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Documents disponibles dans cette catégorie (7)



[n° ou bulletin]
est un bulletin de Studies in conservation / Institut international de conservation des oeuvres historiques et artistiques![]()
Titre : Vol.62 N°5-6(2017 ; July-August) - 2017-07-01 Type de document : texte imprimé Année de publication : 2017 Note générale : Accès à plus de documentation via le compte bibliothèque : demander les accès aux bibliothécaires
Versions numériques accessibles à la bibliothèque uniquement : demander les accès aux bibliothécairesLangues : Anglais (eng) Catégories : Calcaire -- Conservation et restauration
Calcaire -- Effets du sel
Dilatation (thermodynamique)
Diodes électroluminescentes
Dômes -- Vatican -- Dessins et plans
Églises -- Tessin (Suisse) -- Conservation et restauration
Fourier, Spectroscopie infrarouge à transformée de
Gypse -- Conservation et restauration
Liège (Belgique) -- Église Saint-Jacques -- Conservation et restauration
Musées -- Éclairage
Museo di Palazzo di Venezia (Rome, Italie)
Pâte à modeler -- 20e siècle -- Conservation et restauration
Pierre -- Effets du sel
Pierre à bâtir -- Détérioration
Poleni, Giovanni (1685-1761). Memorie istoriche della gran cupola del Tempio vaticano
Polymères -- Conservation et restauration
Rodin, Auguste (1840-1917) -- Oeuvres -- Sculpture -- Conservation et restauration
Sculpture en terre cuite -- Conservation et restauration -- Italie
Spectroscopie des rayons X
Spectroscopie Raman
Textiles et tissus synthétiques -- Conservation et restauration
Vatican -- Basilica di San Pietro -- Ouvrages avant 1800Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Contents in brief :
Number 5 :
Analysis and conservation of modern modeling materials found in Auguste Rodin's sculptures
Juliette Langlois, Guylaine Mary, Hélène Bluzat, Agnès Cascio, Nathalie Balcar, Yannick Vandenberghe & Marine Cotte
Pages: 247-265
Published online: 16 Mar 2016
The terracotta modelli of Palazzo Venezia in Rome: Investigation of the constituent materials for fundamental knowledge and to aid conservation decisions
Claudia Pelosi , Davide Fodaro, Livia Sforzini, Claudio Falcucci & Pietro Baraldi
Pages: 266-282
Published online: 15 Mar 2016
Italian technical literature in the field of architectural restoration: The case study of the Historic Memories about the Vatican Church by Giovanni Poleni
Alessia Bianco
Pages: 283-293
Published online: 04 Oct 2016
Can LEDs help with art conservation? – Impact of different light spectra on paint pigment degradation
Manuela Lunz, Elise Talgorn, Jannie Baken, Wiebe Wagemans & Dirk Veldman
Pages: 294-303
Published online: 29 Jun 2016
Pickeringite: A deleterious salt on buildings
Andreas Küng & Konrad Zehnder
Pages: 304-308
Published online: 10 Aug 2016
Corrigenda
correction
Corrigendum
Page: 309
Published online: 16 May 2017
Number 6 :
Differential thermal expansion as a cause of salt decay: literature review, experiments, and modelling of micro and macro effects on Ançã limestone
Teresa Diaz Gonçalves & Vânia Brito
Pages: 310-328
Published online: 17 Apr 2016
Investigating salt decay of stone materials related to the environment, a case study in the St. James church in Liège, Belgium
Sebastiaan Godts , Roald Hayen & Hilde De Clercq
Pages: 329-342
Published online: 14 Oct 2016
ATR-FTIR as a tool for assessing potential for chemical ageing in Spandex/Lycra®/elastane-based fabric collections
Christopher E. Marjo , Sue Gatenby, Anne M. Rich, Bin Gong & Suzanne Chee
Pages: 343-353
Published online: 29 Jul 2016
Reporting on a survey of peer-reviewed publishing in cultural materials conservation: perceptions, preferences, and decision-making
Marie Christodulaki & Robyn Sloggett
Pages: 354-370
Published online: 12 Apr 2016En ligne : http://www.tandfonline.com/toc/ysic20/62/6?nav=tocList [n° ou bulletin]Vol.62 N°5-6(2017 ; July-August) - 2017-07-01 [texte imprimé] . - 2017.
