06.17 - 2017-06-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 06.17 - 2017-06-12 Type de document : texte imprimé Année de publication : 2017 Langues : Allemand (ger) Anglais (eng) Catégories : Bicyclettes Conditionnement Femmes -- Dans l'art Giorgini, Ale Illustration des livres Illustrations, images, etc. Mise en page Mise en page et typographie Travail du papier Typographie Index. décimale : 766 Arts graphiques Résumé : »All about bikes!« That’s the topic of our new issue and we took a closer look at great design projects from all around the world. Beautiful bicycles, brilliant identities, whacky illustrations and great magazines – in this issue design and bike enthusiasts will get their money’s worth. Furthermore we present the winners of the poster contest »100 Beste Plakate«, our author Andreas Koop wonders about the design of Donald Trump’s new wall and we start a new series about »100 years of New Typography«. Our cover is well worth seeing too. A beautiful fine paper in combination with hot foil stamping makes it a real highlight. Note de contenu : Content novum+ All about bikes! : Bowling (BEL) Boneshaker Magazine (GBR) Gianluca Gimini (ITA) KMS Team (GER) Bikevibe Magazine (NOR) Firebelly Design (USA) Tweed Run showroom : Studio Feixen (SWI) 100 Beste Plakate Ale Giorgini (ITA) Hochburg (GER) ASÍS (ARG) The New Typography, part 1: 100 years of functional graphic design in Germany Paper: Gmund Heidi in 330 gsm by Papyrus Cover design: melville brand design Print finishing: hot foil stamping, Forum Prägefolien Veredelung Offset printing: f&w Druck- und Mediencenter Photos: Dominic Brighton En ligne : http://novum.graphics/en/magazine/archive/detail/novum-0617/ [n° ou bulletin]  est un bulletin de Novum   06.17 - 2017-06-12 [texte imprimé] . - 2017. Langues : Allemand (ger) Anglais (eng) Catégories : Bicyclettes Conditionnement Femmes -- Dans l'art Giorgini, Ale Illustration des livres Illustrations, images, etc. Mise en page Mise en page et typographie Travail du papier Typographie Index. décimale : 766 Arts graphiques Résumé : »All about bikes!« That’s the topic of our new issue and we took a closer look at great design projects from all around the world. Beautiful bicycles, brilliant identities, whacky illustrations and great magazines – in this issue design and bike enthusiasts will get their money’s worth. Furthermore we present the winners of the poster contest »100 Beste Plakate«, our author Andreas Koop wonders about the design of Donald Trump’s new wall and we start a new series about »100 years of New Typography«. Our cover is well worth seeing too. A beautiful fine paper in combination with hot foil stamping makes it a real highlight. Note de contenu : Content novum+ All about bikes! : Bowling (BEL) Boneshaker Magazine (GBR) Gianluca Gimini (ITA) KMS Team (GER) Bikevibe Magazine (NOR) Firebelly Design (USA) Tweed Run showroom : Studio Feixen (SWI) 100 Beste Plakate Ale Giorgini (ITA) Hochburg (GER) ASÍS (ARG) The New Typography, part 1: 100 years of functional graphic design in Germany Paper: Gmund Heidi in 330 gsm by Papyrus Cover design: melville brand design Print finishing: hot foil stamping, Forum Prägefolien Veredelung Offset printing: f&w Druck- und Mediencenter Photos: Dominic Brighton En ligne : http://novum.graphics/en/magazine/archive/detail/novum-0617/

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09.17 - 2017-09-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 09.17 - 2017-09-12 Type de document : texte imprimé Année de publication : 2017 Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Art -- Édition -- Allemagne -- 21e siècle Arts graphiques -- 21e siècle Livres -- Mise en page Livres d'artistes Livres de poche -- Édition -- Allemagne Mise en page et typographie Phaidon Publicité -- Mise en pages et typographie Travail du papier Index. décimale : 766 Arts graphiques Résumé : In »Leder« gebunden 17.08.2017 Das brandneue Material Gmund Leather veredelt mit einer metallischen Sonderfarbe stimmt sowohl optisch als auch haptisch auf unser Schwerpunktthema Buchgestaltung ein – wir werfen einen Blick hinter die Kulissen spannender Verlage und stellen bemerkenswerte Buchprojekte vor. Und auch der Showroom steckt einmal wieder voller Überraschungen und präsentiert vom Leitsystem bis hin zu charmanten Illustrationen feinstes Grafikdesign aus aller Welt. In Verbindung mit unserem novum+ zum Thema Buchdesign muss man schon zweimal hinsehen, um zu erkennen, dass Leder durchaus auch aus Papier bestehen kann. Eine verblüffend authentisch wirkende Struktur sowie die griffige Haptik täuschen hier geschickt die Sinne … Gmund Leather (Römerturm) ist ein Material, das man einfach in den Händen halten muss, um tatsächlich