Technical Analysis and Attribution of an Unknown Henryk Siemiradzki Nineteenth Century Painting The Feast of Dionysius I, Revealing a Hidden Composition in Studies in conservation, Vol.67 N°7-8(2022; October-November) (2022-10-01)  

Public ISBD [article]  inStudies in conservation > Vol.67 N°7-8(2022; October-November) (2022-10-01) . - P. 430-444 Titre : Technical Analysis and Attribution of an Unknown Henryk Siemiradzki Nineteenth Century Painting The Feast of Dionysius I, Revealing a Hidden Composition Type de document : texte imprimé Année de publication : 2022 Article en page(s) : P. 430-444 Langues : Anglais (eng) Catégories : Imagerie infrarouge Peinture -- Pologne -- 19e siècle -- Attribution Peinture -- Pologne -- 19e siècle -- Conservation et restauration Peinture -- Pologne -- 19e siècle -- Recyclage Pigments -- 19e siècle -- Analyse Siemiradzki, Henryk (1843-1902) Spectroscopie de fluorescence Spectroscopie infrarouge Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : This article presents the results of a study conducted on The Feast of Dionysius I, a previously unknown painting attributed to Henryk Siemiradzki (1843–1902), one of the most prominent Polish painters of the nineteenth century. Analyses were performed to verify the proposed artist. The results were surprising. Not only did they confirm the authenticity of the work, but they also revealed another paint sketch underneath. We determined that the first chronologically created composition was a unique study for Siemiradzki’s famous large-scale painting, Nero’s Torches. It was possible to draw these conclusions by using of imaging at a range of wave lengths and by conducting multiple analyses with the following techniques: optical microscopy in visible light and ultraviolet radiation, scanning electron microscopy coupled with energy dispersive X-ray spectroscopy, X-ray fluorescence spectrometry, and Fourier transform infrared spectroscopy. Our findings were also supported by documentary sources. The results of these analyses were then compared with the database regarding the materials (including pigments) and methods of executing paintings applied by Henryk Siemiradzki. The database was compiled based on the examinations conducted in the National Museum in Krakow of Siemiradzki’s 75 oil paintings En ligne : https://www.tandfonline.com/doi/abs/10.1080/00393630.2021.1898884 [article] Technical Analysis and Attribution of an Unknown Henryk Siemiradzki Nineteenth Century Painting The Feast of Dionysius I, Revealing a Hidden Composition [texte imprimé] . - 2022 . - P. 430-444. Langues : Anglais (eng) in Studies in conservation > Vol.67 N°7-8(2022; October-November) (2022-10-01) . - P. 430-444 Catégories : Imagerie infrarouge Peinture -- Pologne -- 19e siècle -- Attribution Peinture -- Pologne -- 19e siècle -- Conservation et restauration Peinture -- Pologne -- 19e siècle -- Recyclage Pigments -- 19e siècle -- Analyse Siemiradzki, Henryk (1843-1902) Spectroscopie de fluorescence Spectroscopie infrarouge Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : This article presents the results of a study conducted on The Feast of Dionysius I, a previously unknown painting attributed to Henryk Siemiradzki (1843–1902), one of the most prominent Polish painters of the nineteenth century. Analyses were performed to verify the proposed artist. The results were surprising. Not only did they confirm the authenticity of the work, but they also revealed another paint sketch underneath. We determined that the first chronologically created composition was a unique study for Siemiradzki’s famous large-scale painting, Nero’s Torches. It was possible to draw these conclusions by using of imaging at a range of wave lengths and by conducting multiple analyses with the following techniques: optical microscopy in visible light and ultraviolet radiation, scanning electron microscopy coupled with energy dispersive X-ray spectroscopy, X-ray fluorescence spectrometry, and Fourier transform infrared spectroscopy. Our findings were also supported by documentary sources. The results of these analyses were then compared with the database regarding the materials (including pigments) and methods of executing paintings applied by Henryk Siemiradzki. The database was compiled based on the examinations conducted in the National Museum in Krakow of Siemiradzki’s 75 oil paintings En ligne : https://www.tandfonline.com/doi/abs/10.1080/00393630.2021.1898884

