03.20 - 2020-03-12 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 03.20 - 2020-03-12 Type de document : texte imprimé Année de publication : 2020 Langues : Allemand (ger) Anglais (eng) Catégories : Articles pour enfants -- Design -- 21e siècle Arts et enfants -- 21e siècle Arts graphiques -- Mise en page et typographie Billets de banque Livres illustrés pour enfants -- 21e siècle Livres illustrés pour enfants -- Pologne -- Histoire Meubles pour enfants -- Design -- 21e siècle Signaux et signalisation Index. décimale : 766 Arts graphiques Note de contenu : oy stores around the world are full of examples of poor design for children. But it doesn’t have to be like this. In this new issue, we have taken a look at the whole subject of designing for children and found some very impressive projects. From graphic-design murals for sports facilities and orientation systems for schools, to wonderful children´s book illustrations, educational materials and visual identities – all of the very highest quality, and ready for you to explore in the new novum+. The cover of the March issue also interprets this theme in a non-stereotypical way – a bright yellow paper and a collage invite you to look at »design for kids« through very different eyes. En ligne : https://novum.graphics/en/magazine/shop-subscribe/detail/novum-0320/ [n° ou bulletin]  est un bulletin de Novum   03.20 - 2020-03-12 [texte imprimé] . - 2020. Langues : Allemand (ger) Anglais (eng) Catégories : Articles pour enfants -- Design -- 21e siècle Arts et enfants -- 21e siècle Arts graphiques -- Mise en page et typographie Billets de banque Livres illustrés pour enfants -- 21e siècle Livres illustrés pour enfants -- Pologne -- Histoire Meubles pour enfants -- Design -- 21e siècle Signaux et signalisation Index. décimale : 766 Arts graphiques Note de contenu : oy stores around the world are full of examples of poor design for children. But it doesn’t have to be like this. In this new issue, we have taken a look at the whole subject of designing for children and found some very impressive projects. From graphic-design murals for sports facilities and orientation systems for schools, to wonderful children´s book illustrations, educational materials and visual identities – all of the very highest quality, and ready for you to explore in the new novum+. The cover of the March issue also interprets this theme in a non-stereotypical way – a bright yellow paper and a collage invite you to look at »design for kids« through very different eyes. En ligne : https://novum.graphics/en/magazine/shop-subscribe/detail/novum-0320/

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10.17 - 2017-10-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 10.17 - 2017-10-12 Type de document : texte imprimé Année de publication : 2017 Langues : Allemand (ger) Catégories : Arts graphiques -- Mise en page et typographie Beau (esthétique) Livres -- Mise en page Menus -- Mise en page et typographie Podkościelny, Patrycja (1988-....) Produits cosmétiques -- Conditionnement Index. décimale : 766 Arts graphiques Résumé : High-end cosmetics and medical products are generally marketed with a clear, clean look. So, for October´s cover of novum we have chosen a material that is very lively, but still communicates the elegance of pure white. In terms of content this time, our novum+ section focuses on the very broad field of health and beauty from a number of angles. We have a wide range of examples for you, including a visual identity for a clinic and sophisticated packaging for luxury cosmetics. Along the way we explore the graphic design history of the Geigy brand for which over the years many a well known designer has worked, and an interview with Eva Wünsch and Luisa Stömer, whose book »Ebbe und Blut« (Ebb and [menstrual] Flow) has received much attention. In the Showroom section we present the winners of Gold in the European Design Awards, look over the shoulder of gifted illustrator Patrycja Podkoscielny, visit Studio Mut in South Tyrol and give an insight into the multidisciplinary Atelier 522 whose philosophy is truly special. The next article in our series on the »New Typography« takes us back in time to the city of Frankfurt in the 1920s, when the urban development program of estates housing expert Ernst May fostered a whole design movement touching upon many areas of life. And in his column, Andreas Koop muses on »unreal realities« and »bleak realities« – explore with him thoughts on appearances and reality and how graphic design finds its place here. Or take a closer look at the fascinating options presented by register punching – a useful but also a decorative element. Silvia Lerch has produced a very practical and informative guide to what’s involved. Also in her column, our lawyer Andrijana Kojic writes about how to recind contracts – something that is indeed possible, you just have to know how. The cover White stands for clarity, freshness and purity. As such it is an ideal component in the visual design of health and beauty