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[n° ou bulletin]
Titre : 03.18 - 2018-03-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement
Arts graphiques -- 21e siècle
Arts graphiques -- Mise en page et typographie
Arts graphiques -- Tokyo (Japon)
Conditionnement
Ornements typographiques
Produits cosmétiques -- Conditionnement
Reliure -- Dorure -- 21e siècle
Sculpture en papier
Typographie - Design
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé :
This issue really pulls out all the stops! A wrap-around cover resplendent in all the colours of the rainbow, fine gold paper and relief varnishing – no point in choosing gold unless you really go for it!
Gold is not as easy a choice as you might think, however. It can quickly look over the top, which is why many designers only use it sparingly. But who wants to be modest and sensible all the time? In this issue of novum we thought we´d really push the boat out and go all out for gold. It fills the novum+ section and the cover, too, is a gilded delight. A brand new print and finishing technique inspired the designers at Paperlux to this cover. And we think you’ll agree, the results are amazing. Sophisticated printing technology combined with good design – that is real luxury!
novum 03.18 is also available as PDF for only 8,99 Euro
To buy the printed issue, please visit our ShopNote de contenu :
The Midas touch
If you want to make an impression, then you´ve really got to go for it. No half measures. When everybody else is dressed up to the nines, then you don´t want to be the one in jeans and T-shirt. Choosing gold as the theme for this month´s novum+ section was at the same time an obligation – to really shine. With features about great projects and also with the cover – that, too, had to be gold. Not just a little, but a lot!
The creatives at Paperlux were certainly on board with this idea. These Hamburg-based designers pulled off a coup for us once before with the 11/11 novum cover, which you could fold in three dimensions. This time, it as a new technique that inspired this latest cover.
The cover
At the end of 2017 Scodix rolled out its new digital print enhancement press. This enables spot varnishing, unusually high relief varnishes and foil finishes. You can see what´s possible on the new novum cover: It shimmers in all the colours of the rainbow and is a delight to touch. The special thing about this process is that it dispenses with the need for screens or printing plates, it can be printed direct from the computer. In this way you can save costs, proofs are cheaper and designers have more scope. It´s even possible to apply different finishes one after the other, to create brand new effects.
For the paper we chose Splendorlux Mirror Oro in 320 gsm from Fedrigoni. This cast coated board is well suited for a wide range of applications and has an attractive gold tone and a reflecting surface.
The foil used on the cover came from Kurz, a company that developed a new foil specially for use with the Scodix printing process. It is available in all the colours of the rainbow.
In the novum+ section, too, it´s all about gold. Used in the CD for a model agency gold adds sophistication, for a Japanese restaurant, freshness. It turns a six-pack of beer into a wild work of art and adds class to cannabis packaging. These and many other projects show just how diverse the applications are for the colour gold.
In the Showroom section, Düsseldorf agency KittoKatsu lives up to its name and Italian designer Monica Lovati shows us CIs with feeling. At Buenaventura from Granada, they love bright and bold, and know just how to blend cultural elements into their work. In Vorarlberg, too, the designers have a knack for fine design: Atelier Hanselwanter shows how to create fantastic design for small clients too. And, last but not least, we visit Ufomammoot in Berlin for our series on New Talents Berlin. These creatives use the latest technologies and test out the limits of the possible.
Gilt edging
We couldn´t resist and just had to do a gilt edge as well. So ten of the copies of novum 03.18 sport this sophisticated finish. They are randomly distributed among our subscribers and the newsagents, and if you are the lucky recipient of one of them, then you have hit lucky twice: Not only do you have a real collectors´ piece, you also get a free one-day ticket to our Creative Paper Conference 2018!