Vol.64 N°5-6(2019 ; July-August) - 2019-07-01 (Bulletin de Studies in conservation)    

Public ISBD [n° ou bulletin]  est un bulletin de Studies in conservation / Institut international de conservation des oeuvres historiques et artistiques Titre : Vol.64 N°5-6(2019 ; July-August) - 2019-07-01 Type de document : texte imprimé Année de publication : 2019 Langues : Anglais (eng) Catégories : Bois -- Conservation et restauration Bois -- Détérioration Conservation et restauration -- Appareils et matériel Conservation et restauration -- Qatar Corrosion de contact Cyanobactéries Imagerie ultrasonore Interférométrie Matériaux -- Microscopie Métaux -- Corrosion Peinture -- Nettoyage Peinture -- Pologne -- 19e siècle -- Conservation et restauration Peinture -- Pologne -- 19e siècle -- Identification Peinture -- Technique -- Identification Peinture et décoration murales -- Conservation et restauration Peinture et décoration murales -- Identification Peinture sur ivoire -- Japon -- 1er siècle -- Conservation et restauration Peinture-émulsion -- Conservation et restauration Photographie -- Mise en couleurs -- 19e siècle Pierre à bâtir -- Biodégradation Rayons X -- Diffraction Rotin -- Asie du Sud-Est -- Conservation et restauration Sculpture sur ivoire -- Japon -- 1er siècle -- Conservation et restauration Shōsōin Treasure House (Nara, Japon) Siemiradzki, Henryk (1843-1902) Silice Solvants Spectroscopie de fluorescence Spectroscopie de réflectance Spectroscopie des rayons X Spectroscopie Raman Verre -- Corrosion Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Mazzetto, S., and A. Petruccioli, "Methods and Techniques Used in Significant Restoration Projects in Qatar", Studies in Conservation, vol. 63, no. 5: Routledge, pp. 303-314, 2018. Nakamura, R., and M. Naruse, "Spectroscopic Analysis of Colorants Used for bachiru Carving Technique Found in the Shosoin Treasures", Studies in Conservation, vol. 63, no. 5: Routledge, pp. 267-276, 2018. Sarkowicz, D., and A. Klisińska-Kopacz, "Investigation of the Painting Idyll Attributed to Henryk Siemiradzki: The Unusual Technology of a Canvas Painting Executed on an Enlarged Photograph", Studies in Conservation, vol. 63, no. 5: Routledge, pp. 251-266, 2018. Draganov, D., J. Hunziker, K. Heller, K. Gutkowski, and F. Marte, "High-Resolution Ultrasonic Imaging of Artworks with Seismic Interferometry for Their Conservation and Restoration", Studies in Conservation, vol. 63, no. 5: Routledge, pp. 277-291, 2018. Popović, S., M. Stupar, N. Unković, G. Subakov Simić, and M. Ljaljević Grbić, "Diversity of Terrestrial Cyanobacteria Colonizing Selected Stone Monuments in Serbia", Studies in Conservation, vol. 63, no. 5: Routledge, pp. 292-302, 2018. Hudson-McAulay, K., D. Auty, and M. C. Jarvis, "FTIR Measurement of Cellulose Microfibril Angle in Historic Scots Pine Wood and Its Use to Detect Fungal Decay", Studies in Conservation, vol. 63, no. 6: Routledge, pp. 375-382, 2018. Fischer, A., G. Eggert, R. Dinnebier, and T. Runčevski, "When Glass and Metal Corrode Together, V: Sodium Copper Formate", Studies in Conservation, vol. 63, no. 6: Routledge, pp. 342-355, 2018. Cremonesi, P., "Combination of a Liquid-Dispensing and Micro-Aspiration Device for the Cleaning of Sensitive Painted Surfaces", Studies in Conservation, vol. 63, no. 6: Routledge, pp. 315-325, 2018. Szczepanowska, H. M., "Deconstructing Rattan: Morphology of Biogenic Silica in Rattan and Its Impact on Preservation of Southeast Asian Art and Artifacts Made of Rattan", Studies in Conservation, vol. 63, no. 6: Routledge, pp. 356-374, 2018. Regazzoni, L., G. Cavallo, D. Biondelli, and