products. Combined with haptic elements, this clean aesthetic moves to a new level of subtlety. We were able to capture all these qualities with Keaykolour. The entire collection contains papers made of recycled pulp, conforming to FSC regulations, in weights of 90 to 450 gsm. One member of this product family is card-quality (300 gsm) “Keaykolour Geprägt” available from Antalis in the variants Hammer blow, Horizon, Leather, Cedar and Linear. We chose linear embossed 300 gsm card quality in snow white which produces a sophisticated play of light and shade and feels almost velvety to the touch. For the high-end graphic design, we have Studio Grau of Berlin to thank – a multiple-award-winning team of designers who we featured in novum 07.17. We were very pleased that they agreed to visualise this theme for us: The delicate, metallic shades of pastel give eye-shadow like emphasis to the motif. Special colours (Pantone 8361 and 488) were the answer for such a subtle, elegant solution. The perfect way to “make up” the cover for an issue about health and beauty, we thought! novum+ Studio Oeding (GER) Ebbe & Blut (GER) Studio Build (GBR) Étiquette (LIT) Geigy (SWI) Suprematika (RUS) Hunap (HUN) Ortolan (AUS) Showroom: European Design Awards Atelier522 (GER) Patrycja Podkoscielny (POL) Studio Mut (ITA) Neue Typographie, Teil V Paper: Keaykolour, Antalis Offset printing: f&w Druck- und Mediencenter Cover design: Chrish Knigge, Studio Grau Special colours: Pantone 488, 8361 Photos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1017/ [n° ou bulletin]  est un bulletin de Novum   10.17 - 2017-10-12 [texte imprimé] . - 2017. Langues : Allemand (ger) Catégories : Arts graphiques -- Mise en page et typographie Beau (esthétique) Livres -- Mise en page Menus -- Mise en page et typographie Podkościelny, Patrycja (1988-....) Produits cosmétiques -- Conditionnement Index. décimale : 766 Arts graphiques Résumé : High-end cosmetics and medical products are generally marketed with a clear, clean look. So, for October´s cover of novum we have chosen a material that is very lively, but still communicates the elegance of pure white. In terms of content this time, our novum+ section focuses on the very broad field of health and beauty from a number of angles. We have a wide range of examples for you, including a visual identity for a clinic and sophisticated packaging for luxury cosmetics. Along the way we explore the graphic design history of the Geigy brand for which over the years many a well known designer has worked, and an interview with Eva Wünsch and Luisa Stömer, whose book »Ebbe und Blut« (Ebb and [menstrual] Flow) has received much attention. In the Showroom section we present the winners of Gold in the European Design Awards, look over the shoulder of gifted illustrator Patrycja Podkoscielny, visit Studio Mut in South Tyrol and give an insight into the multidisciplinary Atelier 522 whose philosophy is truly special. The next article in our series on the »New Typography« takes us back in time to the city of Frankfurt in the 1920s, when the urban development program of estates housing expert Ernst May fostered a whole design movement touching upon many areas of life. And in his column, Andreas Koop muses on »unreal realities« and »bleak realities« – explore with him thoughts on appearances and reality and how graphic design finds its place here. Or take a closer look at the fascinating options presented by register punching – a useful but also a decorative element. Silvia Lerch has produced a very practical and informative guide to what’s involved. Also in her column, our lawyer Andrijana Kojic writes about how to recind contracts – something that is indeed possible, you just have to know how. The cover White stands for clarity, freshness and purity. As such it is an ideal component in the visual design of health and beauty products. Combined with haptic elements, this clean aesthetic moves to a new level of subtlety. We were able to capture all these qualities with Keaykolour. The entire collection contains papers made of recycled pulp, conforming to FSC regulations, in weights of 90 to 450 gsm. One member of this product family is card-quality (300 gsm) “Keaykolour Geprägt” available from Antalis in the variants Hammer blow, Horizon, Leather, Cedar and Linear. We chose linear embossed 300 gsm card quality in snow white which produces a sophisticated play of light and shade and feels almost velvety to the touch. For the high-end graphic design, we have Studio Grau of Berlin to thank – a multiple-award-winning team of designers who we featured in novum 07.17. We were very pleased that they agreed to visualise this theme for us: The delicate, metallic shades of pastel give eye-shadow like emphasis to the motif. Special colours (Pantone 8361 and 488) were the answer for such a subtle, elegant solution. The perfect way to “make up” the cover for an issue about health and beauty, we thought! novum+ Studio Oeding (GER) Ebbe & Blut (GER) Studio Build (GBR) Étiquette (LIT) Geigy (SWI) Suprematika (RUS) Hunap (HUN) Ortolan (AUS) Showroom: European Design Awards Atelier522 (GER) Patrycja Podkoscielny (POL) Studio Mut (ITA) Neue Typographie, Teil V Paper: Keaykolour, Antalis Offset printing: f&w Druck- und Mediencenter Cover design: Chrish Knigge, Studio Grau Special colours: Pantone 488, 8361 Photos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1017/