The content
novum+
Bibliothèque (GBR)
Happycentro (ITA)
Pavement (USA)
Brighhead Studio (RUS)
Knoed (USA)
Mind Design (GBR)
The Bakery (RUS)
Toolbox (CAN)
Paperlux (GER)
Showroom
KittoKatsu (GER)
Monica Lovati (ITA)
Buenaventura (ESP)
Haselwanter Grafik_und Design (AUT)
Ufomammoot (GER)
Das Cover
Design: Paperlux (GER)
Papier: Splendorlux Mirror Oro, 320 g/qm Fedrigoni
Druck & Veredelung Cover: Mediadruckwerk
Folien: Kurz
Fotos: Tobias Holzmann
Goldschnitt: 10 Exemplare wurden zudem von der Firma Steinbrenner mit einem Goldschnitt versehen,
novum 03.18 GoldEn ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0318/ [n° ou bulletin] 03.18 - 2018-03-12 [texte imprimé] . - 2018.
Langues : Allemand (ger) Anglais (eng)
Catégories : Aliments -- Conditionnement
Arts graphiques -- 21e siècle
Arts graphiques -- Mise en page et typographie
Arts graphiques -- Tokyo (Japon)
Conditionnement
Ornements typographiques
Produits cosmétiques -- Conditionnement
Reliure -- Dorure -- 21e siècle
Sculpture en papier
Typographie - Design
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé :
This issue really pulls out all the stops! A wrap-around cover resplendent in all the colours of the rainbow, fine gold paper and relief varnishing – no point in choosing gold unless you really go for it!
Gold is not as easy a choice as you might think, however. It can quickly look over the top, which is why many designers only use it sparingly. But who wants to be modest and sensible all the time? In this issue of novum we thought we´d really push the boat out and go all out for gold. It fills the novum+ section and the cover, too, is a gilded delight. A brand new print and finishing technique inspired the designers at Paperlux to this cover. And we think you’ll agree, the results are amazing. Sophisticated printing technology combined with good design – that is real luxury!
novum 03.18 is also available as PDF for only 8,99 Euro
To buy the printed issue, please visit our ShopNote de contenu :
The Midas touch
If you want to make an impression, then you´ve really got to go for it. No half measures. When everybody else is dressed up to the nines, then you don´t want to be the one in jeans and T-shirt. Choosing gold as the theme for this month´s novum+ section was at the same time an obligation – to really shine. With features about great projects and also with the cover – that, too, had to be gold. Not just a little, but a lot!
The creatives at Paperlux were certainly on board with this idea. These Hamburg-based designers pulled off a coup for us once before with the 11/11 novum cover, which you could fold in three dimensions. This time, it as a new technique that inspired this latest cover.
The cover
At the end of 2017 Scodix rolled out its new digital print enhancement press. This enables spot varnishing, unusually high relief varnishes and foil finishes. You can see what´s possible on the new novum cover: It shimmers in all the colours of the rainbow and is a delight to touch. The special thing about this process is that it dispenses with the need for screens or printing plates, it can be printed direct from the computer. In this way you can save costs, proofs are cheaper and designers have more scope. It´s even possible to apply different finishes one after the other, to create brand new effects.
For the paper we chose Splendorlux Mirror Oro in 320 gsm from Fedrigoni. This cast coated board is well suited for a wide range of applications and has an attractive gold tone and a reflecting surface.
The foil used on the cover came from Kurz, a company that developed a new foil specially for use with the Scodix printing process. It is available in all the colours of the rainbow.
In the novum+ section, too, it´s all about gold. Used in the CD for a model agency gold adds sophistication, for a Japanese restaurant, freshness. It turns a six-pack of beer into a wild work of art and adds class to cannabis packaging. These and many other projects show just how diverse the applications are for the colour gold.
In the Showroom section, Düsseldorf agency KittoKatsu lives up to its name and Italian designer Monica Lovati shows us CIs with feeling. At Buenaventura from Granada, they love bright and bold, and know just how to blend cultural elements into their work. In Vorarlberg, too, the designers have a knack for fine design: Atelier Hanselwanter shows how to create fantastic design for small clients too. And, last but not least, we visit Ufomammoot in Berlin for our series on New Talents Berlin. These creatives use the latest technologies and test out the limits of the possible.
Gilt edging
We couldn´t resist and just had to do a gilt edge as well. So ten of the copies of novum 03.18 sport this sophisticated finish. They are randomly distributed among our subscribers and the newsagents, and if you are the lucky recipient of one of them, then you have hit lucky twice: Not only do you have a real collectors´ piece, you also get a free one-day ticket to our Creative Paper Conference 2018!