est un bulletin de Studies in conservation / Institut international de conservation des oeuvres historiques et artistiques![]()
Accès à plus de documentation via le compte bibliothèque : demander les accès aux bibliothécaires
Versions numériques accessibles à la bibliothèque uniquement : demander les accès aux bibliothécaires
Langues : Anglais (eng)
Catégories : Calcaire -- Conservation et restauration
Calcaire -- Effets du sel
Dilatation (thermodynamique)
Diodes électroluminescentes
Dômes -- Vatican -- Dessins et plans
Églises -- Tessin (Suisse) -- Conservation et restauration
Fourier, Spectroscopie infrarouge à transformée de
Gypse -- Conservation et restauration
Liège (Belgique) -- Église Saint-Jacques -- Conservation et restauration
Musées -- Éclairage
Museo di Palazzo di Venezia (Rome, Italie)
Pâte à modeler -- 20e siècle -- Conservation et restauration
Pierre -- Effets du sel
Pierre à bâtir -- Détérioration
Poleni, Giovanni (1685-1761). Memorie istoriche della gran cupola del Tempio vaticano
Polymères -- Conservation et restauration
Rodin, Auguste (1840-1917) -- Oeuvres -- Sculpture -- Conservation et restauration
Sculpture en terre cuite -- Conservation et restauration -- Italie
Spectroscopie des rayons X
Spectroscopie Raman
Textiles et tissus synthétiques -- Conservation et restauration
Vatican -- Basilica di San Pietro -- Ouvrages avant 1800Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Contents in brief :
Number 5 :
Analysis and conservation of modern modeling materials found in Auguste Rodin's sculptures
Juliette Langlois, Guylaine Mary, Hélène Bluzat, Agnès Cascio, Nathalie Balcar, Yannick Vandenberghe & Marine Cotte
Pages: 247-265
Published online: 16 Mar 2016
The terracotta modelli of Palazzo Venezia in Rome: Investigation of the constituent materials for fundamental knowledge and to aid conservation decisions
Claudia Pelosi , Davide Fodaro, Livia Sforzini, Claudio Falcucci & Pietro Baraldi
Pages: 266-282
Published online: 15 Mar 2016
Italian technical literature in the field of architectural restoration: The case study of the Historic Memories about the Vatican Church by Giovanni Poleni
Alessia Bianco
Pages: 283-293
Published online: 04 Oct 2016
Can LEDs help with art conservation? – Impact of different light spectra on paint pigment degradation
Manuela Lunz, Elise Talgorn, Jannie Baken, Wiebe Wagemans & Dirk Veldman
Pages: 294-303
Published online: 29 Jun 2016
Pickeringite: A deleterious salt on buildings
Andreas Küng & Konrad Zehnder
Pages: 304-308
Published online: 10 Aug 2016
Corrigenda
correction
Corrigendum
Page: 309
Published online: 16 May 2017
Number 6 :
Differential thermal expansion as a cause of salt decay: literature review, experiments, and modelling of micro and macro effects on Ançã limestone
Teresa Diaz Gonçalves & Vânia Brito
Pages: 310-328
Published online: 17 Apr 2016
Investigating salt decay of stone materials related to the environment, a case study in the St. James church in Liège, Belgium
Sebastiaan Godts , Roald Hayen & Hilde De Clercq
Pages: 329-342
Published online: 14 Oct 2016
ATR-FTIR as a tool for assessing potential for chemical ageing in Spandex/Lycra®/elastane-based fabric collections
Christopher E. Marjo , Sue Gatenby, Anne M. Rich, Bin Gong & Suzanne Chee
Pages: 343-353
Published online: 29 Jul 2016
Reporting on a survey of peer-reviewed publishing in cultural materials conservation: perceptions, preferences, and decision-making
Marie Christodulaki & Robyn Sloggett
Pages: 354-370
Published online: 12 Apr 2016En ligne : http://www.tandfonline.com/toc/ysic20/62/6?nav=tocList Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 21466 Studies in conservation Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible Colors, Materials, and Techniques in Historical Buildings in Rome : Diagnostic Investigations and Case Studies in Studies in conservation, Vol.68 N°3-4(2023; April-May) (2023-04-03)
[article]
Titre : Colors, Materials, and Techniques in Historical Buildings in Rome : Diagnostic Investigations and Case Studies Type de document : texte imprimé Année de publication : 2023 Article en page(s) : Pages 365-379 Langues : Anglais (eng) Catégories : Couleur en architecture -- Façades -- Rome -- 20e siècle -- Conservation et restauration
Essais (technologie)
Fourier, Spectroscopie infrarouge à transformée de
Microscopie électronique à balayage
Monuments historiques -- Conservation et restauration -- Datation
Monuments historiques -- Façades -- Rome -- 20e siècle -- Conservation et restauration
Pigments -- Analyse
StratigraphieIndex. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT
In the last few years, the study of the surface color of historical buildings has progressed as part of conservation and restoration efforts to comply with the aesthetics of historical and pre-existing materials. The main critical element related to this type of study is represented by the succession of various interventions of restoration and maintenance over time that has altered the original aesthetics of monuments by using materials and colors selected according to criteria, trends, and needs of succeeding historical eras. In this paper, the investigation of plasters and colored finishing layers applied on two historical buildings located in Rome and dating to the early 1900s is reported. Results were obtained through a specific diagnostic investigation plan focused on microscopic, morphological, and chemical characterizations of plasters and colored layers detected on the monument surfaces. All post-intervention phases and dates have been identified by comparing the results obtained with historical data. Important information was uncovered that helps in tracing the original aesthetic conception of the buildings and in planning restoration approaches which can be compatible both aesthetically and materially with the original work.
