discover Eva-Maria Offermann’s very conceptual approach to unconventional projects and designs. Plus, we look at how contemporary campaigns develop, in an article about the agency Wolf/Osmankovic, whose work includes the design for a successful election campaign by the Green Party. Also not to be missed is a dip into the portfolio of Casmic Lab, and the imaginative illustrations of Katinka Reinke. Altogether a rich collection of inspiration for a successful new year! The cover Whether it’s for a festival, a new brand or a woodworking business – visual identities all start with the proverbial blank canvas. To reflect this initially neutral surface, we chose for our cover a paper that is very elegant in appearance, but not overt; its charm lies in the interesting structure that lends an added haptic experience. Zeta from Reflex is available in five colours and different weights, which makes it perfect for creating a good impression in both standard business applications and as packaging. It comes in a range of surface finishes – hammered, micro, matt, smooth or linen, each of these variants communicated in a very subtle way. The trouble-free processing and finishing of Zeta gives this paper added advantages as the perfect »blank canvas«. Munich-based designer Christian Hundertmark (C100 Studio) used all these qualities to best effect in communicating our novum+ theme on this month´s cover. Showroom: Erich Brechbühl (SWI) Katinka Reinke (GER) Casmic Lab (ESP) Wolf/Osmankovic (GER) Eva-Maria Offermann (GER) novum+ Bruketa&Zinic&Grey (HRV) Bob Design (GBR) Vruchtvlees (NLD) Das Buro (NLD) Studio Yinsen (ESP) Jens Nilsson (SWE) TRÜF (USA) Werner Design Werks (USA) Blok Design (CAN) Luminous Design Group (GRI) MDR (GER) Cover: Christian Hundertmark (c100 studio) Paper: Reflex Pure (Zeta, 350 g/qm, Leinen, weiß) Print: f&w Mediencenter Photos: Miriam Zimmer, Tobias Holzmann En ligne : https://novum.graphics/magazin/aktuelle-ausgabe/detail/novum-0119/

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11.19 - 2019-10-21 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 11.19 - 2019-10-21 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques -- Pays arabes -- 21e siècle Campagne -- Illustrations, images, etc. -- Design Cartonnages (reliure) -- 21e siècle Gaufrage Livres animés -- Innovations technologiques -- 21e siècle Périodiques -- Couvertures -- Technique -- 21e siècle Travail du papier -- Innovations technologiques -- 21e siècle Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : »I have never tried that before, so I think I should definitely be able to do that«, says Pippi Longstocking. In this issue we too tried something that was never done before. For the cover of this issue we used 1,4 mm strong mechanical pulp board, commonly used for making beer mats. It’s being said, that this material cannot be folded and bound – we tried it nevertheless and lo and behold, it worked! Our November issue is really coming on strong. The cover draws attention with a shimmering hot foil and letterpress and inside the magazine a lot of great projects from studios all around the world await our readers. In our novum+ section we wanted to know, what it feels like to work in the countryside. What problems do designers face, what does the daily routine look like and what makes living in the countryside so attractive? Out in the sticks there is quite a lot to discover … Note de contenu : Countryside Like few other professions, designers are free to choose where to work from. Decent WiFi, a laptop and a bit of discipline and Bob’s your uncle. But what does it really feel like, if you dare to move to the countryside permanently? When clients are far away and visiting exhibitions, concerts or conferences means travelling for a day and how to deal with sceptical natives? We asked designers, who followed up on their dream and who developed different strategies to reconcile work and county-living. In our showroom section too, there is a lot to discover. Oslo for example has indulged in a new corporate design and we looked behind the scenes of this complex design process. In Qatar athletes demonstrate marvellous achievements, but the small country also sports a design scene that is worth looking at. And of course, typography is always a topic in novum magazine. In this issue we visited Dutch calligrapher Guido de Boer and his impressive letterings as well as the French typo-lovers from My Name is Wendy. The cover »I have never tried that before, so I think I should definitely be able to do that«, says Pippi Longstocking. In this issue we too tried something that was never done before. For the cover of this issue we used 1,4 mm strong mechanical pulp board, commonly used for making beer mats. It’s being said, that this material cannot be folded and bound – we tried it nevertheless and lo and behold, it worked! Mechanical pulp board may be tricky to bind, but it feels very nice to the touch and it can be used for all kinds of print finishing techniques such as hot foil embossing or letterpress. Content Showroom Guido de Boer (NLD) Creuna (NOR) Alejandro Magallanes (MEX) Creative Union (QAT) Roots (SGP) My Name is Wendy (FRA) novum+ Studo Amore (GER) SPY (GBR) Laura Moretti (ITA) Simon Marchner (GER) Papiermühle Homburg (GER) Smith + Village (FRA) Roadtyping (GER) Struktiv (AUT) AD Design Agency (GRC) Cover Paper: mechanical pulp board, 1,4 mm Offset, hot foil and letterpress: Druckerei Thieme Foil: Foilco Bookbinding: f&w Design: Tobias Holzmann Photos: Janina Engel En ligne : https://novum.graphics/en/magazine/current-issue/ [n° ou bulletin]  est un bulletin de Novum 11.19 - 2019-10-21 [texte imprimé] . - 2019. Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques -- Pays arabes -- 21e siècle Campagne -- Illustrations, images, etc. -- Design Cartonnages (reliure) -- 21e siècle Gaufrage Livres animés -- Innovations technologiques -- 21e siècle Périodiques -- Couvertures -- Technique -- 21e siècle Travail du papier -- Innovations technologiques -- 21e siècle Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : »I have never tried that before, so I think I should definitely be able to do that«, says Pippi Longstocking. In this issue we too tried something that was never done before. For the cover of this issue we used 1,4 mm strong mechanical pulp board, commonly used for making beer mats. It’s being said, that this material cannot be folded and bound – we tried it nevertheless and lo and behold, it worked! Our November issue is really coming on strong. The cover draws attention with a shimmering hot foil and letterpress and inside the magazine a lot of great projects from studios all around the world await our readers. In our novum+ section we wanted to know, what it feels like to work in the countryside. What problems do designers face, what does the daily routine look like and what makes living in the countryside so attractive? Out in the sticks there is quite a lot to discover … Note de contenu : Countryside Like few other professions, designers are free to choose where to work from. Decent WiFi, a laptop and a bit of discipline and Bob’s your uncle. But what does it really feel like, if you dare to move to the countryside permanently? When clients are far away and visiting exhibitions, concerts or conferences means travelling for a day and how to deal with sceptical natives? We asked designers, who followed up on their dream and who developed different strategies to reconcile work and county-living. In our showroom section too, there is a lot to discover. Oslo for example has indulged in a new corporate design and we looked behind the scenes of this complex design process. In Qatar athletes demonstrate marvellous achievements, but the small country also sports a design scene that is worth looking at. And of course, typography is always a topic in novum magazine. In this issue we visited Dutch calligrapher Guido de Boer and his impressive letterings as well as the French typo-lovers from My Name is Wendy. The cover »I have never tried that before, so I think I should definitely be able to do that«, says Pippi Longstocking. In this issue we too tried something that was never done before. For the cover of this issue we used 1,4 mm strong mechanical pulp board, commonly used for making beer mats. It’s being said, that this material cannot be folded and bound – we tried it nevertheless and lo and behold, it worked! Mechanical pulp board may be tricky to bind, but it feels very nice to the touch and it can be used for all kinds of print finishing techniques such as hot foil embossing or letterpress. Content Showroom Guido de Boer (NLD) Creuna (NOR) Alejandro Magallanes (MEX) Creative Union (QAT) Roots (SGP) My Name is Wendy (FRA) novum+ Studo Amore (GER) SPY (GBR) Laura Moretti (ITA) Simon Marchner (GER) Papiermühle Homburg (GER) Smith + Village (FRA) Roadtyping (GER) Struktiv (AUT) AD Design Agency (GRC) Cover Paper: mechanical pulp board, 1,4 mm Offset, hot foil and letterpress: Druckerei Thieme Foil: Foilco Bookbinding: f&w Design: Tobias Holzmann Photos: Janina Engel En ligne : https://novum.graphics/en/magazine/current-issue/