The content
novum+
Bibliothèque (GBR)
Happycentro (ITA)
Pavement (USA)
Brighhead Studio (RUS)
Knoed (USA)
Mind Design (GBR)
The Bakery (RUS)
Toolbox (CAN)
Paperlux (GER)
Showroom
KittoKatsu (GER)
Monica Lovati (ITA)
Buenaventura (ESP)
Haselwanter Grafik_und Design (AUT)
Ufomammoot (GER)
Das Cover
Design: Paperlux (GER)
Papier: Splendorlux Mirror Oro, 320 g/qm Fedrigoni
Druck & Veredelung Cover: Mediadruckwerk
Folien: Kurz
Fotos: Tobias Holzmann
Goldschnitt: 10 Exemplare wurden zudem von der Firma Steinbrenner mit einem Goldschnitt versehen,
novum 03.18 GoldEn ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0318/ Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 22322 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 04.18 - 2018-04-12 Type de document : texte imprimé Année de publication : 2018 Accompagnement : + 1 f. 30x23 cm coul. num. 551/600 Langues : Allemand (ger) Anglais (eng) Catégories : Alcool -- Conditionnement
Aliments -- Conditionnement
Arts graphiques -- 21e siècle
Communication visuelle -- 21e siècle
Duplicateurs
Durán, Lorenzo
Feuilles -- Dans l'art
Illustrations, images, etc. -- Reproduction -- Technique
Impression numérique
Impression sérigraphique
Neubert, Franziska (1977-....)
Produits cosmétiques -- Conditionnement
Renault -- Communication visuelle -- Histoire et critique
Travail manuel
Travaux artistiques d'étudiants -- Münster in Westfalen (Allemagne)
Typographie -- CaractèresIndex. décimale : 766 Arts graphiques Résumé :
For a long time perfection was the only goal, now we value the small imperfections, the individual features that make up the charm of the hand-made. The April issue of novum, dedicated to the theme of »hand-made«, presents a range of projects that have been carefully and lovingly hand-crafted. Woodcuts, screenprints, tape art, hand-lettering – all of this and more awaits your discovery in the new novum. And, in line with the theme, the cover of this month´s issue is also hand-made: Students from the University of Applied Sciences in Münster numbered each copy by hand!Note de contenu : The cover
Our plan was to do all the covers in risographic printing, but sadly this was abandoned because of the technical requirements. But in an issue dedicated to the theme of “hand-made”, the cover itself also had to feature some element of hand-crafting. For this we were pleased to have support from students at the University of Applied Sciences in Münster who literally hand-processed each copy!
12,000 covers were numbered in sequence by the budding illustrators – a remarkable achievement. The numbering takes up another aspect of the cover of novum 04.18: As we had to rule our risographic printing, we decided instead to produce individual risographs and place them on the cover. Only our subscribers will have a chance to be the lucky recipients of these signed and numbered art prints. But all our other readers can still enjoy a hand-lettered unique print. As long as stocks last, the risographs will be available to buy as a pack in our online shop.
The risographs
The designs for the risographs were created on the illustration course of Felix Scheinberger and Rüdiger Quass von Deyen at the University of Applied Sciences in Münster. The only brief was to interpret the theme of “hand-made” and the results are most impressive and diverse. Fourteen designs in total were produced, each illustrating different aspects of the hand-made and hand-craft work, or the process of creating such work.
Click here for more about the individual designs…
The risographs were printed in the Munich studio Herr & Frau Rio which has years of experience and interest in this technique. As it is a very special technique, it was important to choose the right material. We used the paper Extrarough by Metapaper which has a very rough surface, as the name says, and also delivers very good printability.
The content
In the novum+ section this month we focus on the theme of »hand-made« and bring you a broad spectrum of works, from woodcut book illustrations and screen prints to hand-painted shop windows, gilded labels, hand-lettering and lots more.
