Vol.62 N°5-6(2017 ; July-August) - 2017-07-01 (Bulletin de Studies in conservation)  

Public ISBD [n° ou bulletin]  est un bulletin de Studies in conservation / Institut international de conservation des oeuvres historiques et artistiques   Titre : Vol.62 N°5-6(2017 ; July-August) - 2017-07-01 Type de document : texte imprimé Année de publication : 2017 Note générale : Accès à plus de documentation via le compte bibliothèque : demander les accès aux bibliothécaires Versions numériques accessibles à la bibliothèque uniquement : demander les accès aux bibliothécaires Langues : Anglais (eng) Catégories : Calcaire -- Conservation et restauration Calcaire -- Effets du sel Dilatation (thermodynamique) Diodes électroluminescentes Dômes -- Vatican -- Dessins et plans Églises -- Tessin (Suisse) -- Conservation et restauration Fourier, Spectroscopie infrarouge à transformée de Gypse -- Conservation et restauration Liège (Belgique) -- Église Saint-Jacques -- Conservation et restauration Musées -- Éclairage Museo di Palazzo di Venezia (Rome, Italie) Pâte à modeler -- 20e siècle -- Conservation et restauration Pierre -- Effets du sel Pierre à bâtir -- Détérioration Poleni, Giovanni (1685-1761). Memorie istoriche della gran cupola del Tempio vaticano Polymères -- Conservation et restauration Rodin, Auguste (1840-1917) -- Oeuvres -- Sculpture -- Conservation et restauration Sculpture en terre cuite -- Conservation et restauration -- Italie Spectroscopie des rayons X Spectroscopie Raman Textiles et tissus synthétiques -- Conservation et restauration Vatican -- Basilica di San Pietro -- Ouvrages avant 1800 Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Contents in brief : Number 5 : Analysis and conservation of modern modeling materials found in Auguste Rodin's sculptures Juliette Langlois, Guylaine Mary, Hélène Bluzat, Agnès Cascio, Nathalie Balcar, Yannick Vandenberghe & Marine Cotte Pages: 247-265 Published online: 16 Mar 2016 The terracotta modelli of Palazzo Venezia in Rome: Investigation of the constituent materials for fundamental knowledge and to aid conservation decisions Claudia Pelosi , Davide Fodaro, Livia Sforzini, Claudio Falcucci & Pietro Baraldi Pages: 266-282 Published online: 15 Mar 2016 Italian technical literature in the field of architectural restoration: The case study of the Historic Memories about the Vatican Church by Giovanni Poleni Alessia Bianco Pages: 283-293 Published online: 04 Oct 2016 Can LEDs help with art conservation? – Impact of different light spectra on paint pigment degradation Manuela Lunz, Elise Talgorn, Jannie Baken, Wiebe Wagemans & Dirk Veldman Pages: 294-303 Published online: 29 Jun 2016 Pickeringite: A deleterious salt on buildings Andreas Küng & Konrad Zehnder Pages: 304-308 Published online: 10 Aug 2016 Corrigenda correction Corrigendum Page: 309 Published online: 16 May 2017 Number 6 : Differential thermal expansion as a cause of salt decay: literature review, experiments, and modelling of micro and macro effects on Ançã limestone Teresa Diaz Gonçalves & Vânia Brito Pages: 310-328 Published online: 17 Apr 2016 Investigating salt decay of stone materials related to the environment, a case study in the St. James church in Liège, Belgium Sebastiaan Godts , Roald Hayen & Hilde De Clercq Pages: 329-342 Published online: 14 Oct 2016 ATR-FTIR as a tool for assessing potential for chemical ageing in Spandex/Lycra®/elastane-based fabric collections Christopher E. Marjo , Sue Gatenby, Anne M. Rich, Bin Gong & Suzanne Chee Pages: 343-353 Published online: 29 Jul 2016 Reporting on a survey of peer-reviewed publishing in cultural materials conservation: perceptions, preferences, and decision-making Marie Christodulaki & Robyn Sloggett Pages: 354-370 Published online: 