03.17 - 2017-03-12 (Bulletin de Novum)

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 03.17 - 2017-03-12 Type de document : texte imprimé Année de publication : 2017 Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques Collage (art) Illustration des livres - Guides pratiques et mémentos Mise en page -- Guides pratiques et mémentos Typographie - Design Index. décimale : 766 Arts graphiques Résumé : For the March issue of novum, which focuses on the theme on illustration, we have once again pulled out all the stops to produce over 12,500 absolutely unique and different covers! How did we do it? Find out more about this unusual issue … Taking inspiration from lithographic printing How did we produce this unusual issue? Well, it’s all down to Swiss creative Marcus Kraft and his hands-on skill. He drew four different motifs and, actually during the printing process itself, continued to work on these motifs – changing the colours, ink flow and quantities, spraying with water drops and making scratches on the printing plate. The resulted in lots of intriguing variants on geometric forms. For this production we at novum and Marcus Kraft took inspiration from classical lithographic printing. We also used this technique for a limited edition of art prints of the cover motif, and here, too, Wolfensberger AG was our expert partner. Some of these numbered lithographic prints (only 50 have been produced) are going to be given away in a draw to lucky novum readers. To enter, readers simply photograph their own personal copy of the March issue of novum, post it at #novum-magazine and send the editors (verlosung@novum.graphics) the link by 10 March 2017. Then their names will automatically go forward to the prize draw. Inside the cover novum readers can look forward to an international line-up of exceptional illustration talent, plus a world tour of graphic design taking them to Japan (Studio Ouwn), to Edgar Bąk in Poland, Violaine & Jérémy (France), Rosendahl (Germany) and PFP Disseny (Spain). Note de contenu : Content novum+ Irma Gruenholz (ESP) Bohem Verlag (GER) Olivia Knapp (USA) Lola Dupre (ESP) Sara Ciprandi (ITA) Pavel Mishkin (RUS) Florian Bayer (GER) Lennart Foppe (GER) Die Erde und ich / The earth and I (GBR) showroom Ouwn (JAP) Rosendahl (GER) Edgar Bąk (POL) PFP Disseny (ESP) Violaine & Jérémy (FRA) Cover design: Marcus Kraft (SWI) Paper: Funktional Weiß in 350 g/qm (Cover) und BFK Rives Weiß in 270 g/qm (art print) von Römerturm Offset printing (Cover) + lithographic printing (art prints): J.E. Wolfensberger AG Offset printing (inside pages): F&W Druck- und Mediencenter GmbH Photographs of novum 03.17: Dominic Brighton Photographs of the printing process: Studio Marcus Kraft [n° ou bulletin]  est un bulletin de Novum 03.17 - 2017-03-12 [texte imprimé] . - 2017. Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques Collage (art) Illustration des livres - Guides pratiques et mémentos Mise en page -- Guides pratiques et mémentos Typographie - Design Index. décimale : 766 Arts graphiques Résumé : For the March issue of novum, which focuses on the theme on illustration, we have once again pulled out all the stops to produce over 12,500 absolutely unique and different covers! How did we do it? Find out more about this unusual issue … Taking inspiration from lithographic printing How did we produce this unusual issue? Well, it’s all down to Swiss creative Marcus Kraft and his hands-on skill. He drew four different motifs and, actually during the printing process itself, continued to work on these motifs – changing the colours, ink flow and quantities, spraying with water drops and making scratches on the printing plate. The resulted in lots of intriguing variants on geometric forms. For this production we at novum and Marcus Kraft took inspiration from classical lithographic printing. We also used this technique for a limited edition of art prints of the cover motif, and here, too, Wolfensberger AG was our expert partner. Some of these numbered lithographic prints (only 50 have been produced) are going to be given away in a draw to lucky novum readers. To enter, readers simply photograph their own personal copy of the March issue of novum, post it at #novum-magazine and send the editors (verlosung@novum.graphics) the link by 10 March 2017. Then their names will automatically go forward to the prize draw. Inside the cover novum readers can look forward to an international line-up of exceptional illustration talent, plus a world tour of graphic design taking them to Japan (Studio Ouwn), to Edgar Bąk in Poland, Violaine & Jérémy (France), Rosendahl (Germany) and PFP Disseny (Spain). Note de contenu : Content novum+ Irma Gruenholz (ESP) Bohem Verlag (GER) Olivia Knapp (USA) Lola Dupre (ESP) Sara Ciprandi (ITA) Pavel Mishkin (RUS) Florian Bayer (GER) Lennart Foppe (GER) Die Erde und ich / The earth and I (GBR) showroom Ouwn (JAP) Rosendahl (GER) Edgar Bąk (POL) PFP Disseny (ESP) Violaine & Jérémy (FRA) Cover design: Marcus Kraft (SWI) Paper: Funktional Weiß in 350 g/qm (Cover) und BFK Rives Weiß in 270 g/qm (art print) von Römerturm Offset printing (Cover) + lithographic printing (art prints): J.E. Wolfensberger AG Offset printing (inside pages): F&W Druck- und Mediencenter GmbH Photographs of novum 03.17: Dominic Brighton Photographs of the printing process: Studio Marcus Kraft