In our Showroom, we go to Berlin to the creative studio of Stan Hema and to all-round talent Vinzent Britz. In London we visit sought-after designers the Yarza Twins, and we report on the American studio Colony. Austria beckons, too, as we drop in on Dunkelblaufastschwarz, returning then to Germany to visit Mydsgn in the Bavarian Allgäu.
The content
novum+
Franziska Neubert (GER)
Lander Project (ITA)
Klebebande (GER)
Herr & Frau Rio (GER)
Lorenzo Durán (ESP)
Katharina Konte (GER)
Kate Gibb (GBR)
Meike Meyer (USA)
Showroom
Stan Hema (GER)
Dunkelblaufastschwarz (AUT)
Colony (USA)
Yarza Twins (GBR)
Mydsgn (GER)
New Talents Berlin: Vinzent Britz (GER)
The cover
Design: Students of FH Münster
Risograph printing: Herr & Frau Rio
Risograph paper: Extrarough, 175 gsm by Metapaper
Offset printing: f&w
Photos: Tobias HolzmannEn ligne : https://novum.graphics/en/magazine/current-issue/ [n° ou bulletin] 04.18 - 2018-04-12 [texte imprimé] . - 2018 . - + + 1 f. 30x23 cm coul. num. 551/600.
Langues : Allemand (ger) Anglais (eng)
Catégories : Alcool -- Conditionnement
Aliments -- Conditionnement
Arts graphiques -- 21e siècle
Communication visuelle -- 21e siècle
Duplicateurs
Durán, Lorenzo
Feuilles -- Dans l'art
Illustrations, images, etc. -- Reproduction -- Technique
Impression numérique
Impression sérigraphique
Neubert, Franziska (1977-....)
Produits cosmétiques -- Conditionnement
Renault -- Communication visuelle -- Histoire et critique
Travail manuel
Travaux artistiques d'étudiants -- Münster in Westfalen (Allemagne)
Typographie -- CaractèresIndex. décimale : 766 Arts graphiques Résumé :
For a long time perfection was the only goal, now we value the small imperfections, the individual features that make up the charm of the hand-made. The April issue of novum, dedicated to the theme of »hand-made«, presents a range of projects that have been carefully and lovingly hand-crafted. Woodcuts, screenprints, tape art, hand-lettering – all of this and more awaits your discovery in the new novum. And, in line with the theme, the cover of this month´s issue is also hand-made: Students from the University of Applied Sciences in Münster numbered each copy by hand!Note de contenu : The cover
Our plan was to do all the covers in risographic printing, but sadly this was abandoned because of the technical requirements. But in an issue dedicated to the theme of “hand-made”, the cover itself also had to feature some element of hand-crafting. For this we were pleased to have support from students at the University of Applied Sciences in Münster who literally hand-processed each copy!
12,000 covers were numbered in sequence by the budding illustrators – a remarkable achievement. The numbering takes up another aspect of the cover of novum 04.18: As we had to rule our risographic printing, we decided instead to produce individual risographs and place them on the cover. Only our subscribers will have a chance to be the lucky recipients of these signed and numbered art prints. But all our other readers can still enjoy a hand-lettered unique print. As long as stocks last, the risographs will be available to buy as a pack in our online shop.
The risographs
The designs for the risographs were created on the illustration course of Felix Scheinberger and Rüdiger Quass von Deyen at the University of Applied Sciences in Münster. The only brief was to interpret the theme of “hand-made” and the results are most impressive and diverse. Fourteen designs in total were produced, each illustrating different aspects of the hand-made and hand-craft work, or the process of creating such work.
Click here for more about the individual designs…
The risographs were printed in the Munich studio Herr & Frau Rio which has years of experience and interest in this technique. As it is a very special technique, it was important to choose the right material. We used the paper Extrarough by Metapaper which has a very rough surface, as the name says, and also delivers very good printability.
The content
In the novum+ section this month we focus on the theme of »hand-made« and bring you a broad spectrum of works, from woodcut book illustrations and screen prints to hand-painted shop windows, gilded labels, hand-lettering and lots more.
