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n°372(1983 ; février) - 1983-02-01 - L'art sans patrie ? Claude Lorrain. Livres de l'Aga Khan (Bulletin de Connaissance des arts)
Contient
- Théâtre sans parole / Otto Hahn in Connaissance des arts, n°372(1983 ; février) (1983-02-01)
- Le soleil dans la peinture / Axelle de Gaigneron in Connaissance des arts, n°372(1983 ; février) (1983-02-01)
- Le chant du forgeron / Clement Greenberg in Connaissance des arts, n°372(1983 ; février) (1983-02-01)
- Toiles à grand spectacle / Pierre-Louis Mathieu in Connaissance des arts, n°372(1983 ; février) (1983-02-01)
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Code-barres Cote Support Localisation Section Disponibilité SL 02896 Connaissance des arts Fascicule ESA Saint-Luc Réserve Disponible no40(2017:novembre) - 2017-11-01 - Numero special 10 ans. Femmes du monde : Sebastiăo Salgado, Marc Riboud (Bulletin de Polka magazine)
[n° ou bulletin]
Titre : no40(2017:novembre) - 2017-11-01 - Numero special 10 ans. Femmes du monde : Sebastiăo Salgado, Marc Riboud Type de document : texte imprimé Année de publication : 2017 Langues : Français (fre) Catégories : Architecture -- Tripoli (Libye)
Artistes - Portraits
Chasseurs de phoques -- Canada -- Photographies
Cinema
Cuisine (insectes)
Daho, Étienne (1956-....)
DEPARDON, Raymond (1942-....)
Émigration et immigration
Femmes -- Photographies -- Expositions
Femmes photographes -- 20e siècle
Instagram (site web)
Journaux -- Éditions anniversaires
NIEMEYER, Oscar (1907 - ....)
Niépce, Janine (1921-2007)
Patrimoine commun de l'humanité -- Tripoli (Libye)
Photographie de mode
Photographie de presse
Photographie scientifique
Photographies de plateau
Portfolios
Réfugiés -- France -- Photographies
RIBOUD, Marc (1923-2016)
Salgado, Sebastiăo (1944-....)
Unesco. Convention concernant la protection du patrimoine mondial, culturel et naturel (1972)Index. décimale : 77 Photographie Note de contenu : Chaque photo a son histoire 22-30
Le photojournalisme est mort,
vive la métaphotographie ! 32
Pépites d’Instagram 38
Jackpot sur Instagram 42
Chineuse d’images 46
L’ i nt e r v i e w d ’ Et i e n n e D a h o 48
Couple-à-porter 52
Les Polka du cinéma 54
Raymond Depardon, au regard si doux 62
Pixels de glace 66
Polka Bazaar 68
Eric Dupin, le fou de drones 74
La chronique de Gérard Lefort 76
L’é d i t o d ’A l a i n G e n e s t a r 81
Souraj ou la nouvelle vie 82
Nommer les sans-nom 90
La cité perdue de Niemeyer 100
Chasse gardée 108
L’a i l e o u l a c u i s s e 118
Mode d’expression 122
Janine Niépce, la photographe des années pilule 130
Art
Le portfolio de Sebastião Salgado et Marc Riboud 159
Marin Karmitz et Christoph Wiesner, la rencontre 190
Les ventes autour de Paris Photo 196
Le trésor est dans l’escalier 198
Les expos de l’hiver 200
Vent d’est, vent d’ouest à Lianzhou 208
Livres
Elliott Erwitt, un drôle de Charlot 212
Susan Meiselas, Alexis Pazoumian, Krass Clement... 216
et aussi
Métiers : encadreurs 226
Les news de la galerie Polka 240
Canon. Nuits sauvages 234
Carte blanche Pernod Ricard.
Valeurs humaines 236
SEIN : l’industrie en lumière 238En ligne : https://www.polkamagazine.com/app/uploads/2017/11/APERCU-POLKA_040.pdf [n° ou bulletin] no40(2017:novembre) - 2017-11-01 - Numero special 10 ans. Femmes du monde : Sebastiăo Salgado, Marc Riboud [texte imprimé] . - 2017.
Langues : Français (fre)
Catégories : Architecture -- Tripoli (Libye)
Artistes - Portraits
Chasseurs de phoques -- Canada -- Photographies
Cinema
Cuisine (insectes)
Daho, Étienne (1956-....)
DEPARDON, Raymond (1942-....)
Émigration et immigration
Femmes -- Photographies -- Expositions
Femmes photographes -- 20e siècle
Instagram (site web)
Journaux -- Éditions anniversaires
NIEMEYER, Oscar (1907 - ....)