in Studies in conservation > Vol.68 N°3-4(2023; April-May) (2023-04-03) . - Pages 365-379[article] Colors, Materials, and Techniques in Historical Buildings in Rome : Diagnostic Investigations and Case Studies [texte imprimé] . - 2023 . - Pages 365-379.
Langues : Anglais (eng)
in Studies in conservation > Vol.68 N°3-4(2023; April-May) (2023-04-03) . - Pages 365-379
Catégories : Couleur en architecture -- Façades -- Rome -- 20e siècle -- Conservation et restauration
Essais (technologie)
Fourier, Spectroscopie infrarouge à transformée de
Microscopie électronique à balayage
Monuments historiques -- Conservation et restauration -- Datation
Monuments historiques -- Façades -- Rome -- 20e siècle -- Conservation et restauration
Pigments -- Analyse
StratigraphieIndex. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT
In the last few years, the study of the surface color of historical buildings has progressed as part of conservation and restoration efforts to comply with the aesthetics of historical and pre-existing materials. The main critical element related to this type of study is represented by the succession of various interventions of restoration and maintenance over time that has altered the original aesthetics of monuments by using materials and colors selected according to criteria, trends, and needs of succeeding historical eras. In this paper, the investigation of plasters and colored finishing layers applied on two historical buildings located in Rome and dating to the early 1900s is reported. Results were obtained through a specific diagnostic investigation plan focused on microscopic, morphological, and chemical characterizations of plasters and colored layers detected on the monument surfaces. All post-intervention phases and dates have been identified by comparing the results obtained with historical data. Important information was uncovered that helps in tracing the original aesthetic conception of the buildings and in planning restoration approaches which can be compatible both aesthetically and materially with the original work.Investigating Nineteenth Century Gel Mediums: From Historical Recipes to Model Systems / Université Paris-Sorbonne (Paris) in Studies in conservation, Vol.68 N°3-4(2023; April-May) (2023-04-03)
[article]
Titre : Investigating Nineteenth Century Gel Mediums: From Historical Recipes to Model Systems Type de document : texte imprimé Auteurs : Université Paris-Sorbonne (Paris), Auteur Année de publication : 2023 Article en page(s) : Pages 357-364 Langues : Anglais (eng) Catégories : Colloïdes
Fourier, Spectroscopie infrarouge à transformée de
Gélification -- Teneur en plomb
Liants -- 19e siècle -- Formules et recettes
Peinture -- Matériaux -- 19e siècle -- Composition chimique
VernisMots-clés : Megilp Métal-résine Gumtion Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT
Gelled mediums were widely used during the nineteenth century, added to paint on the palette to modify its rheological, optical, and drying properties. Many variations of gelled mediums exist in the literature, all with the common basis of mastic resin or varnish, drying oil, and a lead compound. With the aim of unveiling the chemistry of such systems, reconstructions were carried out not only following the historical recipes, but in addition, exploring variations and simplifications to get a better understanding of the key ingredients and interactions inducing gelation. Different parameters were tested to establish whether these have an impact on the gelation mechanisms, particularly the influence of the nature and proportions of the ingredients and the preparation process. These reconstructions and their FTIR characterisation reveal the formation of metal-resin soaps, but also underline the specific role of lead in the gelation.
in Studies in conservation > Vol.68 N°3-4(2023; April-May) (2023-04-03) . - Pages 357-364[article] Investigating Nineteenth Century Gel Mediums: From Historical Recipes to Model Systems [texte imprimé] / Université Paris-Sorbonne (Paris), Auteur . - 2023 . - Pages 357-364.