In our Showroom, we go to Berlin to the creative studio of Stan Hema and to all-round talent Vinzent Britz. In London we visit sought-after designers the Yarza Twins, and we report on the American studio Colony. Austria beckons, too, as we drop in on Dunkelblaufastschwarz, returning then to Germany to visit Mydsgn in the Bavarian Allgäu.
The content
novum+
Franziska Neubert (GER)
Lander Project (ITA)
Klebebande (GER)
Herr & Frau Rio (GER)
Lorenzo Durán (ESP)
Katharina Konte (GER)
Kate Gibb (GBR)
Meike Meyer (USA)
Showroom
Stan Hema (GER)
Dunkelblaufastschwarz (AUT)
Colony (USA)
Yarza Twins (GBR)
Mydsgn (GER)
New Talents Berlin: Vinzent Britz (GER)
The cover
Design: Students of FH Münster
Risograph printing: Herr & Frau Rio
Risograph paper: Extrarough, 175 gsm by Metapaper
Offset printing: f&w
Photos: Tobias HolzmannEn ligne : https://novum.graphics/en/magazine/current-issue/ Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 22321 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 06.18 - 2018-06-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Carnets de croquis
Communication en marketing
Couleurs -- Dans l'art -- Illustrations
Design interactif
Illustrations des livres -- 21e siècle
Littérature pour la jeunesse
Livres -- Couvertures
Miele -- Affiches
Produits cosmétiques -- Conditionnement
Signaux et signalisation
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé : The new novum is here and this month it explores that exciting intersection between architecture and design. And there is much to explore – such as visual identities derived from the architecture, orientation systems that respond to the need for inclusive design and facades that enhance our environment with attractive graphic design. As always, we also feature a range of recent projects and diverse articles in the Showroom section. Also, this month’s cover offers inspiration and haptic delight.
Note de contenu :
We also present an interview with Andreas Koop, who has already completed numerous projects in which inclusive design has been an important part. Does the need for this kind of universal accessibility hinder good design or can it in fact be an exciting challenge? Is inclusive design possible and sensible in all circumstances? The responses in this in-depth interview are thought-provoking and should help remove some of the hesitation some designers feel about taking on such projects.
Also in this issue is an article about the Zeitz Museum of Contemporary Art Africa in Cape Town, for which an impressive CI was produced. And we have an interview with the creatives at Snøhetta, who explain their interdisciplinary approach in joint architecture-graphic design projects. The Dutch studio Graphic Surgery loves the large canvas, while Migliore + Servetto excel in design for major events. We were also attracted by the CI for the Big Beautiful Buildings initiative, and so we talked to the initiators as well as the creatives (Konter) about the interaction in terms of content and form. And, last but not least, Spaceagency brings the future of space a little closer to us with their fantastic installations.
Our brand story this month examines the long history of Miele, and features some interesting adverts through the decades. In our Typography section, we chose a particularly exciting field this time: film intros which often contain some exceptional typographic solutions.
I would like to draw your attention to the topical subject covered this month by our lawyer Andrijana Kojic: The new data protection regulations are causing some confusion – in novum you can get a clear explanation of the main points.
Once again the Showroom section is a highlight of colour and inspiration. The bright, beautiful illustrations of Zebu are sure to delight, as will the fine visual identities created by Turkish designer Nese Nogay. Also lined up for you is the first-class portfolio of Blürbstudio and, last but not least, for our New Talents Berlin series, Felix Wiesner interviews a particularly creative duo in the capital: Jacob | Reischel, admired for their amazing set designs, attractively clean photo design and their own unique imagery!
The cover
Carved in stone – you could almost say that of the cover of this month’s novum: Fuego Stone (available from Papyrus) was the perfect paper for our purpose, aptly expressing the content of this issue. All that was needed was just a little colour ... in this case a Pantone spot colour (805). Via windows, our Art Director Tobias Holzmann gives us a chance to explore the diverse world of architecture.
The Paper
Available in the currently very popular grey and black tones, Fuego Stone has a unique surface feel, coupled with a high volume and a fascinating matt finish. The paper is available for immediate delivery in 90 to 400 gsm, deep black is also delivered in 500 and 700 gsm. Matching envelopes are of course also supplied.