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09.17 - 2017-09-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 09.17 - 2017-09-12 Type de document : texte imprimé Année de publication : 2017 Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Art -- Édition -- Allemagne -- 21e siècle Arts graphiques -- 21e siècle Arts graphiques -- Mise en page et typographie Livres -- Mise en page Livres d'artistes Livres de poche -- Édition -- Allemagne Phaidon Publicité -- Mise en pages et typographie Travail du papier Index. décimale : 766 Arts graphiques Résumé : In »Leder« gebunden 17.08.2017 Das brandneue Material Gmund Leather veredelt mit einer metallischen Sonderfarbe stimmt sowohl optisch als auch haptisch auf unser Schwerpunktthema Buchgestaltung ein – wir werfen einen Blick hinter die Kulissen spannender Verlage und stellen bemerkenswerte Buchprojekte vor. Und auch der Showroom steckt einmal wieder voller Überraschungen und präsentiert vom Leitsystem bis hin zu charmanten Illustrationen feinstes Grafikdesign aus aller Welt. In Verbindung mit unserem novum+ zum Thema Buchdesign muss man schon zweimal hinsehen, um zu erkennen, dass Leder durchaus auch aus Papier bestehen kann. Eine verblüffend authentisch wirkende Struktur sowie die griffige Haptik täuschen hier geschickt die Sinne … Gmund Leather (Römerturm) ist ein Material, das man einfach in den Händen halten muss, um tatsächlich zu sehen, was Papier leisten kann. Aber natürlich belassen wir es nicht bei der Haptik, um tief in das Schwerpunktthema Buchdesign einzutauchen: Wir sprachen mit dem Global Publishing Director von Taschen über die Herstellung von XL-Bücher, mit der Herausgeberin Emilia Terragni (Phaidon) über die Herausforderung, Titel zu publizieren, die zeitlos sind, aber dennoch den Zeitgeist einfangen und auch mit Astrid Vorstermans, die mit ihrem Verlag Valiz eine kreative Klientel mit ungewöhnlichen Titeln überrascht. Zudem werfen wir einen Blick auf die erfolgsgekrönten Moormann-Kataloge, stellen Ihnen das spannende Buchprojekt »Lokalhelden« sowie das Grafstudio A Practise for Everyday Life vor und präsentieren eine Dokumentation, die sich bildgewaltig mit dem Durchbruch der Taschenbücher befasst. Und auch der Showroom bietet eine faszinierende Mischung – Nadja König realisiert unter dem Label Stift Schere Papier feine, freche Illustrationen, der italienische Kreative Michel Galluzzo ist gefragter Experte für Designgeschichte und gestaltet diese mit eigenen Umsetzungen gleichzeitig tatkräftig mit. Wir werfen auch einen Blick hinter die Kulissen des serbischen Studios Metaklinika und sprachen mit dem international erfolgreichen Stockholm Design Lab. Last, but not least begeisterte uns die Kooperation zwischen dem P-06 Atelier und dem Architekturbüro Risco – das Ergebnis ist die Cidade do Futebol, die grafische Highlights beherbergt. Eine besondere Art mit Papier umzugehen, hat Sylvia Lerch in ihrer Kolumne zum Thema gemacht – technischer Fortschritt kann ungemein kreativen Output erzeugen! Und Andreas Koop widmet sich in seinem Text den »unwirklichen Wirklichkeiten«, die uns immer mehr umgeben! Das Cover Der Wunsch, für unser Schwerpunktthema Buchdesign eine Leder-Anmutung zu erzielen, lag nahe – um die typische »Krokostruktur« wirkungsvoll einzusetzen, wollten wir aber natürlich kein Tier häuten müssen. Durch eine glückliche Fügung kam die Einführung der Papiersorte Gmund Leather gerade rechtzeitig während unsere Planungen (ein Interview über die Entwicklung dieser Sorte ist ebenfalls in der Ausgabe zu finden): Erhältlich in zwölf Farben – einige in edlen Naturtönen, einige in sehr ausstrucksstarken, leuchtenden Varianten –, ist dieses Material auf den ersten Blick kaum von echtem Leder zu unterscheiden. Von 240 bis 350 g/qm erhältlich, kann mit diesem »Lederimitat« aus FSC-zertifiziertem Zellstoff für verschiedenste Anwendungen und Veredelungen geplant werden: Ob Prägung oder Heißfolie, für Umschläge, Verpackungen oder Einladungen, nahezu alle Spielarten sind bei dieser Papiersorte denkbar. Unser Art Director Tobias Holzmann wählte hingegen eine Sonderfarbe, um seinen Entwurf zu realisieren: »Das Cover zeigt deshalb jene Elemente, die dem Leser normalerweise verborgen bleiben. Vergrößert, verkleinert, gedreht und überlagert – die verschiedenen Ebenen verschmelzen zu einem abstrakten Bild und stehen hier ausnahmsweise im Vordergrund.