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11.17 - 2017-11-13 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 11.17 - 2017-11-13 Type de document : texte imprimé Année de publication : 2017 Note générale : Electrifying 12.10.2017 Charles Eames once said: »The details are not the details. They make the design«. And in this month’s novum we are putting those very details centre-stage, as we look at the small components that make a design distinctive and unique. We also feature an interesting interview with the internationally famous creatives from Snask and the fantastic collages by Elisa Vendramin; we glimpse behind the scenes at the British studio Iwant, and peruse the amazing portfolio of konter… Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Architecture -- Dessins et plans Arts graphiques - Couleur Arts graphiques -- 21e siècle Arts graphiques -- Typographie Collage (art) Communication en marketing Communication visuelle -- 21e siècle Détails (art) Halbert, Michael Illustration -- technique Livres -- Mise en page Livres d'artistes Marques de commerce - Marketing Restaurants -- Aménagement Snask (Firm) Travail du papier Typographie - Design Wrigley, William (1861-1932) Index. décimale : 766 Arts graphiques Résumé : Small cause, large effect – that is true not only of the famous »butterfly effect«. It applies also to so many other things in daily life and of course it applies to graphic design. A detail such as bold use of just one impressive colour can make all the difference. We think you´ll agree this technique has certainly produced an eye-catching result on this month´s cover, of which there is not one, but two variants! As regards content, the focus is our novum+ section is exclusively on details: For this we talked to type guru Friedrich Forssmann about the obsessiveness that is essential for any typographer, conducted an interview with designer-craftswoman Katja Knahn and explored the new visual identity of City College in New York. We also had a very productive chat with Carlos Magro, Creative Director at Interbrand Spain, about his unusual CD – called »Mind the Gap« – for an international firm of lawyers. And we feature a jaw-dropping interior design for a restaurant – with walls lined with thousands of bones. Cadena of Mexico tells us how their design came about. In the Showroom this time, we have a diversity of styles and genres: Fantastic collages from Elisa Vendramin await your inspection, along with sophisticated packaging from British studio Iwant. Plus we reveal how design greats Snask with their rock ‘n’ roll discipline made it to the top – and not only with their redesign for North Korea. Beatriz Costo often lets her creativity flow into editorial design projects, and our cover designers – Dortmund-based design studio konter – show us their inspiring portfolio. How do you protect creative titles? This is the question tackled by lawyer Andrijana Kojic; she gives practical advice in her legal column. And Andreas Koop in his column muses on why, even in design commissions for industry, so much trickery and cheating goes on … unreal realities! And – did you know that Wrigley´s now iconic chewing gum was actually not the manufacturer’s own product at all in the early days? From give-away to world fame – find out more about this exciting brand story…. The cover If you want to be subtle, then avoid Electric Blood and Vibrant Arsenic from the Action range of papermakers Gmund. But if you want to make a splash, then you´ll be very, very happy with this material. Electric Blood is a very specific colour – somewhere between red and orange with an almost neon-like effect. A special surface treatment, applied after the paper has been produced, gives it that distinctive shimmer. Vibrant Arsenic, with the same surface, is a resplendent pure neon yellow. We have used both in producing the cover for this month´s novum, but whichever one you have ended up with, there’s no chance of losing it on your shelves. All the ten expressive colours in Gmund Action – available from Papyrus – keep their promise: Go to Hell Black, Alpine Sparkling Water, Crystal Vanilla Sorbet, Nuclear Acid, Clear Sky Blue, Pastel Heart Attack, Night Offshore Blue, Dark Silver Cloud and of course