zu sehen, was Papier leisten kann. Aber natürlich belassen wir es nicht bei der Haptik, um tief in das Schwerpunktthema Buchdesign einzutauchen: Wir sprachen mit dem Global Publishing Director von Taschen über die Herstellung von XL-Bücher, mit der Herausgeberin Emilia Terragni (Phaidon) über die Herausforderung, Titel zu publizieren, die zeitlos sind, aber dennoch den Zeitgeist einfangen und auch mit Astrid Vorstermans, die mit ihrem Verlag Valiz eine kreative Klientel mit ungewöhnlichen Titeln überrascht. Zudem werfen wir einen Blick auf die erfolgsgekrönten Moormann-Kataloge, stellen Ihnen das spannende Buchprojekt »Lokalhelden« sowie das Grafstudio A Practise for Everyday Life vor und präsentieren eine Dokumentation, die sich bildgewaltig mit dem Durchbruch der Taschenbücher befasst. Und auch der Showroom bietet eine faszinierende Mischung – Nadja König realisiert unter dem Label Stift Schere Papier feine, freche Illustrationen, der italienische Kreative Michel Galluzzo ist gefragter Experte für Designgeschichte und gestaltet diese mit eigenen Umsetzungen gleichzeitig tatkräftig mit. Wir werfen auch einen Blick hinter die Kulissen des serbischen Studios Metaklinika und sprachen mit dem international erfolgreichen Stockholm Design Lab. Last, but not least begeisterte uns die Kooperation zwischen dem P-06 Atelier und dem Architekturbüro Risco – das Ergebnis ist die Cidade do Futebol, die grafische Highlights beherbergt. Eine besondere Art mit Papier umzugehen, hat Sylvia Lerch in ihrer Kolumne zum Thema gemacht – technischer Fortschritt kann ungemein kreativen Output erzeugen! Und Andreas Koop widmet sich in seinem Text den »unwirklichen Wirklichkeiten«, die uns immer mehr umgeben! Das Cover Der Wunsch, für unser Schwerpunktthema Buchdesign eine Leder-Anmutung zu erzielen, lag nahe – um die typische »Krokostruktur« wirkungsvoll einzusetzen, wollten wir aber natürlich kein Tier häuten müssen. Durch eine glückliche Fügung kam die Einführung der Papiersorte Gmund Leather gerade rechtzeitig während unsere Planungen (ein Interview über die Entwicklung dieser Sorte ist ebenfalls in der Ausgabe zu finden): Erhältlich in zwölf Farben – einige in edlen Naturtönen, einige in sehr ausstrucksstarken, leuchtenden Varianten –, ist dieses Material auf den ersten Blick kaum von echtem Leder zu unterscheiden. Von 240 bis 350 g/qm erhältlich, kann mit diesem »Lederimitat« aus FSC-zertifiziertem Zellstoff für verschiedenste Anwendungen und Veredelungen geplant werden: Ob Prägung oder Heißfolie, für Umschläge, Verpackungen oder Einladungen, nahezu alle Spielarten sind bei dieser Papiersorte denkbar. Unser Art Director Tobias Holzmann wählte hingegen eine Sonderfarbe, um seinen Entwurf zu realisieren: »Das Cover zeigt deshalb jene Elemente, die dem Leser normalerweise verborgen bleiben. Vergrößert, verkleinert, gedreht und überlagert – die verschiedenen Ebenen verschmelzen zu einem abstrakten Bild und stehen hier ausnahmsweise im Vordergrund.« Note de contenu : Das finden Sie im Heft: novum+ A Practice For Everyday Life (GBR) Valiz (NLD) Moormann (GER) Phaidon (GBR) Reihenweise (GER) Morphoria (GER) Taschen (GER) showroom Stockholm Design Lab (SWE) P-06 Atelier (POR) Michele Galluzzo (ITA) Nadja König (GER) Neue Typographie, Teil 4: Die nationale Offensive – »Ring«-Zentren in Deutschland Papier: Gmund Leather, Römerturm Offset-Druck: f&w Druck- und Mediencenter Cover Design: Tobias Holzmann Sonderfarbe: Pantone 877 Fotos: Tobias Holzmann En ligne : http://novum.graphics/magazin/aktuelle-ausgabe/ [n° ou bulletin]  est un bulletin de Novum   09.17 - 2017-09-12 [texte imprimé] . - 2017. Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Art -- Édition -- Allemagne -- 21e siècle Arts graphiques -- 21e siècle Livres -- Mise en page Livres d'artistes Livres de poche -- Édition -- Allemagne Mise en page et typographie Phaidon Publicité -- Mise en pages et typographie Travail du papier Index. décimale : 766 Arts graphiques Résumé : In »Leder« gebunden 17.08.2017 Das brandneue Material Gmund Leather veredelt mit einer metallischen Sonderfarbe stimmt sowohl optisch als auch haptisch auf unser Schwerpunktthema Buchgestaltung ein – wir werfen einen Blick hinter die Kulissen spannender Verlage und stellen bemerkenswerte Buchprojekte vor. Und auch der Showroom steckt einmal wieder voller Überraschungen und präsentiert vom Leitsystem bis hin zu charmanten Illustrationen feinstes Grafikdesign aus aller Welt. In Verbindung mit unserem novum+ zum Thema Buchdesign muss man schon zweimal hinsehen, um zu erkennen, dass Leder durchaus auch aus Papier bestehen kann. Eine verblüffend authentisch wirkende Struktur sowie die griffige Haptik täuschen hier geschickt die Sinne … Gmund Leather (Römerturm) ist