Langues : Anglais (eng)
in Studies in conservation > Vol.68 N°3-4(2023; April-May) (2023-04-03) . - Pages 357-364
Catégories : Colloïdes
Fourier, Spectroscopie infrarouge à transformée de
Gélification -- Teneur en plomb
Liants -- 19e siècle -- Formules et recettes
Peinture -- Matériaux -- 19e siècle -- Composition chimique
VernisMots-clés : Megilp Métal-résine Gumtion Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT
Gelled mediums were widely used during the nineteenth century, added to paint on the palette to modify its rheological, optical, and drying properties. Many variations of gelled mediums exist in the literature, all with the common basis of mastic resin or varnish, drying oil, and a lead compound. With the aim of unveiling the chemistry of such systems, reconstructions were carried out not only following the historical recipes, but in addition, exploring variations and simplifications to get a better understanding of the key ingredients and interactions inducing gelation. Different parameters were tested to establish whether these have an impact on the gelation mechanisms, particularly the influence of the nature and proportions of the ingredients and the preparation process. These reconstructions and their FTIR characterisation reveal the formation of metal-resin soaps, but also underline the specific role of lead in the gelation.Investigations of Painting Techniques : Edirne Süleyman Pasha Mosque Wall Paintings in Studies in conservation, Vol.68 N°3-4(2023; April-May) (2023-04-03)
[article]
Titre : Investigations of Painting Techniques : Edirne Süleyman Pasha Mosque Wall Paintings Type de document : texte imprimé Année de publication : 2023 Article en page(s) : Pages 418-431 Langues : Anglais (eng) Catégories : Edirne (Turquie) -- Selimiye camisi
Fourier, Spectroscopie infrarouge à transformée de
Microscopie électronique à balayage
Mosquées -- Turquie -- Conservation et restauration
Peinture à fresque -- Empire ottoman -- Technique
Peinture et décoration murales -- Empire ottoman -- Conservation et restauration
Peinture et décoration murales -- Empire ottoman -- Technique
Peinture et décoration murales -- Matériaux -- Analyse
Spectroscopie des rayons X
Spectroscopie RamanMots-clés : Kalem işi Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT
Decorative wall paintings created in the Ottoman era are called kalem işi, and they are generally created using various pigments and binding media on dry rendering, or via lime-paint technique. However, detection of some decorative wall paintings that were applied on wet plaster in Süleyman Pasha Mosque located in Edirne, Turkey, has led to a more detailed analytical examination. Our study aims to research the techniques used on some painting fragments which were found while removing cement renderings during the restoration of the Mosque. The fragments were revealed in 2019 and were taken under protection as these were stylistically different from the existing paintings of the Mosque. The original location of the fragments on the wall could not be located and in situ conservation is not possible, but research continues. Initially, traces of preparatory drawing, which is thought to be the incising technique, were found on the paintings drawn on the rendering fragments. Then, SEM-EDX, FTIR spectroscopy, confocal Raman spectroscopy, and PED-XRF analyses were carried out along with examinations by optical microscopy. Following these results, experimental reconstructions of the paintings were made on test materials and a story about the painting techniques was revealed, indicating that these paintings were drawn on wet rendering (fresco). Therefore, it is considered that there may be different wall painting techniques in Ottoman architecture and that research in this direction should be increased.
in Studies in conservation > Vol.68 N°3-4(2023; April-May) (2023-04-03) . - Pages 418-431[article] Investigations of Painting Techniques : Edirne Süleyman Pasha Mosque Wall Paintings [texte imprimé] . - 2023 . - Pages 418-431.