12 Apr 2016 En ligne : http://www.tandfonline.com/toc/ysic20/62/6?nav=tocList [n° ou bulletin]  est un bulletin de Studies in conservation / Institut international de conservation des oeuvres historiques et artistiques   Vol.62 N°5-6(2017 ; July-August) - 2017-07-01 [texte imprimé] . - 2017. Accès à plus de documentation via le compte bibliothèque : demander les accès aux bibliothécaires Versions numériques accessibles à la bibliothèque uniquement : demander les accès aux bibliothécaires Langues : Anglais (eng) Catégories : Calcaire -- Conservation et restauration Calcaire -- Effets du sel Dilatation (thermodynamique) Diodes électroluminescentes Dômes -- Vatican -- Dessins et plans Églises -- Tessin (Suisse) -- Conservation et restauration Fourier, Spectroscopie infrarouge à transformée de Gypse -- Conservation et restauration Liège (Belgique) -- Église Saint-Jacques -- Conservation et restauration Musées -- Éclairage Museo di Palazzo di Venezia (Rome, Italie) Pâte à modeler -- 20e siècle -- Conservation et restauration Pierre -- Effets du sel Pierre à bâtir -- Détérioration Poleni, Giovanni (1685-1761). Memorie istoriche della gran cupola del Tempio vaticano Polymères -- Conservation et restauration Rodin, Auguste (1840-1917) -- Oeuvres -- Sculpture -- Conservation et restauration Sculpture en terre cuite -- Conservation et restauration -- Italie Spectroscopie des rayons X Spectroscopie Raman Textiles et tissus synthétiques -- Conservation et restauration Vatican -- Basilica di San Pietro -- Ouvrages avant 1800 Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Contents in brief : Number 5 : Analysis and conservation of modern modeling materials found in Auguste Rodin's sculptures Juliette Langlois, Guylaine Mary, Hélène Bluzat, Agnès Cascio, Nathalie Balcar, Yannick Vandenberghe & Marine Cotte Pages: 247-265 Published online: 16 Mar 2016 The terracotta modelli of Palazzo Venezia in Rome: Investigation of the constituent materials for fundamental knowledge and to aid conservation decisions Claudia Pelosi , Davide Fodaro, Livia Sforzini, Claudio Falcucci & Pietro Baraldi Pages: 266-282 Published online: 15 Mar 2016 Italian technical literature in the field of architectural restoration: The case study of the Historic Memories about the Vatican Church by Giovanni Poleni Alessia Bianco Pages: 283-293 Published online: 04 Oct 2016 Can LEDs help with art conservation? – Impact of different light spectra on paint pigment degradation Manuela Lunz, Elise Talgorn, Jannie Baken, Wiebe Wagemans & Dirk Veldman Pages: 294-303 Published online: 29 Jun 2016 Pickeringite: A deleterious salt on buildings Andreas Küng & Konrad Zehnder Pages: 304-308 Published online: 10 Aug 2016 Corrigenda correction Corrigendum Page: 309 Published online: 16 May 2017 Number 6 : Differential thermal expansion as a cause of salt decay: literature review, experiments, and modelling of micro and macro effects on Ançã limestone Teresa Diaz Gonçalves & Vânia Brito Pages: 310-328 Published online: 17 Apr 2016 Investigating salt decay of stone materials related to the environment, a case study in the St. James church in Liège, Belgium Sebastiaan Godts , Roald Hayen & Hilde De Clercq Pages: 329-342 Published online: 14 Oct 2016 ATR-FTIR as a tool for assessing potential for chemical ageing in Spandex/Lycra®/elastane-based fabric collections Christopher E. Marjo , Sue Gatenby, Anne M. Rich, Bin Gong & Suzanne Chee Pages: 343-353 Published online: 29 Jul 2016 Reporting on a survey of peer-reviewed publishing in cultural materials conservation: perceptions, preferences, and decision-making Marie Christodulaki & Robyn Sloggett Pages: 354-370 Published online: 12 Apr 2016 En ligne : http://www.tandfonline.com/toc/ysic20/62/6?nav=tocList