« Note de contenu : Das finden Sie im Heft: novum+ A Practice For Everyday Life (GBR) Valiz (NLD) Moormann (GER) Phaidon (GBR) Reihenweise (GER) Morphoria (GER) Taschen (GER) showroom Stockholm Design Lab (SWE) P-06 Atelier (POR) Michele Galluzzo (ITA) Nadja König (GER) Neue Typographie, Teil 4: Die nationale Offensive – »Ring«-Zentren in Deutschland Papier: Gmund Leather, Römerturm Offset-Druck: f&w Druck- und Mediencenter Cover Design: Tobias Holzmann Sonderfarbe: Pantone 877 Fotos: Tobias Holzmann En ligne : http://novum.graphics/magazin/aktuelle-ausgabe/ [n° ou bulletin]  est un bulletin de Novum   09.17 - 2017-09-12 [texte imprimé] . - 2017. Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Art -- Édition -- Allemagne -- 21e siècle Arts graphiques -- 21e siècle Arts graphiques -- Mise en page et typographie Livres -- Mise en page Livres d'artistes Livres de poche -- Édition -- Allemagne Phaidon Publicité -- Mise en pages et typographie Travail du papier Index. décimale : 766 Arts graphiques Résumé : In »Leder« gebunden 17.08.2017 Das brandneue Material Gmund Leather veredelt mit einer metallischen Sonderfarbe stimmt sowohl optisch als auch haptisch auf unser Schwerpunktthema Buchgestaltung ein – wir werfen einen Blick hinter die Kulissen spannender Verlage und stellen bemerkenswerte Buchprojekte vor. Und auch der Showroom steckt einmal wieder voller Überraschungen und präsentiert vom Leitsystem bis hin zu charmanten Illustrationen feinstes Grafikdesign aus aller Welt. In Verbindung mit unserem novum+ zum Thema Buchdesign muss man schon zweimal hinsehen, um zu erkennen, dass Leder durchaus auch aus Papier bestehen kann. Eine verblüffend authentisch wirkende Struktur sowie die griffige Haptik täuschen hier geschickt die Sinne … Gmund Leather (Römerturm) ist ein Material, das man einfach in den Händen halten muss, um tatsächlich zu sehen, was Papier leisten kann. Aber natürlich belassen wir es nicht bei der Haptik, um tief in das Schwerpunktthema Buchdesign einzutauchen: Wir sprachen mit dem Global Publishing Director von Taschen über die Herstellung von XL-Bücher, mit der Herausgeberin Emilia Terragni (Phaidon) über die Herausforderung, Titel zu publizieren, die zeitlos sind, aber dennoch den Zeitgeist einfangen und auch mit Astrid Vorstermans, die mit ihrem Verlag Valiz eine kreative Klientel mit ungewöhnlichen Titeln überrascht. Zudem werfen wir einen Blick auf die erfolgsgekrönten Moormann-Kataloge, stellen Ihnen das spannende Buchprojekt »Lokalhelden« sowie das Grafstudio A Practise for Everyday Life vor und präsentieren eine Dokumentation, die sich bildgewaltig mit dem Durchbruch der Taschenbücher befasst. Und auch der Showroom bietet eine faszinierende Mischung – Nadja König realisiert unter dem Label Stift Schere Papier feine, freche Illustrationen, der italienische Kreative Michel Galluzzo ist gefragter Experte für Designgeschichte und gestaltet diese mit eigenen Umsetzungen gleichzeitig tatkräftig mit. Wir werfen auch einen Blick hinter die Kulissen des serbischen Studios Metaklinika und sprachen mit dem international erfolgreichen Stockholm Design Lab. Last, but not least begeisterte uns die Kooperation zwischen dem P-06 Atelier und dem Architekturbüro Risco – das Ergebnis ist die Cidade do Futebol, die grafische Highlights beherbergt. Eine besondere Art mit Papier umzugehen, hat Sylvia Lerch in ihrer Kolumne zum Thema gemacht – technischer Fortschritt kann ungemein kreativen Output erzeugen! Und Andreas Koop widmet sich in seinem Text den »unwirklichen Wirklichkeiten«, die uns immer mehr umgeben! Das Cover Der Wunsch, für unser Schwerpunktthema Buchdesign eine Leder-Anmutung zu erzielen, lag nahe – um die typische »Krokostruktur« wirkungsvoll einzusetzen, wollten wir aber natürlich kein Tier häuten müssen. Durch eine glückliche Fügung kam die Einführung der Papiersorte Gmund Leather gerade rechtzeitig während unsere Planungen (ein Interview über die Entwicklung dieser Sorte ist ebenfalls in der Ausgabe zu finden): Erhältlich in zwölf Farben – einige in edlen Naturtönen, einige in sehr ausstrucksstarken, leuchtenden Varianten –, ist dieses Material auf den ersten Blick kaum von echtem Leder zu unterscheiden. Von 240 bis 350 g/qm erhältlich, kann mit diesem »Lederimitat« aus FSC-zertifiziertem Zellstoff für verschiedenste Anwendungen und Veredelungen geplant werden: Ob Prägung oder Heißfolie, für Umschläge, Verpackungen oder Einladungen, nahezu alle Spielarten sind bei dieser Papiersorte denkbar. Unser Art Director Tobias Holzmann wählte hingegen eine Sonderfarbe, um seinen Entwurf zu realisieren: »Das Cover zeigt deshalb jene Elemente, die dem Leser normalerweise verborgen bleiben. Vergrößert, verkleinert, gedreht und überlagert – die verschiedenen Ebenen verschmelzen zu einem abstrakten Bild und stehen hier ausnahmsweise im Vordergrund.« Note de contenu : Das finden Sie im Heft: novum+ A Practice For Everyday Life (GBR) Valiz (NLD) Moormann (GER) Phaidon (GBR) Reihenweise (GER) Morphoria (GER) Taschen (GER) showroom Stockholm Design Lab (SWE) P-06 Atelier (POR) Michele Galluzzo (ITA) Nadja König (GER) Neue Typographie, Teil 4: Die nationale Offensive – »Ring«-Zentren in Deutschland Papier: Gmund Leather, Römerturm Offset-Druck: f&w Druck- und Mediencenter Cover Design: Tobias Holzmann Sonderfarbe: Pantone 877 Fotos: Tobias Holzmann En ligne : http://novum.graphics/magazin/aktuelle-ausgabe/

