03.20 - 2020-03-12 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 03.20 - 2020-03-12 Type de document : texte imprimé Année de publication : 2020 Langues : Allemand (ger) Anglais (eng) Catégories : Articles pour enfants -- Design -- 21e siècle Arts et enfants -- 21e siècle Billets de banque Livres illustrés pour enfants -- 21e siècle Livres illustrés pour enfants -- Pologne -- Histoire Meubles pour enfants -- Design -- 21e siècle Mise en page et typographie Signaux et signalisation Index. décimale : 766 Arts graphiques Note de contenu : oy stores around the world are full of examples of poor design for children. But it doesn’t have to be like this. In this new issue, we have taken a look at the whole subject of designing for children and found some very impressive projects. From graphic-design murals for sports facilities and orientation systems for schools, to wonderful children´s book illustrations, educational materials and visual identities – all of the very highest quality, and ready for you to explore in the new novum+. The cover of the March issue also interprets this theme in a non-stereotypical way – a bright yellow paper and a collage invite you to look at »design for kids« through very different eyes. En ligne : https://novum.graphics/en/magazine/shop-subscribe/detail/novum-0320/ [n° ou bulletin]  est un bulletin de Novum 03.20 - 2020-03-12 [texte imprimé] . - 2020. Langues : Allemand (ger) Anglais (eng) Catégories : Articles pour enfants -- Design -- 21e siècle Arts et enfants -- 21e siècle Billets de banque Livres illustrés pour enfants -- 21e siècle Livres illustrés pour enfants -- Pologne -- Histoire Meubles pour enfants -- Design -- 21e siècle Mise en page et typographie Signaux et signalisation Index. décimale : 766 Arts graphiques Note de contenu : oy stores around the world are full of examples of poor design for children. But it doesn’t have to be like this. In this new issue, we have taken a look at the whole subject of designing for children and found some very impressive projects. From graphic-design murals for sports facilities and orientation systems for schools, to wonderful children´s book illustrations, educational materials and visual identities – all of the very highest quality, and ready for you to explore in the new novum+. The cover of the March issue also interprets this theme in a non-stereotypical way – a bright yellow paper and a collage invite you to look at »design for kids« through very different eyes. En ligne : https://novum.graphics/en/magazine/shop-subscribe/detail/novum-0320/

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06.18 - 2018-06-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 06.18 - 2018-06-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Carnets de croquis Communication en marketing Couleurs -- Dans l'art -- Illustrations Design interactif Illustrations des livres -- 21e siècle Littérature pour la jeunesse Livres -- Couvertures Miele -- Affiches Produits cosmétiques -- Conditionnement Signaux et signalisation Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : The new novum is here and this month it explores that exciting intersection between architecture and design. And there is much to explore – such as visual identities derived from the architecture, orientation systems that respond to the need for inclusive design and facades that enhance our environment with attractive graphic design. As always, we also feature a range of recent projects and diverse articles in the Showroom section. Also, this month’s cover offers inspiration and haptic delight. Note de contenu : We also present an interview with Andreas Koop, who has already completed numerous projects in which inclusive design has been an important part. Does the need for this kind of universal accessibility hinder good design or can it in fact be an exciting challenge? Is inclusive design possible and sensible in all circumstances? The responses in this in-depth interview are thought-provoking and should help remove some of the hesitation some designers feel about taking on such projects. Also in this issue is an article about the Zeitz Museum of Contemporary Art Africa in Cape Town, for which an impressive CI was produced. And we have an interview with the creatives at Snøhetta, who explain their interdisciplinary approach in joint architecture-graphic design projects. The Dutch studio Graphic