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Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 21466	Studies in conservation	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

Colors, Materials, and Techniques in Historical Buildings in Rome : Diagnostic Investigations and Case Studies in Studies in conservation, Vol.68 N°3-4(2023; April-May) (2023-04-03)

Public ISBD [article]  inStudies in conservation > Vol.68 N°3-4(2023; April-May) (2023-04-03) . - Pages 365-379 Titre : Colors, Materials, and Techniques in Historical Buildings in Rome : Diagnostic Investigations and Case Studies Type de document : texte imprimé Année de publication : 2023 Article en page(s) : Pages 365-379 Langues : Anglais (eng) Catégories : Couleur en architecture -- Façades -- Rome -- 20e siècle -- Conservation et restauration Essais (technologie) Fourier, Spectroscopie infrarouge à transformée de Microscopie électronique à balayage Monuments historiques -- Conservation et restauration -- Datation Monuments historiques -- Façades -- Rome -- 20e siècle -- Conservation et restauration Pigments -- Analyse Stratigraphie Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT In the last few years, the study of the surface color of historical buildings has progressed as part of conservation and restoration efforts to comply with the aesthetics of historical and pre-existing materials. The main critical element related to this type of study is represented by the succession of various interventions of restoration and maintenance over time that has altered the original aesthetics of monuments by using materials and colors selected according to criteria, trends, and needs of succeeding historical eras. In this paper, the investigation of plasters and colored finishing layers applied on two historical buildings located in Rome and dating to the early 1900s is reported. Results were obtained through a specific diagnostic investigation plan focused on microscopic, morphological, and chemical characterizations of plasters and colored layers detected on the monument surfaces. All post-intervention phases and dates have been identified by comparing the results obtained with historical data. Important information was uncovered that helps in tracing the original aesthetic conception of the buildings and in planning restoration approaches which can be compatible both aesthetically and materially with the original work. [article] Colors, Materials, and Techniques in Historical Buildings in Rome : Diagnostic Investigations and Case Studies [texte imprimé] . - 2023 . - Pages 365-379. Langues : Anglais (eng) in Studies in conservation > Vol.68 N°3-4(2023; April-May) (2023-04-03) . - Pages 365-379 Catégories : Couleur en architecture -- Façades -- Rome -- 20e siècle -- Conservation et restauration Essais (technologie) Fourier, Spectroscopie infrarouge à transformée de Microscopie électronique à balayage Monuments historiques -- Conservation et restauration -- Datation Monuments historiques -- Façades -- Rome -- 20e siècle -- Conservation et restauration Pigments -- Analyse Stratigraphie Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT In the last few years, the study of the surface color of historical buildings has progressed as part of conservation and restoration efforts to comply with the aesthetics of historical and pre-existing materials. The main critical element related to this type of study is represented by the succession of various interventions of restoration and maintenance over time that has altered the original aesthetics of monuments by using materials and colors selected according to criteria, trends, and needs of succeeding historical eras. In this paper, the investigation of plasters and colored finishing layers applied on two historical buildings located in Rome and dating to the early 1900s is reported. Results were obtained through a specific diagnostic investigation plan focused on microscopic, morphological, and chemical characterizations of plasters and colored layers detected on the monument surfaces. All post-intervention phases and dates have been identified by comparing the results obtained with historical data. Important information was uncovered that helps in tracing the original aesthetic conception of the buildings and in planning restoration approaches which can be compatible both aesthetically and materially with the original work.