Langues : Anglais (eng)
in Studies in conservation > Vol.68 N°3-4(2023; April-May) (2023-04-03) . - Pages 418-431
Catégories : Edirne (Turquie) -- Selimiye camisi
Fourier, Spectroscopie infrarouge à transformée de
Microscopie électronique à balayage
Mosquées -- Turquie -- Conservation et restauration
Peinture à fresque -- Empire ottoman -- Technique
Peinture et décoration murales -- Empire ottoman -- Conservation et restauration
Peinture et décoration murales -- Empire ottoman -- Technique
Peinture et décoration murales -- Matériaux -- Analyse
Spectroscopie des rayons X
Spectroscopie RamanMots-clés : Kalem işi Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT
Decorative wall paintings created in the Ottoman era are called kalem işi, and they are generally created using various pigments and binding media on dry rendering, or via lime-paint technique. However, detection of some decorative wall paintings that were applied on wet plaster in Süleyman Pasha Mosque located in Edirne, Turkey, has led to a more detailed analytical examination. Our study aims to research the techniques used on some painting fragments which were found while removing cement renderings during the restoration of the Mosque. The fragments were revealed in 2019 and were taken under protection as these were stylistically different from the existing paintings of the Mosque. The original location of the fragments on the wall could not be located and in situ conservation is not possible, but research continues. Initially, traces of preparatory drawing, which is thought to be the incising technique, were found on the paintings drawn on the rendering fragments. Then, SEM-EDX, FTIR spectroscopy, confocal Raman spectroscopy, and PED-XRF analyses were carried out along with examinations by optical microscopy. Following these results, experimental reconstructions of the paintings were made on test materials and a story about the painting techniques was revealed, indicating that these paintings were drawn on wet rendering (fresco). Therefore, it is considered that there may be different wall painting techniques in Ottoman architecture and that research in this direction should be increased.Vol.17 no1(2002) - 2002-01-01 - Photographic Conservation (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
![]()
![]()
[n° ou bulletin]
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin![]()
Titre : Vol.17 no1(2002) - 2002-01-01 - Photographic Conservation Type de document : texte imprimé Année de publication : 2002 Langues : Anglais (eng) Catégories : Archives photographiques -- Aspect social
Archives photographiques -- Conservation et restauration
Archives photographiques -- Conservation et restauration -- Recherche
Art et sciences
Cartier-Bresson, Anne
Centre de recherche sur les collections (Paris)
Fourier, Spectroscopie infrarouge à transformée de
Hiéroglyphes -- Copán (Honduras ; site archéologique) -- Conservation et restauration
Mosaïque antique -- Utique (ville ancienne) -- Conservation et restauration
Négatifs sur verre
Pavements de mosaïque -- Antiquité -- Tunisie -- Conservation et restauration
Peinture et décoration murales -- Dunhuang (Chine) -- Grottes de Mogao -- Conservation et restauration
Photographie -- Détérioration
Photographie -- Histoire
Photographies -- Collections publiques
Photographies -- Conservation et restauration
Photographies -- Conservation et restauration -- Étude et enseignement
Photographies -- Conservation et restauration -- Pratique
Spectroscopie de fluorescenceIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
A portrait of a girl, attibuted to U.S. photographer Allen Drew Cook, who was active in Philadelphia in the 1890s and early 1900s. This is how the albumen photograph appeared prior to conservation treatment. Photo: Tram M. Vo, courtesy the University Gallery Teaching Collection, University of Delaware (photograph given by an anonymous donor in 1991).
The Conservation of Photography: Three Perspectives
Awareness of preservation challenges for photographs dates back to photography's inception in the mid-19th century. However, it was not until the latter part of the 20th century that conserving photographs emerged as a professional pursuit. The current state of conservation of photography is examined by three professionals in the field who explore some key areas for research, outline the development and needs of photographic conservation education, and describe the critical role photographic conservators can play in the care of photographic collections.
Evolution of a Medium: A Discussion about Photography and Its Conservation
Image Permanence Institute in Rochester, New York, and Bertrand Lavédrine, director of the Centre de recherches sur la conservation des documents graphiques in Paris, along with Getty photographic conservators Marc Harnly and Teresa Mesquit, discuss the conservation of photographs with the GCI’s Dusan Stulik and Jeffrey Levin.
Conservation of Photographic Collections: A New Collaborative Project at the GCI
The conservation of photographic collections and photographic material is relatively young when compared with other museum conservation areas. To expand the existing body of knowledge regarding photographic conservation, the Getty Conservation Institute recently embarked on a collaborative project to advance techniques for characterizing photographic material and identifying variations in photographic processes.