Surgery loves the large canvas, while Migliore + Servetto excel in design for major events. We were also attracted by the CI for the Big Beautiful Buildings initiative, and so we talked to the initiators as well as the creatives (Konter) about the interaction in terms of content and form. And, last but not least, Spaceagency brings the future of space a little closer to us with their fantastic installations. Our brand story this month examines the long history of Miele, and features some interesting adverts through the decades. In our Typography section, we chose a particularly exciting field this time: film intros which often contain some exceptional typographic solutions. I would like to draw your attention to the topical subject covered this month by our lawyer Andrijana Kojic: The new data protection regulations are causing some confusion – in novum you can get a clear explanation of the main points. Once again the Showroom section is a highlight of colour and inspiration. The bright, beautiful illustrations of Zebu are sure to delight, as will the fine visual identities created by Turkish designer Nese Nogay. Also lined up for you is the first-class portfolio of Blürbstudio and, last but not least, for our New Talents Berlin series, Felix Wiesner interviews a particularly creative duo in the capital: Jacob | Reischel, admired for their amazing set designs, attractively clean photo design and their own unique imagery! The cover Carved in stone – you could almost say that of the cover of this month’s novum: Fuego Stone (available from Papyrus) was the perfect paper for our purpose, aptly expressing the content of this issue. All that was needed was just a little colour ... in this case a Pantone spot colour (805). Via windows, our Art Director Tobias Holzmann gives us a chance to explore the diverse world of architecture. The Paper Available in the currently very popular grey and black tones, Fuego Stone has a unique surface feel, coupled with a high volume and a fascinating matt finish. The paper is available for immediate delivery in 90 to 400 gsm, deep black is also delivered in 500 and 700 gsm. Matching envelopes are of course also supplied. For our cover we chose the elegant colour Stone Grey in 250 gsm on which the spot colour we worked with comes out particularly well. Showroom: Zebu (GER) Nese Nogay (TUR) Blürbstudio (POL) New Talents Berlin: Jacob | Reischel novum+ M&C Saatchi Abel (Zeitz Museum of Contemporary Art Africa) (ZAF) Graphic Surgery (NLD) Snøhetta (SWE) Konter / Big Beautiful Buildings (GER) Spaceagency (GBR) Migliore + Servetto (ITA) Designgruppe Koop (GER) Cover: Tobias Holzmann (GER) Paper: Fuego Stone (Papyrus) Photos: Tobias Holzmann Offset-Print: f&w Druck- und Mediencenter En ligne : https://novum.graphics/en/news/interviews/detail/out-now-novum-0618/ [n° ou bulletin]  est un bulletin de Novum 06.18 - 2018-06-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Carnets de croquis Communication en marketing Couleurs -- Dans l'art -- Illustrations Design interactif Illustrations des livres -- 21e siècle Littérature pour la jeunesse Livres -- Couvertures Miele -- Affiches Produits cosmétiques -- Conditionnement Signaux et signalisation Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : The new novum is here and this month it explores that exciting intersection between architecture and design. And there is much to explore – such as visual identities derived from the architecture, orientation systems that respond to the need for inclusive design and facades that enhance our environment with attractive graphic design. As always, we also feature a range of recent projects and diverse articles in the Showroom section. Also, this month’s cover offers inspiration and haptic delight. Note de contenu : We also present an interview with Andreas Koop, who has already completed numerous projects in which inclusive design has been an important part. Does the need for this kind of universal accessibility hinder good design or can it in fact be an exciting challenge? Is inclusive design possible and sensible in all circumstances? The responses in this in-depth interview are thought-provoking and should help remove some of the hesitation some designers feel about taking on such projects. Also in this issue is an article about the Zeitz Museum of Contemporary Art Africa in Cape Town, for which an impressive CI was