also Vibrant Arsenic und Electric Blood. Whether you use them for packaging or envelopes, this colour range really grabs the attention. Available in 300 to 430 gsm, any application is guaranteed to get noticed. So, for communication that really stands out, choose a muted colour for the letter and put it in one of these Gmund Action envelopes. The finish Any complicated processing of these visually prominent materials would almost be one detail too far, so the designers at konter studio limited themselves to the contrast-rich progression in one special colour (Pantone 286 C) and a fine embossing carefully finished with hot foil. Thus finished, their artwork uniquely interprets the focus theme this month in a unique way: »Complexity, yes. Sometimes simple but hidden, allows playfulness« … to be discovered on the back cover of this issue. »We love the details. Very often it´s not the overall picture that we delight in, but the tiny, hidden, special aspects, that sometimes can be implemented without an enormous budget. And things really get rewarding when have the opportunity to spend time on such details. So what we produced here is a motif that at first sight is just a burst of colour, but on closer inspection you see the delicate embossing and the hidden content,« say Michelle Flunger and Sascha Schilling of konter – Studio für Gestaltung. The foil embossing was done by the Forum Prägefolien Veredelung, a society of finishing experts and specialists offering advice and services in the different types of hot foil stamping, from micro-embossing to structure, relief and blind blocking. www.look-and-feel.net novum+ Cadena (MEX) Michael Halbert (USA) Campbell Hay (GBR) Friedrich Forssman (GER) Katja Knahn (GER) Interbrand (ESP) Menos Es Más (ESP) Showroom Snask (SWE) Iwant Design (GBR) Beatriz Costo (ESP) Konter (GER) Elisa Vendramin (ITA) Neue Typgraphie, Teil VI Paper: Gmund Action, Papyrus, www.papyrus.com Offset printing: f&w Druck- und Mediencenter Embossing and hot foil: Forum Prägefolien Veredelung, www.look-and-feel.net Cover design: konter, www.studiokonter.de Special colour: Pantone 286 C Photos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-1117/ [n° ou bulletin]  est un bulletin de Novum 11.17 - 2017-11-13 [texte imprimé] . - 2017. Electrifying 12.10.2017 Charles Eames once said: »The details are not the details. They make the design«. And in this month’s novum we are putting those very details centre-stage, as we look at the small components that make a design distinctive and unique. We also feature an interesting interview with the internationally famous creatives from Snask and the fantastic collages by Elisa Vendramin; we glimpse behind the scenes at the British studio Iwant, and peruse the amazing portfolio of konter… Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Architecture -- Dessins et plans Arts graphiques - Couleur Arts graphiques -- 21e siècle Arts graphiques -- Typographie Collage (art) Communication en marketing Communication visuelle -- 21e siècle Détails (art) Halbert, Michael Illustration -- technique Livres -- Mise en page Livres d'artistes Marques de commerce - Marketing Restaurants -- Aménagement Snask (Firm) Travail du papier Typographie - Design Wrigley, William (1861-1932) Index. décimale : 766 Arts graphiques Résumé : Small cause, large effect – that is true not only of the famous »butterfly effect«. It applies also to so many other things in daily life and of course it applies to graphic design. A detail such as bold use of just one impressive colour can make all the difference. We think you´ll agree this technique has certainly produced an eye-catching result on this month´s cover, of which there is not one, but two variants! As regards content, the focus is our novum+ section is exclusively on details: For this we talked to type guru Friedrich Forssmann about the obsessiveness that is essential for any typographer, conducted an interview with designer-craftswoman Katja Knahn and explored the new visual identity of City College in New York. We also had a very productive chat with Carlos Magro, Creative Director at Interbrand Spain, about his unusual CD – called »Mind the Gap« – for an international firm of lawyers. And we feature a jaw-dropping