For our cover we chose the elegant colour Stone Grey in 250 gsm on which the spot colour we worked with comes out particularly well.
Showroom:
Zebu (GER)
Nese Nogay (TUR)
Blürbstudio (POL)
New Talents Berlin: Jacob | Reischel
novum+
M&C Saatchi Abel (Zeitz Museum of Contemporary Art Africa) (ZAF)
Graphic Surgery (NLD)
Snøhetta (SWE)
Konter / Big Beautiful Buildings (GER)
Spaceagency (GBR)
Migliore + Servetto (ITA)
Designgruppe Koop (GER)
Cover: Tobias Holzmann (GER)
Paper: Fuego Stone (Papyrus)
Photos: Tobias Holzmann
Offset-Print: f&w Druck- und MediencenterEn ligne : https://novum.graphics/en/news/interviews/detail/out-now-novum-0618/ [n° ou bulletin] 06.18 - 2018-06-12 [texte imprimé] . - 2018.
Langues : Allemand (ger) Anglais (eng)
Catégories : Carnets de croquis
Communication en marketing
Couleurs -- Dans l'art -- Illustrations
Design interactif
Illustrations des livres -- 21e siècle
Littérature pour la jeunesse
Livres -- Couvertures
Miele -- Affiches
Produits cosmétiques -- Conditionnement
Signaux et signalisation
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé : The new novum is here and this month it explores that exciting intersection between architecture and design. And there is much to explore – such as visual identities derived from the architecture, orientation systems that respond to the need for inclusive design and facades that enhance our environment with attractive graphic design. As always, we also feature a range of recent projects and diverse articles in the Showroom section. Also, this month’s cover offers inspiration and haptic delight.
Note de contenu :
We also present an interview with Andreas Koop, who has already completed numerous projects in which inclusive design has been an important part. Does the need for this kind of universal accessibility hinder good design or can it in fact be an exciting challenge? Is inclusive design possible and sensible in all circumstances? The responses in this in-depth interview are thought-provoking and should help remove some of the hesitation some designers feel about taking on such projects.
Also in this issue is an article about the Zeitz Museum of Contemporary Art Africa in Cape Town, for which an impressive CI was produced. And we have an interview with the creatives at Snøhetta, who explain their interdisciplinary approach in joint architecture-graphic design projects. The Dutch studio Graphic Surgery loves the large canvas, while Migliore + Servetto excel in design for major events. We were also attracted by the CI for the Big Beautiful Buildings initiative, and so we talked to the initiators as well as the creatives (Konter) about the interaction in terms of content and form. And, last but not least, Spaceagency brings the future of space a little closer to us with their fantastic installations.
Our brand story this month examines the long history of Miele, and features some interesting adverts through the decades. In our Typography section, we chose a particularly exciting field this time: film intros which often contain some exceptional typographic solutions.
I would like to draw your attention to the topical subject covered this month by our lawyer Andrijana Kojic: The new data protection regulations are causing some confusion – in novum you can get a clear explanation of the main points.
Once again the Showroom section is a highlight of colour and inspiration. The bright, beautiful illustrations of Zebu are sure to delight, as will the fine visual identities created by Turkish designer Nese Nogay. Also lined up for you is the first-class portfolio of Blürbstudio and, last but not least, for our New Talents Berlin series, Felix Wiesner interviews a particularly creative duo in the capital: Jacob | Reischel, admired for their amazing set designs, attractively clean photo design and their own unique imagery!
The cover
Carved in stone – you could almost say that of the cover of this month’s novum: Fuego Stone (available from Papyrus) was the perfect paper for our purpose, aptly expressing the content of this issue. All that was needed was just a little colour ... in this case a Pantone spot colour (805). Via windows, our Art Director Tobias Holzmann gives us a chance to explore the diverse world of architecture.
The Paper
Available in the currently very popular grey and black tones, Fuego Stone has a unique surface feel, coupled with a high volume and a fascinating matt finish. The paper is available for immediate delivery in 90 to 400 gsm, deep black is also delivered in 500 and 700 gsm. Matching envelopes are of course also supplied.