Niépce, Janine (1921-2007)
Patrimoine commun de l'humanité -- Tripoli (Libye)
Photographie de mode
Photographie de presse
Photographie scientifique
Photographies de plateau
Portfolios
Réfugiés -- France -- Photographies
RIBOUD, Marc (1923-2016)
Salgado, Sebastiăo (1944-....)
Unesco. Convention concernant la protection du patrimoine mondial, culturel et naturel (1972)Index. décimale : 77 Photographie Note de contenu : Chaque photo a son histoire 22-30
Le photojournalisme est mort,
vive la métaphotographie ! 32
Pépites d’Instagram 38
Jackpot sur Instagram 42
Chineuse d’images 46
L’ i nt e r v i e w d ’ Et i e n n e D a h o 48
Couple-à-porter 52
Les Polka du cinéma 54
Raymond Depardon, au regard si doux 62
Pixels de glace 66
Polka Bazaar 68
Eric Dupin, le fou de drones 74
La chronique de Gérard Lefort 76
L’é d i t o d ’A l a i n G e n e s t a r 81
Souraj ou la nouvelle vie 82
Nommer les sans-nom 90
La cité perdue de Niemeyer 100
Chasse gardée 108
L’a i l e o u l a c u i s s e 118
Mode d’expression 122
Janine Niépce, la photographe des années pilule 130
Art
Le portfolio de Sebastião Salgado et Marc Riboud 159
Marin Karmitz et Christoph Wiesner, la rencontre 190
Les ventes autour de Paris Photo 196
Le trésor est dans l’escalier 198
Les expos de l’hiver 200
Vent d’est, vent d’ouest à Lianzhou 208
Livres
Elliott Erwitt, un drôle de Charlot 212
Susan Meiselas, Alexis Pazoumian, Krass Clement... 216
et aussi
Métiers : encadreurs 226
Les news de la galerie Polka 240
Canon. Nuits sauvages 234
Carte blanche Pernod Ricard.
Valeurs humaines 236
SEIN : l’industrie en lumière 238En ligne : https://www.polkamagazine.com/app/uploads/2017/11/APERCU-POLKA_040.pdf Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 21869 Polka Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible Vol.16 no2(2001) - 2001-05-01 - Destruction of World Heritage (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
[n° ou bulletin]
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Titre : Vol.16 no2(2001) - 2001-05-01 - Destruction of World Heritage Type de document : texte imprimé Année de publication : 2001 Langues : Anglais (eng) Catégories : Antiquités -- Conservation et restauration
Dommages de guerre
Guerre mondiale (1939-1945) -- Destruction et pillage
Monuments historiques -- Conservation et restauration -- Chine
Patrimoine culturel -- Chine -- Conservation et restauration
Patrimoine culturel -- Protection -- Coopération internationale
Patrimoine mondial culturel et naturel -- Mutilation, dégradation, etc.
Photographie -- Conservation et restauration
Sites historiques -- Conservation et restauration
Statues colossales -- Mutilation, dégradation, etc. -- Bāmiyān (Afghanistan ; région)
Unesco. Convention concernant la protection du patrimoine mondial, culturel et naturel (1972)Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu :
Table of Contents
Newsletter Cover
Enlarge
The 1,500-year-old Colossal Buddha in Bamiyan, Afghanistan, as it appeared in 1963. It was the largest Buddhist sculpture in the world until it was destroyed in March 2001 by the Taliban regime. Photo: UNESCO/A. Lézine.
A Note From the Director
World Heritage: Shield or Target?
In the latter part of the 20th century, a new consensus on the importance of cultural heritage and the necessity to protect it—prompted in part by the two world wars, unprecedented in their devastation—led to the creation of international agreements designed to shield cultural heritage. But, as the destruction by the ruling Taliban of two giant fifth-century statues of Buddha in Afghanistan may demonstrate, the notion of world heritage, intended as a shield, may instead, at times, act as a target.
Cultural Heritage and International Law: A Conversation with Lyndel Prott
The director of UNESCO's Division of Cultural Heritage discusses the impact of a half-century of international law on protecting cultural heritage from damage or destruction amid armed conflict.
The China Principles
China's 3,000 years of unbroken civilization have created a vast range of immovable heritage. But rampant economic development and the rapidly expanding tourism industries pose threats to this heritage. In 1997 the Getty Conservation Institute and the State Administration for Cultural Heritage in China began a collaborative program with the Australian Heritage Commission to develop a set of principles to guide the conservation and management of cultural sites in China.
Values and Site Management: New Case Studies
Recently the heritage field has seen the introduction of values-based management, which takes a holistic view of a site. Its objective is always the conservation and communication of the values that make a particular site significant. In collaboration with the Australian Heritage Commission, English Heritage, Parks Canada, and the U.S. National Park Service, the GCI has initiated the development of a series of case studies that can serve as examples of how values-driven site management can be interpreted, employed, and evaluated.