ein Material, das man einfach in den Händen halten muss, um tatsächlich zu sehen, was Papier leisten kann. Aber natürlich belassen wir es nicht bei der Haptik, um tief in das Schwerpunktthema Buchdesign einzutauchen: Wir sprachen mit dem Global Publishing Director von Taschen über die Herstellung von XL-Bücher, mit der Herausgeberin Emilia Terragni (Phaidon) über die Herausforderung, Titel zu publizieren, die zeitlos sind, aber dennoch den Zeitgeist einfangen und auch mit Astrid Vorstermans, die mit ihrem Verlag Valiz eine kreative Klientel mit ungewöhnlichen Titeln überrascht. Zudem werfen wir einen Blick auf die erfolgsgekrönten Moormann-Kataloge, stellen Ihnen das spannende Buchprojekt »Lokalhelden« sowie das Grafstudio A Practise for Everyday Life vor und präsentieren eine Dokumentation, die sich bildgewaltig mit dem Durchbruch der Taschenbücher befasst. Und auch der Showroom bietet eine faszinierende Mischung – Nadja König realisiert unter dem Label Stift Schere Papier feine, freche Illustrationen, der italienische Kreative Michel Galluzzo ist gefragter Experte für Designgeschichte und gestaltet diese mit eigenen Umsetzungen gleichzeitig tatkräftig mit. Wir werfen auch einen Blick hinter die Kulissen des serbischen Studios Metaklinika und sprachen mit dem international erfolgreichen Stockholm Design Lab. Last, but not least begeisterte uns die Kooperation zwischen dem P-06 Atelier und dem Architekturbüro Risco – das Ergebnis ist die Cidade do Futebol, die grafische Highlights beherbergt. Eine besondere Art mit Papier umzugehen, hat Sylvia Lerch in ihrer Kolumne zum Thema gemacht – technischer Fortschritt kann ungemein kreativen Output erzeugen! Und Andreas Koop widmet sich in seinem Text den »unwirklichen Wirklichkeiten«, die uns immer mehr umgeben! Das Cover Der Wunsch, für unser Schwerpunktthema Buchdesign eine Leder-Anmutung zu erzielen, lag nahe – um die typische »Krokostruktur« wirkungsvoll einzusetzen, wollten wir aber natürlich kein Tier häuten müssen. Durch eine glückliche Fügung kam die Einführung der Papiersorte Gmund Leather gerade rechtzeitig während unsere Planungen (ein Interview über die Entwicklung dieser Sorte ist ebenfalls in der Ausgabe zu finden): Erhältlich in zwölf Farben – einige in edlen Naturtönen, einige in sehr ausstrucksstarken, leuchtenden Varianten –, ist dieses Material auf den ersten Blick kaum von echtem Leder zu unterscheiden. Von 240 bis 350 g/qm erhältlich, kann mit diesem »Lederimitat« aus FSC-zertifiziertem Zellstoff für verschiedenste Anwendungen und Veredelungen geplant werden: Ob Prägung oder Heißfolie, für Umschläge, Verpackungen oder Einladungen, nahezu alle Spielarten sind bei dieser Papiersorte denkbar. Unser Art Director Tobias Holzmann wählte hingegen eine Sonderfarbe, um seinen Entwurf zu realisieren: »Das Cover zeigt deshalb jene Elemente, die dem Leser normalerweise verborgen bleiben. Vergrößert, verkleinert, gedreht und überlagert – die verschiedenen Ebenen verschmelzen zu einem abstrakten Bild und stehen hier ausnahmsweise im Vordergrund.« Note de contenu : Das finden Sie im Heft: novum+ A Practice For Everyday Life (GBR) Valiz (NLD) Moormann (GER) Phaidon (GBR) Reihenweise (GER) Morphoria (GER) Taschen (GER) showroom Stockholm Design Lab (SWE) P-06 Atelier (POR) Michele Galluzzo (ITA) Nadja König (GER) Neue Typographie, Teil 4: Die nationale Offensive – »Ring«-Zentren in Deutschland Papier: Gmund Leather, Römerturm Offset-Druck: f&w Druck- und Mediencenter Cover Design: Tobias Holzmann Sonderfarbe: Pantone 877 Fotos: Tobias Holzmann En ligne : http://novum.graphics/magazin/aktuelle-ausgabe/

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10.17 - 2017-10-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 10.17 - 2017-10-12 Type de document : texte imprimé Année de publication : 2017 Langues : Allemand (ger) Catégories : Beau (esthétique) Livres -- Mise en page Menus -- Mise en page et typographie Mise en page et typographie Podkościelny, Patrycja (1988-....) Produits cosmétiques -- Conditionnement Index. décimale : 766 Arts graphiques Résumé : High-end cosmetics and medical products are generally marketed with a clear, clean look. So, for October´s cover of novum we have chosen a material that is very lively, but still communicates the elegance of pure white. In terms of content this time, our novum+ section focuses on the very broad field of health and beauty from a number of angles. We have a wide range of examples for you, including a visual identity for a clinic and sophisticated packaging for luxury cosmetics. Along the way we explore the graphic design history of the Geigy brand for which over the years many a well known designer has worked, and an interview with Eva Wünsch and Luisa