For our cover we chose the elegant colour Stone Grey in 250 gsm on which the spot colour we worked with comes out particularly well.
Showroom:
Zebu (GER)
Nese Nogay (TUR)
Blürbstudio (POL)
New Talents Berlin: Jacob | Reischel
novum+
M&C Saatchi Abel (Zeitz Museum of Contemporary Art Africa) (ZAF)
Graphic Surgery (NLD)
Snøhetta (SWE)
Konter / Big Beautiful Buildings (GER)
Spaceagency (GBR)
Migliore + Servetto (ITA)
Designgruppe Koop (GER)
Cover: Tobias Holzmann (GER)
Paper: Fuego Stone (Papyrus)
Photos: Tobias Holzmann
Offset-Print: f&w Druck- und MediencenterEn ligne : https://novum.graphics/en/news/interviews/detail/out-now-novum-0618/ Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 21981 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 10.17 - 2017-10-12 Type de document : texte imprimé Année de publication : 2017 Langues : Allemand (ger) Catégories : Beau (esthétique)
Livres -- Mise en page
Menus -- Mise en page et typographie
Mise en page et typographie
Podkościelny, Patrycja (1988-....)
Produits cosmétiques -- ConditionnementIndex. décimale : 766 Arts graphiques Résumé : High-end cosmetics and medical products are generally marketed with a clear, clean look. So, for October´s cover of novum we have chosen a material that is very lively, but still communicates the elegance of pure white.
In terms of content this time, our novum+ section focuses on the very broad field of health and beauty from a number of angles. We have a wide range of examples for you, including a visual identity for a clinic and sophisticated packaging for luxury cosmetics. Along the way we explore the graphic design history of the Geigy brand for which over the years many a well known designer has worked, and an interview with Eva Wünsch and Luisa Stömer, whose book »Ebbe und Blut« (Ebb and [menstrual] Flow) has received much attention.
In the Showroom section we present the winners of Gold in the European Design Awards, look over the shoulder of gifted illustrator Patrycja Podkoscielny, visit Studio Mut in South Tyrol and give an insight into the multidisciplinary Atelier 522 whose philosophy is truly special.
The next article in our series on the »New Typography« takes us back in time to the city of Frankfurt in the 1920s, when the urban development program of estates housing expert Ernst May fostered a whole design movement touching upon many areas of life.
And in his column, Andreas Koop muses on »unreal realities« and »bleak realities« – explore with him thoughts on appearances and reality and how graphic design finds its place here.
Or take a closer look at the fascinating options presented by register punching – a useful but also a decorative element. Silvia Lerch has produced a very practical and informative guide to what’s involved.
Also in her column, our lawyer Andrijana Kojic writes about how to recind contracts – something that is indeed possible, you just have to know how.
The cover
White stands for clarity, freshness and purity. As such it is an ideal component in the visual design of health and beauty products. Combined with haptic elements, this clean aesthetic moves to a new level of subtlety.
We were able to capture all these qualities with Keaykolour. The entire collection contains papers made of recycled pulp, conforming to FSC regulations, in weights of 90 to 450 gsm. One member of this product family is card-quality (300 gsm) “Keaykolour Geprägt” available from Antalis in the variants Hammer blow, Horizon, Leather, Cedar and Linear. We chose linear embossed 300 gsm card quality in snow white which produces a sophisticated play of light and shade and feels almost velvety to the touch.
For the high-end graphic design, we have Studio Grau of Berlin to thank – a multiple-award-winning team of designers who we featured in novum 07.17. We were very pleased that they agreed to visualise this theme for us: The delicate, metallic shades of pastel give eye-shadow like emphasis to the motif. Special colours (Pantone 8361 and 488) were the answer for such a subtle, elegant solution. The perfect way to “make up” the cover for an issue about health and beauty, we thought!
novum+
Studio Oeding (GER)
Ebbe & Blut (GER)
Studio Build (GBR)
Étiquette (LIT)
Geigy (SWI)
Suprematika (RUS)
Hunap (HUN)
Ortolan (AUS)
Showroom:
European Design Awards
Atelier522 (GER)
Patrycja Podkoscielny (POL)
Studio Mut (ITA)
Neue Typographie, Teil V
Paper: Keaykolour, Antalis
Offset printing: f&w Druck- und Mediencenter
Cover design: Chrish Knigge, Studio Grau
Special colours: Pantone 488, 8361
Photos: Tobias HolzmannEn ligne : https://novum.graphics/en/magazine/archive/detail/novum-1017/ [n° ou bulletin] 10.17 - 2017-10-12 [texte imprimé] . - 2017.