Conserving Mosaics in Tunisia
The areas of North Africa along the Mediterranean that were once part of the Roman world are abundant in preserved mosaics—particularly in what is today modern Tunisia. As part of the GCI's project on in situ mosaic conservation, the GCI and Tunisia's Institut National du Patrimoine (INP) have collaborated on a program to provide training for INP staff in order to help save this immensely rich heritage from further deterioration.
GCI News
Updates on Getty Conservation Institute projects, events, publications, and staff.
The GCI Newsletter Staff BoxEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v17n1.p [...] [n° ou bulletin]Vol.17 no1(2002) - 2002-01-01 - Photographic Conservation [texte imprimé] . - 2002.
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin![]()
Langues : Anglais (eng)
Catégories : Archives photographiques -- Aspect social
Archives photographiques -- Conservation et restauration
Archives photographiques -- Conservation et restauration -- Recherche
Art et sciences
Cartier-Bresson, Anne
Centre de recherche sur les collections (Paris)
Fourier, Spectroscopie infrarouge à transformée de
Hiéroglyphes -- Copán (Honduras ; site archéologique) -- Conservation et restauration
Mosaïque antique -- Utique (ville ancienne) -- Conservation et restauration
Négatifs sur verre
Pavements de mosaïque -- Antiquité -- Tunisie -- Conservation et restauration
Peinture et décoration murales -- Dunhuang (Chine) -- Grottes de Mogao -- Conservation et restauration
Photographie -- Détérioration
Photographie -- Histoire
Photographies -- Collections publiques
Photographies -- Conservation et restauration
Photographies -- Conservation et restauration -- Étude et enseignement
Photographies -- Conservation et restauration -- Pratique
Spectroscopie de fluorescenceIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
A portrait of a girl, attibuted to U.S. photographer Allen Drew Cook, who was active in Philadelphia in the 1890s and early 1900s. This is how the albumen photograph appeared prior to conservation treatment. Photo: Tram M. Vo, courtesy the University Gallery Teaching Collection, University of Delaware (photograph given by an anonymous donor in 1991).
The Conservation of Photography: Three Perspectives
Awareness of preservation challenges for photographs dates back to photography's inception in the mid-19th century. However, it was not until the latter part of the 20th century that conserving photographs emerged as a professional pursuit. The current state of conservation of photography is examined by three professionals in the field who explore some key areas for research, outline the development and needs of photographic conservation education, and describe the critical role photographic conservators can play in the care of photographic collections.
Evolution of a Medium: A Discussion about Photography and Its Conservation
Image Permanence Institute in Rochester, New York, and Bertrand Lavédrine, director of the Centre de recherches sur la conservation des documents graphiques in Paris, along with Getty photographic conservators Marc Harnly and Teresa Mesquit, discuss the conservation of photographs with the GCI’s Dusan Stulik and Jeffrey Levin.
Conservation of Photographic Collections: A New Collaborative Project at the GCI
The conservation of photographic collections and photographic material is relatively young when compared with other museum conservation areas. To expand the existing body of knowledge regarding photographic conservation, the Getty Conservation Institute recently embarked on a collaborative project to advance techniques for characterizing photographic material and identifying variations in photographic processes.
Conserving Mosaics in Tunisia
The areas of North Africa along the Mediterranean that were once part of the Roman world are abundant in preserved mosaics—particularly in what is today modern Tunisia. As part of the GCI's project on in situ mosaic conservation, the GCI and Tunisia's Institut National du Patrimoine (INP) have collaborated on a program to provide training for INP staff in order to help save this immensely rich heritage from further deterioration.
GCI News
Updates on Getty Conservation Institute projects, events, publications, and staff.
The GCI Newsletter Staff BoxEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v17n1.p [...] Exemplaires(1)
Code-barres Cote Support Localisation Section Disponibilité SL 23369 GETTY Fascicule ESA Saint-Luc Beaux-Arts - Biblio Exclu du prêt The Technical Analysis and Conservation of John La Farge’s Newport Congregational Church Mural Decorations (1880) in Newport, Rhode Island in Studies in conservation, Vol.68 N°1-2(2023; January-February) (2023-01-01)
PermalinkTreatment of the stained glass windows of Astorga Cathedral (León - Spaint) using cleaning gels / Andrés Sánchez ; Isabel Herráez ; Valentín Nieves in Conservation restauration des biens culturels (CRBC), no.9(1997:mai) (1997-05-01)
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