Stömer, whose book »Ebbe und Blut« (Ebb and [menstrual] Flow) has received much attention. In the Showroom section we present the winners of Gold in the European Design Awards, look over the shoulder of gifted illustrator Patrycja Podkoscielny, visit Studio Mut in South Tyrol and give an insight into the multidisciplinary Atelier 522 whose philosophy is truly special. The next article in our series on the »New Typography« takes us back in time to the city of Frankfurt in the 1920s, when the urban development program of estates housing expert Ernst May fostered a whole design movement touching upon many areas of life. And in his column, Andreas Koop muses on »unreal realities« and »bleak realities« – explore with him thoughts on appearances and reality and how graphic design finds its place here. Or take a closer look at the fascinating options presented by register punching – a useful but also a decorative element. Silvia Lerch has produced a very practical and informative guide to what’s involved. Also in her column, our lawyer Andrijana Kojic writes about how to recind contracts – something that is indeed possible, you just have to know how. The cover White stands for clarity, freshness and purity. As such it is an ideal component in the visual design of health and beauty products. Combined with haptic elements, this clean aesthetic moves to a new level of subtlety. We were able to capture all these qualities with Keaykolour. The entire collection contains papers made of recycled pulp, conforming to FSC regulations, in weights of 90 to 450 gsm. One member of this product family is card-quality (300 gsm) “Keaykolour Geprägt” available from Antalis in the variants Hammer blow, Horizon, Leather, Cedar and Linear. We chose linear embossed 300 gsm card quality in snow white which produces a sophisticated play of light and shade and feels almost velvety to the touch. For the high-end graphic design, we have Studio Grau of Berlin to thank – a multiple-award-winning team of designers who we featured in novum 07.17. We were very pleased that they agreed to visualise this theme for us: The delicate, metallic shades of pastel give eye-shadow like emphasis to the motif. Special colours (Pantone 8361 and 488) were the answer for such a subtle, elegant solution. The perfect way to “make up” the cover for an issue about health and beauty, we thought! novum+ Studio Oeding (GER) Ebbe & Blut (GER) Studio Build (GBR) Étiquette (LIT) Geigy (SWI) Suprematika (RUS) Hunap (HUN) Ortolan (AUS) Showroom: European Design Awards Atelier522 (GER) Patrycja Podkoscielny (POL) Studio Mut (ITA) Neue Typographie, Teil V Paper: Keaykolour, Antalis Offset printing: f&w Druck- und Mediencenter Cover design: Chrish Knigge, Studio Grau Special colours: Pantone 488, 8361 Photos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1017/ [n° ou bulletin]  est un bulletin de Novum   10.17 - 2017-10-12 [texte imprimé] . - 2017. Langues : Allemand (ger) Catégories : Beau (esthétique) Livres -- Mise en page Menus -- Mise en page et typographie Mise en page et typographie Podkościelny, Patrycja (1988-....) Produits cosmétiques -- Conditionnement Index. décimale : 766 Arts graphiques Résumé : High-end cosmetics and medical products are generally marketed with a clear, clean look. So, for October´s cover of novum we have chosen a material that is very lively, but still communicates the elegance of pure white. In terms of content this time, our novum+ section focuses on the very broad field of health and beauty from a number of angles. We have a wide range of examples for you, including a visual identity for a clinic and sophisticated packaging for luxury cosmetics. Along the way we explore the graphic design history of the Geigy brand for which over the years many a well known designer has worked, and an interview with Eva Wünsch and Luisa Stömer, whose book »Ebbe und Blut« (Ebb and [menstrual] Flow) has received much attention. In the Showroom section we present the winners of Gold in the European Design Awards, look over the shoulder of gifted illustrator Patrycja Podkoscielny, visit Studio Mut in South Tyrol and give an insight into the multidisciplinary Atelier 522 whose philosophy is truly special. The next article in our series on the »New Typography« takes us back in time to the city of Frankfurt in the 1920s, when the urban development program of estates housing expert Ernst May fostered a whole design movement touching upon many areas of life. And in his column, Andreas Koop muses on »unreal realities« and »bleak realities« – explore with him thoughts on appearances and reality and how graphic design finds its place here. Or take a closer look at the fascinating options presented by register