J. Gilardi, "Microscopic Analysis of Wall Painting Techniques: Laboratory Replicas and Romanesque Case Studies in Southern Switzerland", Studies in Conservation, vol. 63, no. 6: Routledge, pp. 326-341, 2018. En ligne : https://www.iiconservation.org/ [n° ou bulletin]  est un bulletin de Studies in conservation / Institut international de conservation des oeuvres historiques et artistiques Vol.64 N°5-6(2019 ; July-August) - 2019-07-01 [texte imprimé] . - 2019. Langues : Anglais (eng) Catégories : Bois -- Conservation et restauration Bois -- Détérioration Conservation et restauration -- Appareils et matériel Conservation et restauration -- Qatar Corrosion de contact Cyanobactéries Imagerie ultrasonore Interférométrie Matériaux -- Microscopie Métaux -- Corrosion Peinture -- Nettoyage Peinture -- Pologne -- 19e siècle -- Conservation et restauration Peinture -- Pologne -- 19e siècle -- Identification Peinture -- Technique -- Identification Peinture et décoration murales -- Conservation et restauration Peinture et décoration murales -- Identification Peinture sur ivoire -- Japon -- 1er siècle -- Conservation et restauration Peinture-émulsion -- Conservation et restauration Photographie -- Mise en couleurs -- 19e siècle Pierre à bâtir -- Biodégradation Rayons X -- Diffraction Rotin -- Asie du Sud-Est -- Conservation et restauration Sculpture sur ivoire -- Japon -- 1er siècle -- Conservation et restauration Shōsōin Treasure House (Nara, Japon) Siemiradzki, Henryk (1843-1902) Silice Solvants Spectroscopie de fluorescence Spectroscopie de réflectance Spectroscopie des rayons X Spectroscopie Raman Verre -- Corrosion Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Mazzetto, S., and A. Petruccioli, "Methods and Techniques Used in Significant Restoration Projects in Qatar", Studies in Conservation, vol. 63, no. 5: Routledge, pp. 303-314, 2018. Nakamura, R., and M. Naruse, "Spectroscopic Analysis of Colorants Used for bachiru Carving Technique Found in the Shosoin Treasures", Studies in Conservation, vol. 63, no. 5: Routledge, pp. 267-276, 2018. Sarkowicz, D., and A. Klisińska-Kopacz, "Investigation of the Painting Idyll Attributed to Henryk Siemiradzki: The Unusual Technology of a Canvas Painting Executed on an Enlarged Photograph", Studies in Conservation, vol. 63, no. 5: Routledge, pp. 251-266, 2018. Draganov, D., J. Hunziker, K. Heller, K. Gutkowski, and F. Marte, "High-Resolution Ultrasonic Imaging of Artworks with Seismic Interferometry for Their Conservation and Restoration", Studies in Conservation, vol. 63, no. 5: Routledge, pp. 277-291, 2018. Popović, S., M. Stupar, N. Unković, G. Subakov Simić, and M. Ljaljević Grbić, "Diversity of Terrestrial Cyanobacteria Colonizing Selected Stone Monuments in Serbia", Studies in Conservation, vol. 63, no. 5: Routledge, pp. 292-302, 2018. Hudson-McAulay, K., D. Auty, and M. C. Jarvis, "FTIR Measurement of Cellulose Microfibril Angle in Historic Scots Pine Wood and Its Use to Detect Fungal Decay", Studies in Conservation, vol. 63, no. 6: Routledge, pp. 375-382, 2018. Fischer, A., G. Eggert, R. Dinnebier, and T. Runčevski, "When Glass and Metal Corrode Together, V: Sodium Copper Formate", Studies in Conservation, vol. 63, no. 6: Routledge, pp. 342-355, 2018. Cremonesi, P., "Combination of a Liquid-Dispensing and Micro-Aspiration Device for the Cleaning of Sensitive Painted Surfaces", Studies in Conservation, vol. 63, no. 6: Routledge, pp. 315-325, 2018. Szczepanowska, H. M., "Deconstructing Rattan: Morphology of Biogenic Silica in Rattan and Its Impact on Preservation of Southeast Asian Art and Artifacts Made of Rattan", Studies in Conservation, vol. 63, no. 6: Routledge, pp. 356-374, 2018. Regazzoni, L., G. Cavallo, D. Biondelli, and J. Gilardi, "Microscopic Analysis of Wall Painting Techniques: Laboratory Replicas and Romanesque Case Studies in Southern Switzerland", Studies in Conservation, vol. 63, no. 6: Routledge, pp. 326-341, 2018. En ligne : https://www.iiconservation.org/

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