Investigating Nineteenth Century Gel Mediums: From Historical Recipes to Model Systems / Université Paris-Sorbonne (Paris) in Studies in conservation, Vol.68 N°3-4(2023; April-May) (2023-04-03)

Public ISBD [article]  inStudies in conservation > Vol.68 N°3-4(2023; April-May) (2023-04-03) . - Pages 357-364 Titre : Investigating Nineteenth Century Gel Mediums: From Historical Recipes to Model Systems Type de document : texte imprimé Auteurs : Université Paris-Sorbonne (Paris), Auteur Année de publication : 2023 Article en page(s) : Pages 357-364 Langues : Anglais (eng) Catégories : Colloïdes Fourier, Spectroscopie infrarouge à transformée de Gélification -- Teneur en plomb Liants -- 19e siècle -- Formules et recettes Peinture -- Matériaux -- 19e siècle -- Composition chimique Vernis Mots-clés : Megilp  Métal-résine  Gumtion Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT Gelled mediums were widely used during the nineteenth century, added to paint on the palette to modify its rheological, optical, and drying properties. Many variations of gelled mediums exist in the literature, all with the common basis of mastic resin or varnish, drying oil, and a lead compound. With the aim of unveiling the chemistry of such systems, reconstructions were carried out not only following the historical recipes, but in addition, exploring variations and simplifications to get a better understanding of the key ingredients and interactions inducing gelation. Different parameters were tested to establish whether these have an impact on the gelation mechanisms, particularly the influence of the nature and proportions of the ingredients and the preparation process. These reconstructions and their FTIR characterisation reveal the formation of metal-resin soaps, but also underline the specific role of lead in the gelation. [article] Investigating Nineteenth Century Gel Mediums: From Historical Recipes to Model Systems [texte imprimé] / Université Paris-Sorbonne (Paris), Auteur . - 2023 . - Pages 357-364. Langues : Anglais (eng) in Studies in conservation > Vol.68 N°3-4(2023; April-May) (2023-04-03) . - Pages 357-364 Catégories : Colloïdes Fourier, Spectroscopie infrarouge à transformée de Gélification -- Teneur en plomb Liants -- 19e siècle -- Formules et recettes Peinture -- Matériaux -- 19e siècle -- Composition chimique Vernis Mots-clés : Megilp  Métal-résine  Gumtion Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT Gelled mediums were widely used during the nineteenth century, added to paint on the palette to modify its rheological, optical, and drying properties. Many variations of gelled mediums exist in the literature, all with the common basis of mastic resin or varnish, drying oil, and a lead compound. With the aim of unveiling the chemistry of such systems, reconstructions were carried out not only following the historical recipes, but in addition, exploring variations and simplifications to get a better understanding of the key ingredients and interactions inducing gelation. Different parameters were tested to establish whether these have an impact on the gelation mechanisms, particularly the influence of the nature and proportions of the ingredients and the preparation process. These reconstructions and their FTIR characterisation reveal the formation of metal-resin soaps, but also underline the specific role of lead in the gelation.

Investigations of Painting Techniques : Edirne Süleyman Pasha Mosque Wall Paintings in Studies in conservation, Vol.68 N°3-4(2023; April-May) (2023-04-03)