punching – a useful but also a decorative element. Silvia Lerch has produced a very practical and informative guide to what’s involved. Also in her column, our lawyer Andrijana Kojic writes about how to recind contracts – something that is indeed possible, you just have to know how. The cover White stands for clarity, freshness and purity. As such it is an ideal component in the visual design of health and beauty products. Combined with haptic elements, this clean aesthetic moves to a new level of subtlety. We were able to capture all these qualities with Keaykolour. The entire collection contains papers made of recycled pulp, conforming to FSC regulations, in weights of 90 to 450 gsm. One member of this product family is card-quality (300 gsm) “Keaykolour Geprägt” available from Antalis in the variants Hammer blow, Horizon, Leather, Cedar and Linear. We chose linear embossed 300 gsm card quality in snow white which produces a sophisticated play of light and shade and feels almost velvety to the touch. For the high-end graphic design, we have Studio Grau of Berlin to thank – a multiple-award-winning team of designers who we featured in novum 07.17. We were very pleased that they agreed to visualise this theme for us: The delicate, metallic shades of pastel give eye-shadow like emphasis to the motif. Special colours (Pantone 8361 and 488) were the answer for such a subtle, elegant solution. The perfect way to “make up” the cover for an issue about health and beauty, we thought! novum+ Studio Oeding (GER) Ebbe & Blut (GER) Studio Build (GBR) Étiquette (LIT) Geigy (SWI) Suprematika (RUS) Hunap (HUN) Ortolan (AUS) Showroom: European Design Awards Atelier522 (GER) Patrycja Podkoscielny (POL) Studio Mut (ITA) Neue Typographie, Teil V Paper: Keaykolour, Antalis Offset printing: f&w Druck- und Mediencenter Cover design: Chrish Knigge, Studio Grau Special colours: Pantone 488, 8361 Photos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1017/

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09.18 - 2018-09-12 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 09.18 - 2018-09-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Art et politique Art numérique Arts graphiques -- 21e siècle Arts graphiques -- Étude et enseignement -- 21e siècle Arts graphiques -- Technique -- Innovations Collage (art) -- 21e siècle Communication en politique Communication visuelle -- 21e siècle Conditionnement Designers -- 21e siècle Mise en page et typographie Index. décimale : 766 Arts graphiques Note de contenu : What will work be like in the future? How can we influence future developments? Where does our responsibility lie? Will we be living in the city or in the countryside? And are AI and AR a blessing or a curse? On the subject of the future, there are many pressing and interesting questions. We asked those questions for the September issue of novum. The answers are thought-provoking and inspirational. The cover, too, opens up unusual new insights. The partially open spine reveals the stitching behind, and silk screen printing in silver and neon green adds contrast to the luxurious grey paper. Today everything happens very quickly, and it has to. Ideas are sought and found instantly – on Instagram. Information comes from Google. But some things are too important to be dealt with quickly. Like, for example, what our future will look like. In the latest issue of novum we have taken time to talk to creatives and researchers about how they see the future developing. The result is ten extended interviews in which we explore identity, new technologies, the question of how we want to live, work and design in the future, how we will be communicating, and not least the responsibility of the designer in all this. We guarantee you a thought-provoking and inspirational read. This is not a fast read – but it will be very rewarding. So open up your mind to this unusual issue of novum – and the thought-provoking ideas, inspiration and possibilities contained in it. When it comes to the future, one thing you can be sure of is that it won’t be like today. So for this issue of novum – focusing on the future – we also opted for another format. Instead of the usual structure of novum+ and Showroom, we bring you a series of thought-provoking interviews about the future. This time the inspiration comes not so much from images, but from ideas and visions. Many aspects such as singularity, behaviour and artificial intelligence recur as a common thread throughout these interviews. And we have sought to reflect this in the thread-stitched binding. In the 94-year history of novum this is the first issue to have such a binding, and it is quite a special one. We used different neon threads such as