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N°198(décembre 2018-janvier/février 2019) - 2018-12-01 - Victor Boëda : le design au service du luxe (Bulletin de Intramuros) 

Public ISBD [n° ou bulletin]  est un bulletin de Intramuros Titre : N°198(décembre 2018-janvier/février 2019) - 2018-12-01 - Victor Boëda : le design au service du luxe Type de document : texte imprimé Année de publication : 2018 Langues : Français (fre) Catégories : Ateliers Jean Perzel Boëda, Victor Bois - Design Bois dans l'art Cartonnages (reliure) -- 21e siècle Constructions commerciales -- Aménagement -- Paris (France) -- 21e siècle Designers -- 21e siècle Hermès (Firme) Impression 3D Jeunes artistes -- 21e siècle Luminaires -- Design -- France Ponti, Gio (1891-1979) -- Expositions -- Paris (France) -- 21e siècle Produits de luxe -- Design -- 21e siècle Storytelling Vitrines (magasins) -- Aménagement -- Paris (France) -- 21e siècle Index. décimale : 7.05 Design industriel Résumé : Victor Boëda : le design au service du luxe Prospective : les designers dessinent le luxe de demain ! Sommet du Design de Paris : 2019, vers une stratégie internationale ? [n° ou bulletin]  est un bulletin de Intramuros N°198(décembre 2018-janvier/février 2019) - 2018-12-01 - Victor Boëda : le design au service du luxe [texte imprimé] . - 2018. Langues : Français (fre) Catégories : Ateliers Jean Perzel Boëda, Victor Bois - Design Bois dans l'art Cartonnages (reliure) -- 21e siècle Constructions commerciales -- Aménagement -- Paris (France) -- 21e siècle Designers -- 21e siècle Hermès (Firme) Impression 3D Jeunes artistes -- 21e siècle Luminaires -- Design -- France Ponti, Gio (1891-1979) -- Expositions -- Paris (France) -- 21e siècle Produits de luxe -- Design -- 21e siècle Storytelling Vitrines (magasins) -- Aménagement -- Paris (France) -- 21e siècle Index. décimale : 7.05 Design industriel Résumé : Victor Boëda : le design au service du luxe Prospective : les designers dessinent le luxe de demain ! Sommet du Design de Paris : 2019, vers une stratégie internationale ?

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