produced. And we have an interview with the creatives at Snøhetta, who explain their interdisciplinary approach in joint architecture-graphic design projects. The Dutch studio Graphic Surgery loves the large canvas, while Migliore + Servetto excel in design for major events. We were also attracted by the CI for the Big Beautiful Buildings initiative, and so we talked to the initiators as well as the creatives (Konter) about the interaction in terms of content and form. And, last but not least, Spaceagency brings the future of space a little closer to us with their fantastic installations. Our brand story this month examines the long history of Miele, and features some interesting adverts through the decades. In our Typography section, we chose a particularly exciting field this time: film intros which often contain some exceptional typographic solutions. I would like to draw your attention to the topical subject covered this month by our lawyer Andrijana Kojic: The new data protection regulations are causing some confusion – in novum you can get a clear explanation of the main points. Once again the Showroom section is a highlight of colour and inspiration. The bright, beautiful illustrations of Zebu are sure to delight, as will the fine visual identities created by Turkish designer Nese Nogay. Also lined up for you is the first-class portfolio of Blürbstudio and, last but not least, for our New Talents Berlin series, Felix Wiesner interviews a particularly creative duo in the capital: Jacob | Reischel, admired for their amazing set designs, attractively clean photo design and their own unique imagery! The cover Carved in stone – you could almost say that of the cover of this month’s novum: Fuego Stone (available from Papyrus) was the perfect paper for our purpose, aptly expressing the content of this issue. All that was needed was just a little colour ... in this case a Pantone spot colour (805). Via windows, our Art Director Tobias Holzmann gives us a chance to explore the diverse world of architecture. The Paper Available in the currently very popular grey and black tones, Fuego Stone has a unique surface feel, coupled with a high volume and a fascinating matt finish. The paper is available for immediate delivery in 90 to 400 gsm, deep black is also delivered in 500 and 700 gsm. Matching envelopes are of course also supplied. For our cover we chose the elegant colour Stone Grey in 250 gsm on which the spot colour we worked with comes out particularly well. Showroom: Zebu (GER) Nese Nogay (TUR) Blürbstudio (POL) New Talents Berlin: Jacob | Reischel novum+ M&C Saatchi Abel (Zeitz Museum of Contemporary Art Africa) (ZAF) Graphic Surgery (NLD) Snøhetta (SWE) Konter / Big Beautiful Buildings (GER) Spaceagency (GBR) Migliore + Servetto (ITA) Designgruppe Koop (GER) Cover: Tobias Holzmann (GER) Paper: Fuego Stone (Papyrus) Photos: Tobias Holzmann Offset-Print: f&w Druck- und Mediencenter En ligne : https://novum.graphics/en/news/interviews/detail/out-now-novum-0618/

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07.17 - 2017-07-03 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 07.17 - 2017-07-03 Type de document : texte imprimé Année de publication : 2017 Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques -- 21e siècle Bauhaus Communication visuelle -- 21e siècle Conditionnement Reliure d'art Signaux et signalisation Typographie Index. décimale : 766 Arts graphiques Résumé : Unser Schwerpunktthema Corporate Identities ist diesmal besonders vielseitig und blickt hinter Auftritte aus den unterschiedlichsten Branchen: Wie präsentiert sich eine Bank zeitgemäß? Wie wird Twitter physisch erlebbar? Und welche visuelle Übersetzung macht ein Sprachinstitut präsent? Die neue novum-Ausgabe präsentiert darüber hinaus preisgekrönte Arbeiten des Studio Grau, charmante Illustrationen von Diana Barbu, die kreative Weltenbummlerin Ginette Caron sowie das einsam gelegene, aber international agierende Studio [Rowelt]. Und unsere neue Serie zur »Neuen Typografie« wirft diesmal einen detaillierten Blick auf das Bauhaus und seinen bis heute andauernden Einfluss. Last, but not least überzeugt das Cover mit einem subtil geprägten Material von Fedrigoni – ein Heft voller Überraschungen! Note de contenu : novum+ Bedow (SWE) two points.net (GER) De Ronners (NLD) Koeweidenpostma (NLD) Zunder (AUT) Benz & Ziegler (GER) Cyclos (GER) showroom Studio Grau (GER) Diana Barbu (ROU) [Rowelt] (ESP) Ginette Caron (ITA) Neue Typographie, Teil 2: Der Katalysator – das Bauhaus Papier: Symbol Card/E (E48 intreccio) in 300 g/qm von Fedrigoni Cover-Design: Hochburg Offset-Druck: f&w Druck- und Mediencenter Bilder: Tobias Holzmann En ligne : http://novum.graphics/magazin/magazin-detailseite/detail/novum-0717/ [n° ou bulletin]  est un bulletin de Novum 07.17 - 2017-07-03 [texte imprimé] . - 2017. Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques -- 21e siècle Bauhaus Communication visuelle -- 21e siècle Conditionnement Reliure d'art Signaux et signalisation Typographie Index. décimale : 766 Arts graphiques Résumé : Unser Schwerpunktthema Corporate Identities ist diesmal besonders vielseitig und blickt hinter Auftritte aus den unterschiedlichsten Branchen: Wie präsentiert sich eine Bank zeitgemäß? Wie wird Twitter physisch erlebbar? Und welche visuelle Übersetzung macht ein Sprachinstitut präsent? Die neue novum-Ausgabe präsentiert darüber hinaus preisgekrönte Arbeiten des Studio Grau, charmante Illustrationen von Diana Barbu, die kreative Weltenbummlerin Ginette Caron sowie das einsam gelegene, aber international agierende Studio [Rowelt]. Und unsere neue Serie zur »Neuen Typografie« wirft diesmal einen detaillierten Blick auf das Bauhaus und seinen bis heute andauernden Einfluss. Last, but not least überzeugt das Cover mit einem subtil geprägten Material von Fedrigoni – ein Heft voller Überraschungen! Note de contenu : novum+ Bedow (SWE) two points.net (GER) De Ronners (NLD) Koeweidenpostma (NLD) Zunder (AUT) Benz & Ziegler (GER) Cyclos (GER) showroom Studio Grau (GER) Diana Barbu (ROU) [Rowelt] (ESP) Ginette Caron (ITA) Neue Typographie, Teil 2: Der Katalysator – das Bauhaus Papier: Symbol Card/E (E48 intreccio) in 300 g/qm von Fedrigoni Cover-Design: Hochburg Offset-Druck: f&w Druck- und Mediencenter Bilder: Tobias Holzmann En ligne : http://novum.graphics/magazin/magazin-detailseite/detail/novum-0717/

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07.18 - 2018-07-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 07.18 - 2018-07-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Café -- Conditionnement Communication en design Illusions d'optique -- Design Livres -- Couvertures Livres -- Mise en page Lufthansa Marques de commerce Signaux et signalisation Thé -- Conditionnement Twinings (Firm) Typographie Index. décimale : 766 Arts graphiques Résumé : Whatever your preference – espresso or cappuccino, black or green tea – for our July issue we have inspected the entire range and selected some very attractive packaging and visual identities from this market segment for you. But apart from the novum+ on »Tea & Coffee«, we have many more visual delights for you to savour in this month’s novum. Note de contenu : This month our Showroom takes us to the city of Québec in Canada, where Jeremy Hall runs an excellent small studio. Guillermo Flores, alias Orbeh, charms us with his unique illustrations that conjure up brand new worlds. The works of Monica Zec delight in a different way, with intriguing little visual tricks. Then we go to Austria to Seite Zwei, whose portfolio boasts clever and extensive visual identities, and also to Knoed in Poland, where the creations, whether print or digital, are always an experience. A special kind of design collective goes under the name of Bureau Stabil, based in Saarbrücken. And, finally, we present you an extensive »making of« about the major Lufthansa re-design, realised by Martin et Karczinski. Our typography section this time features two new fonts that are quite unusual, and our legal corner continues with part two of an article on the new data-protection regulations – explained expertly and in a way that´s easy to understand. If you missed the first part, you can order a back copy of issue 06.18 here. The mood lightens then in our brand story, which homes in on the long history of Miele with its many charming subjects from various decades. The cover A paper that bursts with summer and enjoyment: Dolcelicious presents titbits such as »Lemon Drizzle«, »Roasted Chestnut« and »Elderflower White«, which combine beautifully into a harmonious colour palette. This is just one of the new additions to the Römerturm range and it came from the recent cooperation with the British manufacturer James Cropper. For our »Coffee & Tea« theme Dolcelicious