are normally found in the textile industry. They give a very special note throughout the magazine and the quality of the binding underlines the high importance of this theme. The cover This, too, opens up unusual new insights. The partially open spine reveals the stitching behind, and the neon threads glow against the dark body of the magazine. For the paper we used Conqueror Cartridge in 300 gsm from Antalis which has a particularly fine grey tone. The paper with its muted colour is intriguingly contrasted by the printing. Screen printing makes the colours stand out strongly and a bright neon green points the way auspiciously into an – admittedly somewhat psychedelic – future. A delicate silver and a spot colour add further accents. Content In this issue we feature the following articles: Kilian Stauss – Quo vadis design? Threatened Orders – Learning from history. Design: Ditho Design SyPartners – Design for Humanity Gesellschaft für Designgeschichte – A world of singularities Officina Humana – The office of the future Indeed Innovation – Human centred design Sebastian Sadowski – Data visualisation Soderhavet – Branding Sweden Packaging trends: merz punkt and Clormann Design Universal Everything – Keep evolving The cover Design: Tobias Holzmann Paper: Conqueror Cartridge in 300 gsm by Antalis Silk screen printing: Stainer Stich binding with neon threads and Offset printing: f&w Photos: Guillaume Sinopoli En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0918/ [n° ou bulletin]  est un bulletin de Novum   09.18 - 2018-09-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Art et politique Art numérique Arts graphiques -- 21e siècle Arts graphiques -- Étude et enseignement -- 21e siècle Arts graphiques -- Technique -- Innovations Collage (art) -- 21e siècle Communication en politique Communication visuelle -- 21e siècle Conditionnement Designers -- 21e siècle Mise en page et typographie Index. décimale : 766 Arts graphiques Note de contenu : What will work be like in the future? How can we influence future developments? Where does our responsibility lie? Will we be living in the city or in the countryside? And are AI and AR a blessing or a curse? On the subject of the future, there are many pressing and interesting questions. We asked those questions for the September issue of novum. The answers are thought-provoking and inspirational. The cover, too, opens up unusual new insights. The partially open spine reveals the stitching behind, and silk screen printing in silver and neon green adds contrast to the luxurious grey paper. Today everything happens very quickly, and it has to. Ideas are sought and found instantly – on Instagram. Information comes from Google. But some things are too important to be dealt with quickly. Like, for example, what our future will look like. In the latest issue of novum we have taken time to talk to creatives and researchers about how they see the future developing. The result is ten extended interviews in which we explore identity, new technologies, the question of how we want to live, work and design in the future, how we will be communicating, and not least the responsibility of the designer in all this. We guarantee you a thought-provoking and inspirational read. This is not a fast read – but it will be very rewarding. So open up your mind to this unusual issue of novum – and the thought-provoking ideas, inspiration and possibilities contained in it. When it comes to the future, one thing you can be sure of is that it won’t be like today. So for this issue of novum – focusing on the future – we also opted for another format. Instead of the usual structure of novum+ and Showroom, we bring you a series of thought-provoking interviews about the future. This time the inspiration comes not so much from images, but from ideas and visions. Many aspects such as singularity, behaviour and artificial intelligence recur as a common thread throughout these interviews. And we have sought to reflect this in the thread-stitched binding. In the 94-year history of novum this is the first issue to have such a binding, and it is quite a special one. We used different neon threads such as are normally found in the textile industry. They give a very special note throughout the magazine and the quality of the binding underlines the high importance of this theme. The cover This, too, opens up unusual new insights. The partially open spine reveals the stitching behind, and the neon threads glow against the dark body of the magazine. For the paper we used Conqueror Cartridge in 300 gsm from Antalis which has a particularly fine grey tone. The paper with its muted colour is intriguingly contrasted by the printing. Screen printing makes the colours