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03.18 - 2018-03-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 03.18 - 2018-03-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Arts graphiques -- 21e siècle Arts graphiques -- Mise en page et typographie Arts graphiques -- Tokyo (Japon) Conditionnement Ornements typographiques Produits cosmétiques -- Conditionnement Reliure -- Dorure -- 21e siècle Sculpture en papier Typographie - Design Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : This issue really pulls out all the stops! A wrap-around cover resplendent in all the colours of the rainbow, fine gold paper and relief varnishing – no point in choosing gold unless you really go for it! Gold is not as easy a choice as you might think, however. It can quickly look over the top, which is why many designers only use it sparingly. But who wants to be modest and sensible all the time? In this issue of novum we thought we´d really push the boat out and go all out for gold. It fills the novum+ section and the cover, too, is a gilded delight. A brand new print and finishing technique inspired the designers at Paperlux to this cover. And we think you’ll agree, the results are amazing. Sophisticated printing technology combined with good design – that is real luxury! novum 03.18 is also available as PDF for only 8,99 Euro To buy the printed issue, please visit our Shop Note de contenu : The Midas touch If you want to make an impression, then you´ve really got to go for it. No half measures. When everybody else is dressed up to the nines, then you don´t want to be the one in jeans and T-shirt. Choosing gold as the theme for this month´s novum+ section was at the same time an obligation – to really shine. With features about great projects and also with the cover – that, too, had to be gold. Not just a little, but a lot! The creatives at Paperlux were certainly on board with this idea. These Hamburg-based designers pulled off a coup for us once before with the 11/11 novum cover, which you could fold in three dimensions. This time, it as a new technique that inspired this latest cover. The cover At the end of 2017 Scodix rolled out its new digital print enhancement press. This enables spot varnishing, unusually high relief varnishes and foil finishes. You can see what´s possible on the new novum cover: It shimmers in all the colours of the rainbow and is a delight to touch. The special thing about this process is that it dispenses with the need for screens or printing plates, it can be printed direct from the computer. In this way you can save costs, proofs are cheaper and designers have more scope. It´s even possible to apply different finishes one after the other, to create brand new effects. For the paper we chose Splendorlux Mirror Oro in 320 gsm from Fedrigoni. This cast coated board is well suited for a wide range of applications and has an attractive gold tone and a reflecting surface. The foil used on the cover came from Kurz, a company that developed a new foil specially for use with the Scodix printing process. It is available in all the colours of the rainbow. In the novum+ section, too, it´s all about gold. Used in the CD for a model agency gold adds sophistication, for a Japanese restaurant, freshness. It turns a six-pack of beer into a wild work of art and adds class to cannabis packaging. These and many other projects show just how diverse the applications are for the colour gold. In the Showroom section, Düsseldorf agency KittoKatsu lives up to its name and Italian designer Monica Lovati shows us CIs with feeling. At Buenaventura from Granada, they love bright and bold, and know just how to blend cultural elements into their work. In Vorarlberg, too, the designers have a knack for fine design: Atelier Hanselwanter shows how to create fantastic design for small clients too. And, last but not least, we visit Ufomammoot in Berlin for our series on New Talents Berlin. These creatives use the latest technologies and test out the limits of the possible. Gilt edging We couldn´t resist and just had to do a gilt edge as well. So ten of the copies of novum 03.18 sport this sophisticated finish. They are randomly distributed among our subscribers and the newsagents, and if you are the lucky recipient of one of them, then you have hit lucky twice: Not only do you have a real collectors´ piece, you also get a free one-day ticket to our Creative Paper Conference 2018! The content novum+ Bibliothèque (GBR) Happycentro (ITA) Pavement (USA) Brighhead Studio (RUS) Knoed (USA) Mind Design (GBR) The Bakery (RUS) Toolbox (CAN) Paperlux (GER) Showroom KittoKatsu (GER) Monica Lovati (ITA) Buenaventura (ESP) Haselwanter Grafik_und Design (AUT) Ufomammoot (GER) Das Cover Design: Paperlux (GER) Papier: Splendorlux Mirror Oro, 320 g/qm Fedrigoni Druck & Veredelung Cover: Mediadruckwerk Folien: Kurz Fotos: Tobias Holzmann Goldschnitt: 10 Exemplare wurden zudem von der Firma Steinbrenner mit einem Goldschnitt versehen, novum 