is of course a perfect fit, and in the nostalgic colours»“Summer Coulis« and »Kiwi Fizz« it conjures up the ice cafés of the 1950s and mouth-watering petit fours. The luxurious surface finishing on this paper is a real eye-catcher, not just when used on covers: it positively gleams (note: also certified for use in direct food contact) in the field of luxury packaging. Whether for a folding carton or a carrier bag, this brand new material (available in eleven colours and grammages up to 330 gsm) inspired our cover designers Mursal Nasr and Patrick Marc Sommer (typoint, www.typoint.com): If you place the two novum variants in pink and green next to each other, you get a whimsical coffee table scene that looks an absolute delight. Dolcelicious can of course be finished quite easily with many different techniques – its great touch & feel, however, in combination with the expressive colours, has turned our cover into a really »hands-on« experience. Grab those cups and enjoy! The content Showroom Orbeh (MEX) Lufthansa Re-Design (Martin et Karczinski, GER) Monica Zec (MKD) Seite Zwei (AUT) Bureau Stabil (GER) Knoed (USA) Studio Figure (CAN) novum+ Collins (USA) Salvita (LIT) Juana Alvarez (ITA) Here Design (GBR) Plenum (RUS) Hugo Aranha (BRA) Futura (MEX) Branded (AUT) Brand Opus (GBR) Coffee Style / Prestel Verlag Cover design: Typoint Paper: Dolcelicious, 330 g/qm, two colours (»Kiwi Fizz«, »Summer Coulis«), Römerturm (distribution), James Cropper (manufacturer) Photos: Guillaume Sinopoli Offset printing: f&w Druck- und Mediencenter En ligne : https://novum.graphics/en/news/all-news/ [n° ou bulletin]  est un bulletin de Novum 07.18 - 2018-07-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Café -- Conditionnement Communication en design Illusions d'optique -- Design Livres -- Couvertures Livres -- Mise en page Lufthansa Marques de commerce Signaux et signalisation Thé -- Conditionnement Twinings (Firm) Typographie Index. décimale : 766 Arts graphiques Résumé : Whatever your preference – espresso or cappuccino, black or green tea – for our July issue we have inspected the entire range and selected some very attractive packaging and visual identities from this market segment for you. But apart from the novum+ on »Tea & Coffee«, we have many more visual delights for you to savour in this month’s novum. Note de contenu : This month our Showroom takes us to the city of Québec in Canada, where Jeremy Hall runs an excellent small studio. Guillermo Flores, alias Orbeh, charms us with his unique illustrations that conjure up brand new worlds. The works of Monica Zec delight in a different way, with intriguing little visual tricks. Then we go to Austria to Seite Zwei, whose portfolio boasts clever and extensive visual identities, and also to Knoed in Poland, where the creations, whether print or digital, are always an experience. A special kind of design collective goes under the name of Bureau Stabil, based in Saarbrücken. And, finally, we present you an extensive »making of« about the major Lufthansa re-design, realised by Martin et Karczinski. Our typography section this time features two new fonts that are quite unusual, and our legal corner continues with part two of an article on the new data-protection regulations – explained expertly and in a way that´s easy to understand. If you missed the first part, you can order a back copy of issue 06.18 here. The mood lightens then in our brand story, which homes in on the long history of Miele with its many charming subjects from various decades. The cover A paper that bursts with summer and enjoyment: Dolcelicious presents titbits such as »Lemon Drizzle«, »Roasted Chestnut« and »Elderflower White«, which combine beautifully into a harmonious colour palette. This is just one of the new additions to the Römerturm range and it came from the recent cooperation with the British manufacturer James Cropper. For our »Coffee & Tea« theme Dolcelicious is of course a perfect fit, and in the nostalgic colours»“Summer Coulis« and »Kiwi Fizz« it conjures up the ice cafés of the 1950s and mouth-watering petit fours. The luxurious surface finishing on this paper is a real eye-catcher, not just when used on covers: it positively gleams (note: also certified for use in direct food contact) in the field of luxury packaging. Whether for a folding carton or a carrier bag, this brand new material (available in eleven