stand out strongly and a bright neon green points the way auspiciously into an – admittedly somewhat psychedelic – future. A delicate silver and a spot colour add further accents. Content In this issue we feature the following articles: Kilian Stauss – Quo vadis design? Threatened Orders – Learning from history. Design: Ditho Design SyPartners – Design for Humanity Gesellschaft für Designgeschichte – A world of singularities Officina Humana – The office of the future Indeed Innovation – Human centred design Sebastian Sadowski – Data visualisation Soderhavet – Branding Sweden Packaging trends: merz punkt and Clormann Design Universal Everything – Keep evolving The cover Design: Tobias Holzmann Paper: Conqueror Cartridge in 300 gsm by Antalis Silk screen printing: Stainer Stich binding with neon threads and Offset printing: f&w Photos: Guillaume Sinopoli En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0918/

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11.18 - 2018-11-12 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 11.18 - 2018-11-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques Livres -- Mise en page Mise en page et typographie Sculpture en papier Travail du papier -- 21e siècle Typographie - Design Index. décimale : 766 Arts graphiques Résumé : Our November issue plays with perception: Is it embossed or some kind of optical illusion? A brand new way of dealing with hot foil stamping is the secret behind this visual trick – conjuring up a 3D impression for the eyes this respresents an exciting new addition to the print toolkit. And it´s a perfect introduction to our focus theme this month: creative paper! Note de contenu : A trick of the eye When the first samples of Trustseal SFX arrived in our editorial office we were immediately enthusiastic – the optical illusion of a 3D element is simply fascinating and it shows once more that we have by no means explored all the possibilities of print. This is amply demonstrated in the world tour that we take you on in this issue focusing on »Creative Paper«: Intricate design work from the Czech Republic, elegance from France and a touch of the experimental from Brazil, as well as haptic support for a luxury brand from Austria and quality business papers from Taiwan! Laser-cutting, pop-up elements, fine papers and a cornucopia of print finishes, plus lot of creative sensitivity – all await discovery in this month’s novum. We also bring you an interview with print specialist Frank Denninghoff (Gräfe Druckveredelung), who reveals the latest trends and possibilities in finishing. The Showroom section in novum 11.18 is also packed with interest: To start with there’s an interview with Peter Mussfeldt, who emigrated from Germany to Ecuador many years ago and is now regarded there as a pioneer of design. Then we look behind the scenes at the much talked about studio APFEL in London and, in conversation with the Spanish bureau Esiete, we learn that design agencies can have a very different philosophy. Another designer who very much does things his own way is Victor Balko – his editorial design projects were an immediate hit with us here at novum. The cover A few years ago Studio Twopoints.net produced a cover for us that caused a real stir with its thermosensitive surface – an image of a sunbather turned red when the cover was exposed to UV light (novum 08.13). For the art work for this November’s cover, the team from Hamburg created a graphic-geometric solution to really do justice to and highlight the special hot foil technique and it’s 3D effect. Twopoints: »›Form is the body of colour – colour is the soul of form‹ – so wrote graphic designer and artist Karl Gerstner, who died last year. We owe a great debt of thanks to Gerstner. His approach to design problems has had a strong influence on us. For this cover of novum we captured the soul of autumn in a flexible visual system. The form system comes from investigations carried out for a book about the design of flexible visual systems that we are currently working on.