interior design for a restaurant – with walls lined with thousands of bones. Cadena of Mexico tells us how their design came about. In the Showroom this time, we have a diversity of styles and genres: Fantastic collages from Elisa Vendramin await your inspection, along with sophisticated packaging from British studio Iwant. Plus we reveal how design greats Snask with their rock ‘n’ roll discipline made it to the top – and not only with their redesign for North Korea. Beatriz Costo often lets her creativity flow into editorial design projects, and our cover designers – Dortmund-based design studio konter – show us their inspiring portfolio. How do you protect creative titles? This is the question tackled by lawyer Andrijana Kojic; she gives practical advice in her legal column. And Andreas Koop in his column muses on why, even in design commissions for industry, so much trickery and cheating goes on … unreal realities! And – did you know that Wrigley´s now iconic chewing gum was actually not the manufacturer’s own product at all in the early days? From give-away to world fame – find out more about this exciting brand story…. The cover If you want to be subtle, then avoid Electric Blood and Vibrant Arsenic from the Action range of papermakers Gmund. But if you want to make a splash, then you´ll be very, very happy with this material. Electric Blood is a very specific colour – somewhere between red and orange with an almost neon-like effect. A special surface treatment, applied after the paper has been produced, gives it that distinctive shimmer. Vibrant Arsenic, with the same surface, is a resplendent pure neon yellow. We have used both in producing the cover for this month´s novum, but whichever one you have ended up with, there’s no chance of losing it on your shelves. All the ten expressive colours in Gmund Action – available from Papyrus – keep their promise: Go to Hell Black, Alpine Sparkling Water, Crystal Vanilla Sorbet, Nuclear Acid, Clear Sky Blue, Pastel Heart Attack, Night Offshore Blue, Dark Silver Cloud and of course also Vibrant Arsenic und Electric Blood. Whether you use them for packaging or envelopes, this colour range really grabs the attention. Available in 300 to 430 gsm, any application is guaranteed to get noticed. So, for communication that really stands out, choose a muted colour for the letter and put it in one of these Gmund Action envelopes. The finish Any complicated processing of these visually prominent materials would almost be one detail too far, so the designers at konter studio limited themselves to the contrast-rich progression in one special colour (Pantone 286 C) and a fine embossing carefully finished with hot foil. Thus finished, their artwork uniquely interprets the focus theme this month in a unique way: »Complexity, yes. Sometimes simple but hidden, allows playfulness« … to be discovered on the back cover of this issue. »We love the details. Very often it´s not the overall picture that we delight in, but the tiny, hidden, special aspects, that sometimes can be implemented without an enormous budget. And things really get rewarding when have the opportunity to spend time on such details. So what we produced here is a motif that at first sight is just a burst of colour, but on closer inspection you see the delicate embossing and the hidden content,« say Michelle Flunger and Sascha Schilling of konter – Studio für Gestaltung. The foil embossing was done by the Forum Prägefolien Veredelung, a society of finishing experts and specialists offering advice and services in the different types of hot foil stamping, from micro-embossing to structure, relief and blind blocking. www.look-and-feel.net novum+ Cadena (MEX) Michael Halbert (USA) Campbell Hay (GBR) Friedrich Forssman (GER) Katja Knahn (GER) Interbrand (ESP) Menos Es Más (ESP) Showroom Snask (SWE) Iwant Design (GBR) Beatriz Costo (ESP) Konter (GER) Elisa Vendramin (ITA) Neue Typgraphie, Teil VI Paper: Gmund Action, Papyrus, www.papyrus.com Offset printing: f&w Druck- und Mediencenter Embossing and hot foil: Forum Prägefolien Veredelung, www.look-and-feel.net Cover design: konter, www.studiokonter.de Special colour: Pantone 286 C Photos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-1117/