GCI News: Projects, Events, Publications and Staff
Updates on Getty Conservation Institute projects, events, publications, and staff.
The GCI Newsletter Staff BoxEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v16n2.p [...] [n° ou bulletin]Vol.16 no2(2001) - 2001-05-01 - Destruction of World Heritage [texte imprimé] . - 2001.
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Langues : Anglais (eng)
Catégories : Antiquités -- Conservation et restauration
Dommages de guerre
Guerre mondiale (1939-1945) -- Destruction et pillage
Monuments historiques -- Conservation et restauration -- Chine
Patrimoine culturel -- Chine -- Conservation et restauration
Patrimoine culturel -- Protection -- Coopération internationale
Patrimoine mondial culturel et naturel -- Mutilation, dégradation, etc.
Photographie -- Conservation et restauration
Sites historiques -- Conservation et restauration
Statues colossales -- Mutilation, dégradation, etc. -- Bāmiyān (Afghanistan ; région)
Unesco. Convention concernant la protection du patrimoine mondial, culturel et naturel (1972)Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu :
Table of Contents
Newsletter Cover
Enlarge
The 1,500-year-old Colossal Buddha in Bamiyan, Afghanistan, as it appeared in 1963. It was the largest Buddhist sculpture in the world until it was destroyed in March 2001 by the Taliban regime. Photo: UNESCO/A. Lézine.
A Note From the Director
World Heritage: Shield or Target?
In the latter part of the 20th century, a new consensus on the importance of cultural heritage and the necessity to protect it—prompted in part by the two world wars, unprecedented in their devastation—led to the creation of international agreements designed to shield cultural heritage. But, as the destruction by the ruling Taliban of two giant fifth-century statues of Buddha in Afghanistan may demonstrate, the notion of world heritage, intended as a shield, may instead, at times, act as a target.
Cultural Heritage and International Law: A Conversation with Lyndel Prott
The director of UNESCO's Division of Cultural Heritage discusses the impact of a half-century of international law on protecting cultural heritage from damage or destruction amid armed conflict.
The China Principles
China's 3,000 years of unbroken civilization have created a vast range of immovable heritage. But rampant economic development and the rapidly expanding tourism industries pose threats to this heritage. In 1997 the Getty Conservation Institute and the State Administration for Cultural Heritage in China began a collaborative program with the Australian Heritage Commission to develop a set of principles to guide the conservation and management of cultural sites in China.
Values and Site Management: New Case Studies
Recently the heritage field has seen the introduction of values-based management, which takes a holistic view of a site. Its objective is always the conservation and communication of the values that make a particular site significant. In collaboration with the Australian Heritage Commission, English Heritage, Parks Canada, and the U.S. National Park Service, the GCI has initiated the development of a series of case studies that can serve as examples of how values-driven site management can be interpreted, employed, and evaluated.
GCI News: Projects, Events, Publications and Staff
Updates on Getty Conservation Institute projects, events, publications, and staff.
The GCI Newsletter Staff BoxEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v16n2.p [...] Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23371 GETTY Fascicule ESA Saint-Luc Beaux-Arts - Biblio Exclu du prêt Vol.19 no3(2004) - 2004-09-01 - Partnership : a joint with UNESCO (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
[n° ou bulletin]
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Titre : Vol.19 no3(2004) - 2004-09-01 - Partnership : a joint with UNESCO Type de document : texte imprimé Année de publication : 2004 Langues : Anglais (eng) Catégories : Conservation et restauration -- Philosophie
Partenariat public-privé
Patrimoine culturel -- Conservation et restauration -- Conventions
Patrimoine culturel -- Conservation et restauration -- Coopération internationale
Patrimoine culturel -- Conservation et restauration -- Recherche
Peinture et décoration murales -- Dunhuang (Chine) -- Grottes de Mogao -- Conservation et restauration
Unesco. Convention concernant la protection du patrimoine mondial, culturel et naturel (1972)Mots-clés : Dunhuang Academy Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
Front cover: An illustration inspired by decorative elements of Nasrid art (named for the Islamic dynasty that ruled southern Spain in the 13th through 15th centuries). The link—an essential component of partnership—is the basis for a structured assembly of geometric ornamentation. Image: © Marina Taurus, Courtesy UNESCO.
An Editorial Note on This Special Issue
Heritage Partnership: Exploring the Unknown
Partnerships, which bring together resources from diverse players, can significantly multiply the means available for a task and the benefits that accrue from it. Partnerships involve a shared commitment and a leveraging of capacities beyond what would be possible if each partner were working alone. While the public and private sectors have been reticent to pool their resources, much has been accomplished through unprecedented partnerships. Given the resources that these collaborations have unlocked, one can conclude that in today's complex society, cultural heritage partnerships are hardly a hazard—they may even be a necessity.