Langues : Allemand (ger)
Catégories : Beau (esthétique)
Livres -- Mise en page
Menus -- Mise en page et typographie
Mise en page et typographie
Podkościelny, Patrycja (1988-....)
Produits cosmétiques -- ConditionnementIndex. décimale : 766 Arts graphiques Résumé : High-end cosmetics and medical products are generally marketed with a clear, clean look. So, for October´s cover of novum we have chosen a material that is very lively, but still communicates the elegance of pure white.
In terms of content this time, our novum+ section focuses on the very broad field of health and beauty from a number of angles. We have a wide range of examples for you, including a visual identity for a clinic and sophisticated packaging for luxury cosmetics. Along the way we explore the graphic design history of the Geigy brand for which over the years many a well known designer has worked, and an interview with Eva Wünsch and Luisa Stömer, whose book »Ebbe und Blut« (Ebb and [menstrual] Flow) has received much attention.
In the Showroom section we present the winners of Gold in the European Design Awards, look over the shoulder of gifted illustrator Patrycja Podkoscielny, visit Studio Mut in South Tyrol and give an insight into the multidisciplinary Atelier 522 whose philosophy is truly special.
The next article in our series on the »New Typography« takes us back in time to the city of Frankfurt in the 1920s, when the urban development program of estates housing expert Ernst May fostered a whole design movement touching upon many areas of life.
And in his column, Andreas Koop muses on »unreal realities« and »bleak realities« – explore with him thoughts on appearances and reality and how graphic design finds its place here.
Or take a closer look at the fascinating options presented by register punching – a useful but also a decorative element. Silvia Lerch has produced a very practical and informative guide to what’s involved.
Also in her column, our lawyer Andrijana Kojic writes about how to recind contracts – something that is indeed possible, you just have to know how.
The cover
White stands for clarity, freshness and purity. As such it is an ideal component in the visual design of health and beauty products. Combined with haptic elements, this clean aesthetic moves to a new level of subtlety.
We were able to capture all these qualities with Keaykolour. The entire collection contains papers made of recycled pulp, conforming to FSC regulations, in weights of 90 to 450 gsm. One member of this product family is card-quality (300 gsm) “Keaykolour Geprägt” available from Antalis in the variants Hammer blow, Horizon, Leather, Cedar and Linear. We chose linear embossed 300 gsm card quality in snow white which produces a sophisticated play of light and shade and feels almost velvety to the touch.
For the high-end graphic design, we have Studio Grau of Berlin to thank – a multiple-award-winning team of designers who we featured in novum 07.17. We were very pleased that they agreed to visualise this theme for us: The delicate, metallic shades of pastel give eye-shadow like emphasis to the motif. Special colours (Pantone 8361 and 488) were the answer for such a subtle, elegant solution. The perfect way to “make up” the cover for an issue about health and beauty, we thought!
novum+
Studio Oeding (GER)
Ebbe & Blut (GER)
Studio Build (GBR)
Étiquette (LIT)
Geigy (SWI)
Suprematika (RUS)
Hunap (HUN)
Ortolan (AUS)
Showroom:
European Design Awards
Atelier522 (GER)
Patrycja Podkoscielny (POL)
Studio Mut (ITA)
Neue Typographie, Teil V
Paper: Keaykolour, Antalis
Offset printing: f&w Druck- und Mediencenter
Cover design: Chrish Knigge, Studio Grau
Special colours: Pantone 488, 8361
Photos: Tobias HolzmannEn ligne : https://novum.graphics/en/magazine/archive/detail/novum-1017/ Réservation
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