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And after that... / JBGG

Public ISBD Titre : And after that... Type de document : document graphique à deux dimensions Auteurs : JBGG, Auteur Editeur : [Liège : ESA Saint-Luc] Année de publication : 2014 Importance : 1 vol. (non paginé [8] p.) Présentation : ill., couv. ill. Format : 15 x 11 cm Note générale : Réalisé à l'occasion de l'exposition sur les fanzines à l'Ecole supérieure des Arts Saint-Luc du 17 janvier au 19 février 2014 Langues : Français (fre) Catégories : Collage (art) Fanzines -- Liège (Belgique) Travaux artistiques d'étudiants And after that... [document graphique à deux dimensions] / JBGG, Auteur . - [Liège : ESA Saint-Luc], 2014 . - 1 vol. (non paginé [8] p.) : ill., couv. ill. ; 15 x 11 cm. Réalisé à l'occasion de l'exposition sur les fanzines à l'Ecole supérieure des Arts Saint-Luc du 17 janvier au 19 février 2014 Langues : Français (fre) Catégories : Collage (art) Fanzines -- Liège (Belgique) Travaux artistiques d'étudiants

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L'art du collage au féminin / Rebeka Elizegi

Public ISBD Titre : L'art du collage au féminin Type de document : texte imprimé Auteurs : Rebeka Elizegi (1968-...), Auteur ; Laurent Barucq, Traducteur Editeur : Paris : Gallimard Année de publication : DL 2023 Collection : Alternatives Importance : 1 vol. (222 p.) Présentation : ill. en noir et blanc, ill. en coul., couv. ill. en coul. Format : 24 cm ISBN/ISSN/EAN : 978-2-07-304056-5 Prix : 32 EUR Note générale : Titre original : Collage by women : 50 essential contemporary artists Langues : Français (fre) Catégories : Collage (art) Femmes artistes Index. décimale : 7:396 Où sont les femmes ? Résumé : L'art du collage au féminin rassemble le travail de 50 artistes de premier plan présentes sur la scène contemporaine et internationale du collage. Il donne à voir l'incroyable richesse de ces productions qui se jouent des techniques, qu'elles soient classiques ou numériques, pour faire entendre des voix singulières, teintées de poésie, d'humour, de gravité, de revendications... Pour beaucoup d'entre elles, le collage, à travers son travail de déconstruction – lié à la découpe des images –, et de reconstruction – induit par leur recomposition -, apparaît souvent comme le symbole même d'une identité féminine à redéfinir. Si les trajectoires, les expériences, les styles, les influences... de toutes ces artistes diffèrent, elles sont unies par la même passion pour leur mode de création et la recherche constante d'un nouveau langage personnel tangible pour entamer un dialogue avec le monde. Note de contenu : Artistes : Aline Helmcke - Angelica Paez - Ania Cywinska - Anna Bu Hliewer - Annegret Soltau - Athena Petra Tasiopoulos - Caro Ma - Caro Mantke - Carolina Chocron - Caterina Rossato - Claudia Pomowski - Deborah Stevenson - Dilcia Giron - Elise Wehle - Eugenia Loli - Eva Eun-Sil Han - Flore Hunst - Gemma Anton - Ines Houidis - Isabel Chiara - Isabel Reitemeyer - Johanna Goodman - Josie Beszant - Hatie McCann - Lee McHenna - Linden Eller - Mabelle Collage - Mairi Timoney - Malin Gabriella Nordin - Maria Aparicio Puentes - Maria Maestre - Marsha Balian - Mary A. Johnson - Millie Bartlett - Myriam Tölke - Nicola Hloosterman - Nina Fraser - Olga Lupi - Olivia Descampe - Paola Bazz - Rebeka Elizegi - Riikka Fransila - Rozenn Le gall - Sarah Eisenlohr - Serrah Russell - Sherry Parker - Susan Lerner - Susana Blasco - Vanessa Woods - Viviane Rombaldi Seppey L'art du collage au féminin [texte imprimé] / Rebeka Elizegi (1968-...), Auteur ; Laurent Barucq, Traducteur . - Paris  : Gallimard, DL 2023 . - 1 vol. (222 p.) : ill. en noir et blanc, ill. en coul., couv. ill. en coul. ; 24 cm. - (Alternatives) . ISBN : 978-2-07-304056-5 : 32 EUR Titre original : Collage by women : 50 essential contemporary artists Langues : Français (fre) Catégories : Collage (art) Femmes artistes Index. décimale : 7:396 Où sont les femmes ? Résumé : L'art du collage au féminin rassemble le travail de 50 artistes de premier plan présentes sur la scène contemporaine et internationale du collage. Il donne à voir l'incroyable richesse de ces productions qui se jouent des techniques, qu'elles soient classiques ou numériques, pour faire entendre des voix singulières, teintées de poésie, d'humour, de gravité, de revendications... Pour beaucoup d'entre elles, le collage, à travers son travail de déconstruction – lié à la découpe des images –, et de reconstruction – induit par leur recomposition -, apparaît souvent comme le symbole même d'une identité féminine à redéfinir. Si les trajectoires, les expériences, les styles, les influences... de toutes ces artistes diffèrent, elles sont unies par la même passion pour leur mode de création et la recherche constante d'un nouveau langage personnel tangible pour entamer un dialogue avec le monde. Note de contenu : Artistes : Aline Helmcke - Angelica Paez - Ania Cywinska - Anna Bu Hliewer - Annegret Soltau - Athena Petra Tasiopoulos - Caro Ma - Caro Mantke - Carolina Chocron - Caterina Rossato - Claudia Pomowski - Deborah Stevenson - Dilcia Giron - Elise Wehle - Eugenia Loli - Eva Eun-Sil Han - Flore Hunst - Gemma Anton - Ines Houidis - Isabel Chiara - Isabel Reitemeyer - Johanna Goodman - Josie Beszant - Hatie McCann - Lee McHenna - Linden Eller - Mabelle Collage - Mairi Timoney - Malin Gabriella Nordin - Maria Aparicio Puentes - Maria Maestre - Marsha Balian - Mary A. Johnson - Millie Bartlett - Myriam Tölke - Nicola Hloosterman - Nina Fraser - Olga Lupi - Olivia Descampe - Paola Bazz - Rebeka Elizegi - Riikka Fransila - Rozenn Le gall - Sarah Eisenlohr - Serrah Russell - Sherry Parker - Susan Lerner - Susana Blasco - Vanessa Woods - Viviane Rombaldi Seppey