Public ISBD [article]  inStudies in conservation > Vol.68 N°3-4(2023; April-May) (2023-04-03) . - Pages 418-431 Titre : Investigations of Painting Techniques : Edirne Süleyman Pasha Mosque Wall Paintings Type de document : texte imprimé Année de publication : 2023 Article en page(s) : Pages 418-431 Langues : Anglais (eng) Catégories : Edirne (Turquie) -- Selimiye camisi Fourier, Spectroscopie infrarouge à transformée de Microscopie électronique à balayage Mosquées -- Turquie -- Conservation et restauration Peinture à fresque -- Empire ottoman -- Technique Peinture et décoration murales -- Empire ottoman -- Conservation et restauration Peinture et décoration murales -- Empire ottoman -- Technique Peinture et décoration murales -- Matériaux -- Analyse Spectroscopie des rayons X Spectroscopie Raman Mots-clés : Kalem işi Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT Decorative wall paintings created in the Ottoman era are called kalem işi, and they are generally created using various pigments and binding media on dry rendering, or via lime-paint technique. However, detection of some decorative wall paintings that were applied on wet plaster in Süleyman Pasha Mosque located in Edirne, Turkey, has led to a more detailed analytical examination. Our study aims to research the techniques used on some painting fragments which were found while removing cement renderings during the restoration of the Mosque. The fragments were revealed in 2019 and were taken under protection as these were stylistically different from the existing paintings of the Mosque. The original location of the fragments on the wall could not be located and in situ conservation is not possible, but research continues. Initially, traces of preparatory drawing, which is thought to be the incising technique, were found on the paintings drawn on the rendering fragments. Then, SEM-EDX, FTIR spectroscopy, confocal Raman spectroscopy, and PED-XRF analyses were carried out along with examinations by optical microscopy. Following these results, experimental reconstructions of the paintings were made on test materials and a story about the painting techniques was revealed, indicating that these paintings were drawn on wet rendering (fresco). Therefore, it is considered that there may be different wall painting techniques in Ottoman architecture and that research in this direction should be increased. [article] Investigations of Painting Techniques : Edirne Süleyman Pasha Mosque Wall Paintings [texte imprimé] . - 2023 . - Pages 418-431. Langues : Anglais (eng) in Studies in conservation > Vol.68 N°3-4(2023; April-May) (2023-04-03) . - Pages 418-431 Catégories : Edirne (Turquie) -- Selimiye camisi Fourier, Spectroscopie infrarouge à transformée de Microscopie électronique à balayage Mosquées -- Turquie -- Conservation et restauration Peinture à fresque -- Empire ottoman -- Technique Peinture et décoration murales -- Empire ottoman -- Conservation et restauration Peinture et décoration murales -- Empire ottoman -- Technique Peinture et décoration murales -- Matériaux -- Analyse Spectroscopie des rayons X Spectroscopie Raman Mots-clés : Kalem işi Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT Decorative wall paintings created in the Ottoman era are called kalem işi, and they are generally created using various pigments and binding media on dry rendering, or via lime-paint technique. However, detection of some decorative wall paintings that were applied on wet plaster in Süleyman Pasha Mosque located in Edirne, Turkey, has led to a more detailed analytical examination. Our study aims to research the techniques used on some painting fragments which were found while removing cement renderings during the restoration of the Mosque. The fragments were revealed in 2019 and were taken under protection as these were stylistically different from the existing paintings of the Mosque. The original location of the fragments on the wall could not be located and in situ conservation is not possible, but research continues. Initially, traces of preparatory drawing, which is thought to be the incising technique, were found on the paintings drawn on the rendering fragments. Then, SEM-EDX, FTIR spectroscopy, confocal Raman spectroscopy, and PED-XRF analyses were carried out along with examinations by optical microscopy. Following these results, experimental reconstructions of the paintings were made on test materials and a story about the painting techniques was revealed, indicating that these paintings were drawn on wet rendering (fresco). Therefore, it is considered that there may be different wall painting techniques in Ottoman architecture and that research in this direction should be increased.

Manufacturing Techniques of the Mortar Excavated from the Tieguai Tomb of the Northern Song Dynasty in Nanling, Southern China / Yingxue Gong in Studies in conservation, Vol.70 N°5-6(2025; July-August) (2025-07-01)  