03.18 Gold En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0318/ [n° ou bulletin]  est un bulletin de Novum   03.18 - 2018-03-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Arts graphiques -- 21e siècle Arts graphiques -- Mise en page et typographie Arts graphiques -- Tokyo (Japon) Conditionnement Ornements typographiques Produits cosmétiques -- Conditionnement Reliure -- Dorure -- 21e siècle Sculpture en papier Typographie - Design Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : This issue really pulls out all the stops! A wrap-around cover resplendent in all the colours of the rainbow, fine gold paper and relief varnishing – no point in choosing gold unless you really go for it! Gold is not as easy a choice as you might think, however. It can quickly look over the top, which is why many designers only use it sparingly. But who wants to be modest and sensible all the time? In this issue of novum we thought we´d really push the boat out and go all out for gold. It fills the novum+ section and the cover, too, is a gilded delight. A brand new print and finishing technique inspired the designers at Paperlux to this cover. And we think you’ll agree, the results are amazing. Sophisticated printing technology combined with good design – that is real luxury! novum 03.18 is also available as PDF for only 8,99 Euro To buy the printed issue, please visit our Shop Note de contenu : The Midas touch If you want to make an impression, then you´ve really got to go for it. No half measures. When everybody else is dressed up to the nines, then you don´t want to be the one in jeans and T-shirt. Choosing gold as the theme for this month´s novum+ section was at the same time an obligation – to really shine. With features about great projects and also with the cover – that, too, had to be gold. Not just a little, but a lot! The creatives at Paperlux were certainly on board with this idea. These Hamburg-based designers pulled off a coup for us once before with the 11/11 novum cover, which you could fold in three dimensions. This time, it as a new technique that inspired this latest cover. The cover At the end of 2017 Scodix rolled out its new digital print enhancement press. This enables spot varnishing, unusually high relief varnishes and foil finishes. You can see what´s possible on the new novum cover: It shimmers in all the colours of the rainbow and is a delight to touch. The special thing about this process is that it dispenses with the need for screens or printing plates, it can be printed direct from the computer. In this way you can save costs, proofs are cheaper and designers have more scope. It´s even possible to apply different finishes one after the other, to create brand new effects. For the paper we chose Splendorlux Mirror Oro in 320 gsm from Fedrigoni. This cast coated board is well suited for a wide range of applications and has an attractive gold tone and a reflecting surface. The foil used on the cover came from Kurz, a company that developed a new foil specially for use with the Scodix printing process. It is available in all the colours of the rainbow. In the novum+ section, too, it´s all about gold. Used in the CD for a model agency gold adds sophistication, for a Japanese restaurant, freshness. It turns a six-pack of beer into a wild work of art and adds class to cannabis packaging. These and many other projects show just how diverse the applications are for the colour gold. In the Showroom section, Düsseldorf agency KittoKatsu lives up to its name and Italian designer Monica Lovati shows us CIs with feeling. At Buenaventura from Granada, they love bright and bold, and know just how to blend cultural elements into their work. In Vorarlberg, too, the designers have a knack for fine design: Atelier Hanselwanter shows how to create fantastic design for small clients too. And, last but not least, we visit Ufomammoot in Berlin for our series on New Talents Berlin. These creatives use the latest technologies and test out the limits of the possible. Gilt edging We couldn´t resist and just had to do a gilt edge as well. So ten of the copies of novum 03.18 sport this sophisticated finish. They are randomly distributed among our subscribers and the newsagents, and if you are the lucky recipient of one of them, then you have hit lucky twice: Not only do you have a real collectors´ piece, you also get a free one-day ticket to our Creative Paper Conference 2018! The content novum+ Bibliothèque (GBR) Happycentro (ITA) Pavement (USA) Brighhead Studio (RUS) Knoed (USA) Mind Design (GBR) The Bakery (RUS) Toolbox (CAN) Paperlux (GER) Showroom KittoKatsu (GER) Monica Lovati (ITA) Buenaventura (ESP) Haselwanter Grafik_und Design (AUT) Ufomammoot (GER) Das Cover Design: Paperlux (GER) Papier: Splendorlux Mirror Oro, 320 g/qm Fedrigoni Druck & Veredelung Cover: Mediadruckwerk Folien: Kurz Fotos: Tobias Holzmann Goldschnitt: 10 Exemplare wurden zudem von der Firma Steinbrenner mit einem Goldschnitt versehen, novum 03.18 Gold En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0318/