Mobilizing Resources: A Discussion about Partnerships and Conservation
Can partnerships enable conservation organizations to tackle existing and future challenges in the conservation of the arts and cultural heritage? Francesco Bandarin of the World Heritage Center, Ismaïl Serageldin of the Bibliotheca Alexandrina, and Nicholas Stanley-Price of ICCROM talk with the GCI's Tim Whalen and Jeffrey Levin about the nature of partnerships in heritage conservation.
Cooperation in Conservation Science
From its earliest days, the GCI Science department has cultivated partnerships in many of its major research undertakings. These partnerships have succeeded not only when there is a shared common goal, but also when the partners have had expertise in similar areas of research and compatible resources—or when they have had different but complementary expertise and resources. Several current GCI Science research projects illustrate the elements of successful partnership; in each, the partnership with external organizations is at the core of the project's work.
Partnership: We're in This Boat Together
The GCI's longest continuing partnership among its field projects has been in China, with the State Administration of Cultural Heritage and the Dunhuang Academy. The partnership, which began with one set of objectives, over time has expanded into new endeavors. A key reason for this longevity is the attention paid to the relationship itself. By emphasizing professional development, sharing, and collegial cooperation—in addition to well-defined and clearly stated objectives and methodology—the GCI and its partners have achieved a long-term and highly productive partnership.
GCI News: Projects, Events, Publications and StaffEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v19n3.p [...] [n° ou bulletin]Vol.19 no3(2004) - 2004-09-01 - Partnership : a joint with UNESCO [texte imprimé] . - 2004.
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Langues : Anglais (eng)
Catégories : Conservation et restauration -- Philosophie
Partenariat public-privé
Patrimoine culturel -- Conservation et restauration -- Conventions
Patrimoine culturel -- Conservation et restauration -- Coopération internationale
Patrimoine culturel -- Conservation et restauration -- Recherche
Peinture et décoration murales -- Dunhuang (Chine) -- Grottes de Mogao -- Conservation et restauration
Unesco. Convention concernant la protection du patrimoine mondial, culturel et naturel (1972)Mots-clés : Dunhuang Academy Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
Front cover: An illustration inspired by decorative elements of Nasrid art (named for the Islamic dynasty that ruled southern Spain in the 13th through 15th centuries). The link—an essential component of partnership—is the basis for a structured assembly of geometric ornamentation. Image: © Marina Taurus, Courtesy UNESCO.
An Editorial Note on This Special Issue
Heritage Partnership: Exploring the Unknown
Partnerships, which bring together resources from diverse players, can significantly multiply the means available for a task and the benefits that accrue from it. Partnerships involve a shared commitment and a leveraging of capacities beyond what would be possible if each partner were working alone. While the public and private sectors have been reticent to pool their resources, much has been accomplished through unprecedented partnerships. Given the resources that these collaborations have unlocked, one can conclude that in today's complex society, cultural heritage partnerships are hardly a hazard—they may even be a necessity.
Mobilizing Resources: A Discussion about Partnerships and Conservation
Can partnerships enable conservation organizations to tackle existing and future challenges in the conservation of the arts and cultural heritage? Francesco Bandarin of the World Heritage Center, Ismaïl Serageldin of the Bibliotheca Alexandrina, and Nicholas Stanley-Price of ICCROM talk with the GCI's Tim Whalen and Jeffrey Levin about the nature of partnerships in heritage conservation.
Cooperation in Conservation Science
From its earliest days, the GCI Science department has cultivated partnerships in many of its major research undertakings. These partnerships have succeeded not only when there is a shared common goal, but also when the partners have had expertise in similar areas of research and compatible resources—or when they have had different but complementary expertise and resources. Several current GCI Science research projects illustrate the elements of successful partnership; in each, the partnership with external organizations is at the core of the project's work.
Partnership: We're in This Boat Together
The GCI's longest continuing partnership among its field projects has been in China, with the State Administration of Cultural Heritage and the Dunhuang Academy. The partnership, which began with one set of objectives, over time has expanded into new endeavors. A key reason for this longevity is the attention paid to the relationship itself. By emphasizing professional development, sharing, and collegial cooperation—in addition to well-defined and clearly stated objectives and methodology—the GCI and its partners have achieved a long-term and highly productive partnership.
GCI News: Projects, Events, Publications and StaffEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v19n3.p [...] Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23361 GETTY Fascicule ESA Saint-Luc Beaux-Arts - Biblio Exclu du prêt