colours and grammages up to 330 gsm) inspired our cover designers Mursal Nasr and Patrick Marc Sommer (typoint, www.typoint.com): If you place the two novum variants in pink and green next to each other, you get a whimsical coffee table scene that looks an absolute delight. Dolcelicious can of course be finished quite easily with many different techniques – its great touch & feel, however, in combination with the expressive colours, has turned our cover into a really »hands-on« experience. Grab those cups and enjoy! The content Showroom Orbeh (MEX) Lufthansa Re-Design (Martin et Karczinski, GER) Monica Zec (MKD) Seite Zwei (AUT) Bureau Stabil (GER) Knoed (USA) Studio Figure (CAN) novum+ Collins (USA) Salvita (LIT) Juana Alvarez (ITA) Here Design (GBR) Plenum (RUS) Hugo Aranha (BRA) Futura (MEX) Branded (AUT) Brand Opus (GBR) Coffee Style / Prestel Verlag Cover design: Typoint Paper: Dolcelicious, 330 g/qm, two colours (»Kiwi Fizz«, »Summer Coulis«), Römerturm (distribution), James Cropper (manufacturer) Photos: Guillaume Sinopoli Offset printing: f&w Druck- und Mediencenter En ligne : https://novum.graphics/en/news/all-news/

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Follow me 3 / SendPoints  

Public ISBD Titre : Follow me 3 : Signage designs: defining spaces Type de document : texte imprimé Auteurs : SendPoints, Auteur Editeur : Hambourg [Allemagne] : Gingko Press Editions Année de publication : 2015 Importance : 285p. Présentation : ill. en coul. + plans Format : 29cm. ISBN/ISSN/EAN : 978-988-13834-1-9 Langues : Français (fre) Catégories : Architecture - Bâtiments publics Bâtiments publics - Signalisation Bâtiments publics -- Aménagement Pictogrammes Signaux et signalisation Index. décimale : 766 Arts graphiques Résumé : With eye-catching imagery and in-depth text, Follow Me 3 leads intrepid readers on an expedition through the latest in wayfinding and signage projects from around the world. The book delves into the concept behind each project and the integration of wayfinding programs in their environments, with a focus on visual guidance, space planning, and functional integration in a variety of settings. Projects are organized in easy to follow sections that cover educational and medical institutions, indoor public space, business centers, leisure centers, hotels and housing, and outdoor signage. Each chapter includes projects such as the Graphic Design Faculty Building in the University of Fine Arts, Gdansk, a high-tech Red Cross blood donation center in Kawagoe, Japan, the Vienna Airport, Google’s Engineering Headquarters in London, and an interactive mountain bike trail in New Zealand, all of which can be explored just by turning the first page. En ligne : http://gingkopress.com/shop/follow-me-3/ Follow me 3 : Signage designs: defining spaces [texte imprimé] / SendPoints, Auteur . - Hambourg (Gingko Press Verlags GmbH, Schulterblatt, 58, 20357, Allemagne) : Gingko Press Editions, 2015 . - 285p. : ill. en coul. + plans ; 29cm. ISBN : 978-988-13834-1-9 Langues : Français (fre) Catégories : Architecture - Bâtiments publics Bâtiments publics - Signalisation Bâtiments publics -- Aménagement Pictogrammes Signaux et signalisation Index. décimale : 766 Arts graphiques Résumé : With eye-catching imagery and in-depth text, Follow Me 3 leads intrepid readers on an expedition through the latest in wayfinding and signage projects from around the world. The book delves into the concept behind each project and the integration of wayfinding programs in their environments, with a focus on visual guidance, space planning, and functional integration in a variety of settings. Projects are organized in easy to follow sections that cover educational and medical institutions, indoor public space, business centers, leisure centers, hotels and housing, and outdoor signage. Each chapter includes projects such as the Graphic Design Faculty Building in the University of Fine Arts, Gdansk, a high-tech Red Cross blood donation center in Kawagoe, Japan, the Vienna Airport, Google’s Engineering Headquarters in London, and an interactive mountain bike trail in New Zealand, all of which can be explored just by turning the first page. En ligne : http://gingkopress.com/shop/follow-me-3/

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no.141(2007:févr.) - 2007-02-01 (Bulletin de Étapes)

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