Public ISBD [article]  inStudies in conservation > Vol.70 N°5-6(2025; July-August) (2025-07-01) . - P. 367-374 Titre : Manufacturing Techniques of the Mortar Excavated from the Tieguai Tomb of the Northern Song Dynasty in Nanling, Southern China Type de document : texte imprimé Auteurs : Yingxue Gong (19..-....), Auteur ; [Et al.], Auteur Année de publication : 2025 Article en page(s) : P. 367-374 Langues : Anglais (eng) Catégories : Construction -- Matériaux -- Chine -- Antiquité Fourier, Spectroscopie infrarouge à transformée de Mortier -- Chine -- Antiquité -- Conservation et restauration Pétrologie en archéologie Produits du riz -- Dans l'art -- Chine -- Antiquité Rayons X -- Diffraction Spectroscopie de fluorescence Tombes -- Chine -- 960-1279 (Dynastie des Song) -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : Glutinous rice mortar is a traditional lime-based building material which was first used in China during the Southern Song Dynasty (1127-1279 CE) according to ancient Chinese documents. The Tieguai Tomb, dating back to the late Northern Song Dynasty (960-1127 CE) in Nanling, Southern China, was built by using mortar for its tomb chamber, making it the earliest mortar tomb found in China to date. In this study, X-ray fluorescence spectroscopy (XRF), X-ray diffraction (XRD), thin-section petrography, Fourier transform infrared spectroscopy (FTIR), and starch grain analyses were conducted to comprehensively investigate the manufacturing techniques of the mortar from the Tieguai tomb. The results show that the mortar is a type of organic–inorganic mixed material made of glutinous rice pulp, lime, clay, and fine sand. This finding indicates that glutinous rice mortar had already been used as a building material as early as the late Northern Song Dynasty, which is the earliest use record for this material in China. This study also provides direct scientific evidence for exploring the origin of glutinous rice mortar and is of great importance for reconstructing the history of Chinese traditional building materials and architectural techniques. En ligne : https://www.tandfonline.com/doi/full/10.1080/00393630.2024.2393052 [article] Manufacturing Techniques of the Mortar Excavated from the Tieguai Tomb of the Northern Song Dynasty in Nanling, Southern China [texte imprimé] / Yingxue Gong (19..-....), Auteur ; [Et al.], Auteur . - 2025 . - P. 367-374. Langues : Anglais (eng) in Studies in conservation > Vol.70 N°5-6(2025; July-August) (2025-07-01) . - P. 367-374 Catégories : Construction -- Matériaux -- Chine -- Antiquité Fourier, Spectroscopie infrarouge à transformée de Mortier -- Chine -- Antiquité -- Conservation et restauration Pétrologie en archéologie Produits du riz -- Dans l'art -- Chine -- Antiquité Rayons X -- Diffraction Spectroscopie de fluorescence Tombes -- Chine -- 960-1279 (Dynastie des Song) -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : Glutinous rice mortar is a traditional lime-based building material which was first used in China during the Southern Song Dynasty (1127-1279 CE) according to ancient Chinese documents. The Tieguai Tomb, dating back to the late Northern Song Dynasty (960-1127 CE) in Nanling, Southern China, was built by using mortar for its tomb chamber, making it the earliest mortar tomb found in China to date. In this study, X-ray fluorescence spectroscopy (XRF), X-ray diffraction (XRD), thin-section petrography, Fourier transform infrared spectroscopy (FTIR), and starch grain analyses were conducted to comprehensively investigate the manufacturing techniques of the mortar from the Tieguai tomb. The results show that the mortar is a type of organic–inorganic mixed material made of glutinous rice pulp, lime, clay, and fine sand. This finding indicates that glutinous rice mortar had already been used as a building material as early as the late Northern Song Dynasty, which is the earliest use record for this material in China. This study also provides direct scientific evidence for exploring the origin of glutinous rice mortar and is of great importance for reconstructing the history of Chinese traditional building materials and architectural techniques. En ligne : https://www.tandfonline.com/doi/full/10.1080/00393630.2024.2393052

Vol.17 no1(2002) - 2002-01-01 - Photographic Conservation (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

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The Technical Analysis and Conservation of John La Farge’s Newport Congregational Church Mural Decorations (1880) in Newport, Rhode Island in Studies in conservation, Vol.68 N°1-2(2023; January-February) (2023-01-01)

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Treatment of the stained glass windows of Astorga Cathedral (León - Spaint) using cleaning gels / Andrés Sánchez ; Isabel Herráez ; Valentín Nieves in Conservation restauration des biens culturels (CRBC), no.9(1997:mai) (1997-05-01)

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