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05.18 - 2018-05-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 05.18 - 2018-05-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design Affiches de spectacle Arts graphiques -- Mise en page et typographie Conditionnement Dessin de mode Graphistes -- 21e siècle Livres -- Mise en page Marques de commerce Mode Photographie de mode Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : Graphic haute couture In our May issue we enter into a sector that thrives on change like perhaps none other: fashion. The designs that are presented in autumn for the following spring are already passé come the fashion shows in January. The points of contact with graphic design are often more sustainable, but no less interesting: How do fashion labels present themselves in terms of graphic design? How do you capture fashion models in drawings? And: What’s the best way to update a traditional brand? Note de contenu : We went on the trail and discovered some tremendous CIs behind the catwalks, as it were. For example, we have an interview with the gifted fashion illustrator David Downton, whose portfolio contains a string of illustrious names from Chanel to Valentino, and from Harper’s Bazaar to Vogue. He gives us an insider´s view and also passes on some advice to the next generation of fashion illustrators. In our Showrooms you can look forward to an exciting and international mix of creative talent: Stefano Marro delights with his magical illustrations that rekindle the spirit of Italian futurism. By contrast, the posters and editorial designs of Sven Lindhorst-Emme impress with precision minimalism. A little pop is here, too, in the work of Portuguese designer Marta Veludo, whose creative home is now Amsterdam. We drop in on Manuel Kreuzer who turns out some amazing things from his small studio … with or without a commission. And then there’s Neu – Designbüro – meaning »new«. The innovative approaches seen here confirm the old adage »nomen est omen«. With this month’s brand story, we revel in being a child again – Schuco’s model vehicles still delight boys and girls of all ages. We also have some exciting paper projects of our own for you: Eberl Print treated its customers to a clever construction, surprising them not only with delightfully scented content, but also and above all with the presentation. One other thing we were keen to share with you – the ever-growing area of foil applications in fashion. A particularly beautiful project by Kurz for this year’s MCBW delighted us all. Herbert Lechner is here, too, reporting on his visit to the German offices of Laurence Publishing in Berlin, which offers a very select programme. The cover Our search for New Talents Berlin continues this month: This time Felix Wiesner visited Lucas Doerre und Marius Sperlich, who under the name of Vater Lin Miro are experimenting with all the digital and analogue diversity in graphic design in combination with an artistic slant. The cover for this issue of novum, designed by the two creatives, reflects this appetite for different dimensions and design possibilities. As the plan was to use different finishes, the material had to meet a number of criteria: We finally found the ideal solution in the high-white paper MetsäBoard Prime FBB Bright. This allowed precision embossing and gave a good clean result in hot-foil finishing. This card is also good because of its lightweight design that spells cost-efficiency and sustainability. What you see on the 280 gsm cover is a sculpture created in several embossing stages and then treated to full-page hot-foil finishing – Frank Denninghoff from the Forum Prägefolien Veredelung put all his expertise into this classy creation. In combination with the mysterious sculpture, the reflective surface (in which the reader can see his/her own reflection) visualises precisely that which fashion is: A seductive envelope. Note the mirror is not homogeneous – its shimmering pattern hints at the transformation that fashion can bring. The two creatives Lucas Doerre and Marius Sperlich opted for »Neon Seamless« from Kurz, that generates fascinating effects. Such transformational properties are indeed comparable with fashion: It, too, can play with colour and contrasts, change surfaces and enliven them, conjure up a new me and create a particular radiance. On top of this, there is of course always a hint of poetry – an art form that seems delicate but is nevertheless powerful… novum+ Donkey (GER) Studio Small (GBR) 032c (GER) Design Unit (DEN) Lotta Nieminen (USA) Design Ranch (USA) David Downton (GBR) Showroom Sven Lindhorst-Emme (GER) Stefano Marra (ITA) Marta Veludo (NLD) Neu Designbüro (GER) Manuel Kreuzer (GER) New Talents Berlin: Vater Lin Miro (GER) Cover: Vater Lin Miro (GER) Paper: MetsäBoard (Prime FBB Bright) Photos: Tobias Holzmann Offset-Print: f&w Druck- und Mediencenter Hot foil: Leonhard Kurz Foil finishes and embossing: Forum Prägefolien Veredelung En ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-0518/ [n° ou bulletin]  est un bulletin de Novum   05.18 - 2018-05-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design Affiches de spectacle Arts graphiques -- Mise en page et typographie Conditionnement Dessin de mode Graphistes -- 21e siècle Livres -- Mise en page Marques de commerce Mode Photographie de mode Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : Graphic haute couture In our May issue we enter into a sector that thrives on change like perhaps none other: fashion. The designs that are presented in autumn for the following spring are already passé come the fashion shows in January. The points of contact with graphic design are often more sustainable, but no less interesting: How do fashion labels present themselves in terms of graphic design? How do you capture fashion models in drawings? And: What’s the best way to update a traditional brand? Note de contenu : We went on the trail and discovered some tremendous CIs behind the catwalks, as it were. For example, we have an interview with the gifted fashion illustrator David Downton, whose portfolio contains a string of illustrious names from Chanel to Valentino, and from Harper’s Bazaar to Vogue. He gives us an insider´s view and also passes on some advice to the next generation of fashion illustrators. In our Showrooms you can look forward to an exciting and international mix of creative talent: Stefano Marro delights with his magical illustrations that rekindle the spirit of Italian futurism. By contrast, the posters and editorial designs of Sven Lindhorst-Emme impress with precision minimalism. A little pop is here, too, in the work of Portuguese designer Marta Veludo, whose creative home is now Amsterdam. We drop in on Manuel Kreuzer who turns out some amazing things from his small studio … with or without a commission. And then there’s Neu – Designbüro – meaning »new«. The innovative approaches seen here confirm the old adage »nomen est omen«. With this month’s brand story, we revel in being a child again – Schuco’s model vehicles still delight boys and girls of all ages. We also have some exciting paper projects of our own for you: Eberl Print treated its customers to a clever construction, surprising them not only with delightfully scented content, but also and above all with the presentation. One other thing we were keen to share with you – the ever-growing area of foil applications in fashion. A particularly beautiful project by Kurz for this year’s MCBW delighted us all. Herbert Lechner is here, too, reporting on his visit to the German offices of Laurence Publishing in Berlin, which offers a very select programme. The cover Our search for New Talents Berlin continues this month: This time Felix Wiesner visited Lucas Doerre und Marius Sperlich, who under the name of Vater Lin Miro are experimenting with all the digital and analogue diversity in graphic design in combination with an artistic slant. The cover for this issue of novum, designed by the two creatives, reflects this appetite for different dimensions and design possibilities. As the plan was to use different finishes, the material had to meet a number of criteria: We finally found the ideal solution in the high-white paper MetsäBoard Prime FBB Bright. This allowed precision embossing and gave a good clean result in hot-foil finishing. This card is also good because of its lightweight design that spells cost-efficiency and sustainability. What you see on the 280 gsm cover is a sculpture created in several embossing stages and then treated to full-page hot-foil finishing – Frank Denninghoff from the Forum Prägefolien Veredelung put all his expertise into this classy creation. In combination with the mysterious sculpture, the reflective surface (in which the reader can see his/her own reflection) visualises precisely that which fashion is: A seductive envelope. Note the mirror is not homogeneous – its shimmering pattern hints at the transformation that fashion can bring. The two creatives Lucas Doerre and Marius Sperlich opted for »Neon Seamless« from Kurz, that generates fascinating effects. Such transformational properties are indeed comparable with fashion: It, too, can play with colour and contrasts, change surfaces and enliven them, conjure up a new me and create a particular radiance. On top of this, there is of course always a hint of poetry – an art form that seems delicate but is nevertheless powerful… novum+ Donkey (GER) Studio Small (GBR) 032c (GER) Design Unit (DEN) Lotta Nieminen (USA) Design Ranch (USA) David Downton (GBR) Showroom Sven Lindhorst-Emme (GER) Stefano Marra (ITA) Marta Veludo (NLD) Neu Designbüro (GER) Manuel Kreuzer (GER) New Talents Berlin: Vater Lin Miro (GER) Cover: Vater Lin Miro (GER) Paper: MetsäBoard (Prime FBB Bright) Photos: Tobias Holzmann Offset-Print: f&w Druck- und Mediencenter Hot foil: Leonhard Kurz Foil finishes and embossing: Forum Prägefolien Veredelung En ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-0518/

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