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Bienvenue / Marine ; Camille ; Galien ; Julie ; Xavier ; Guillaume ; Jérémy ; Anaïs ; Bertrand ; Ben (Saint-Luc) ; Charlotte ; M. Landrinou ; Adrien

Public ISBD Titre : Bienvenue Type de document : document graphique à deux dimensions Auteurs : Marine, Auteur ; Camille, Auteur ; Galien, Auteur ; Julie, Auteur ; Xavier, Auteur ; Guillaume, Auteur ; Jérémy, Auteur ; Anaïs, Auteur ; Bertrand, Auteur ; Ben (Saint-Luc), Auteur ; Charlotte, Auteur ; M. Landrinou, Auteur ; Adrien, Auteur Editeur : Liège : Saint-Luc Année de publication : 2014 Importance : 1 vol. (non paginé [32] p.) Présentation : ill. en noir et blanc, couv. ill. en coul. Format : 15 x 15 cm Note générale : Réalisé à l'occasion de l'exposition sur les fanzines à l'Ecole supérieure des Arts Saint-Luc du 17 janvier au 19 février 2014 Langues : Français (fre) Catégories : Collage (art) Fanzines -- Liège (Belgique) Travaux artistiques d'étudiants Bienvenue [document graphique à deux dimensions] / Marine, Auteur ; Camille, Auteur ; Galien, Auteur ; Julie, Auteur ; Xavier, Auteur ; Guillaume, Auteur ; Jérémy, Auteur ; Anaïs, Auteur ; Bertrand, Auteur ; Ben (Saint-Luc), Auteur ; Charlotte, Auteur ; M. Landrinou, Auteur ; Adrien, Auteur . - Liège : Saint-Luc, 2014 . - 1 vol. (non paginé [32] p.) : ill. en noir et blanc, couv. ill. en coul. ; 15 x 15 cm. Réalisé à l'occasion de l'exposition sur les fanzines à l'Ecole supérieure des Arts Saint-Luc du 17 janvier au 19 février 2014 Langues : Français (fre) Catégories : Collage (art) Fanzines -- Liège (Belgique) Travaux artistiques d'étudiants

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Le collage

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Collage drôle de montage, 1998-2014 / Jeanne-Marie Sens 

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Le collage : papiers collés, papiers déchirés, papiers découpés / Florian Rodari

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La dispute : interprétation libre et illustrée de La dispute de Marivaux / Jessica Korbedeau  

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Haut les murs ! : l'art du collage urbain / Olivier Walker

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Hier / Hélène Jean  

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Hugo Claus imagier / Vincent Marnix

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Katrin Ströbel / Hélène Guenin in Roven : revue critique sur le dessin contemporain, no.17(2023:mars) (2023-03-01)

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Livres uniks 2 / Horst Haack

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Matisse : Paires et séries au Centre Pompidou

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