« Available in the colours gold and silver, you can do quite a lot with »Trustseal SFX«, the latest development from Kurz. But one or two key points must be observed. All of them are explained in this current issue of novum. As for the material – the choice is wide: As ever, for hot foil stamping smooth, coated papers are good, ones that support a sharp printed image. In the range from Munken (available from: Papyrus) we came across Munken Pure (300 g/qm) in cream white, a variant with a natural surface that is neither extremely smooth nor extremely rough – it has a pleasant feel and the foil contrasts well with it. The whole series of these design papers is available in a wide range of grammages (from 80 to 400 g/qm), and in 1.13 to 1.3 volume. The product family encompasses Kristall, Polar, Lynx and Pure, in colours from brilliant white to high and natural white, as well as cream white – each in a smooth or rougher surface. For stiffer weights there are four papers in »rough« quality, with 1.4 volume and a distinctive surface feel. novum+ Davilla (AUT) Sion Hsu (TWN) Aline HD (FRA) Greco Design (BRA) Porigami (CZE) Trends in print finishing (Gräfe Druckveredelung) Makerie Studio (GBR) Showroom: Peter Mussfeldt (ECU) Victor Balko (GER) Here Design (GBR) Esiete (ESP) APFEL (GBR) Cover: Design: Twopoints.net Papier: Munken Pure, Cremeweiß, 300 g/qm von Papyrus Offset-Druck: f&w Heißfolie: Kurz Heißfolienprägung: Gräfe Druckveredelung Fotos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-1118/ [n° ou bulletin]  est un bulletin de Novum   11.18 - 2018-11-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques Livres -- Mise en page Mise en page et typographie Sculpture en papier Travail du papier -- 21e siècle Typographie - Design Index. décimale : 766 Arts graphiques Résumé : Our November issue plays with perception: Is it embossed or some kind of optical illusion? A brand new way of dealing with hot foil stamping is the secret behind this visual trick – conjuring up a 3D impression for the eyes this respresents an exciting new addition to the print toolkit. And it´s a perfect introduction to our focus theme this month: creative paper! Note de contenu : A trick of the eye When the first samples of Trustseal SFX arrived in our editorial office we were immediately enthusiastic – the optical illusion of a 3D element is simply fascinating and it shows once more that we have by no means explored all the possibilities of print. This is amply demonstrated in the world tour that we take you on in this issue focusing on »Creative Paper«: Intricate design work from the Czech Republic, elegance from France and a touch of the experimental from Brazil, as well as haptic support for a luxury brand from Austria and quality business papers from Taiwan! Laser-cutting, pop-up elements, fine papers and a cornucopia of print finishes, plus lot of creative sensitivity – all await discovery in this month’s novum. We also bring you an interview with print specialist Frank Denninghoff (Gräfe Druckveredelung), who reveals the latest trends and possibilities in finishing. The Showroom section in novum 11.18 is also packed with interest: To start with there’s an interview with Peter Mussfeldt, who emigrated from Germany to Ecuador many years ago and is now regarded there as a pioneer of design. Then we look behind the scenes at the much talked about studio APFEL in London and, in conversation with the Spanish bureau Esiete, we learn that design agencies can have a very different philosophy. Another designer who very much does things his own way is Victor Balko – his editorial design projects were an immediate hit with us here at novum. The cover A few years ago Studio Twopoints.net produced a cover for us that caused a real stir with its thermosensitive surface – an image of a sunbather turned red when the cover was exposed to UV light (novum 08.13). For the art work for this November’s cover, the team from Hamburg created a graphic-geometric solution to really do justice to and highlight the special hot foil technique and it’s 3D effect. Twopoints: »›Form is the body of colour – colour is the soul of form‹ – so wrote graphic designer and artist Karl Gerstner, who died last year. We owe a great debt of thanks to Gerstner. His approach to design problems has had a strong influence on us. For this cover of novum we captured the soul of autumn in a flexible visual system. The form system comes from investigations carried out for a book about the design of flexible visual systems that we are currently working on.« Available in the colours gold and silver, you can do quite a lot with »Trustseal SFX«, the latest development from Kurz. But one or two key points must be observed. All of them are explained in this current issue of novum. As for the material – the choice is wide: As ever, for hot foil stamping smooth, coated papers are good, ones that support a sharp printed image. In the range from Munken (available from: Papyrus) we came across Munken Pure (300 g/qm) in cream white, a variant with a natural surface that is neither extremely smooth nor extremely rough – it has a pleasant feel and the foil contrasts well with it. The whole series of these design papers is available in a wide range of grammages (from 80 to 400 g/qm), and in 1.13 to 1.3 volume. The product family encompasses Kristall, Polar, Lynx and Pure, in colours from brilliant white to high and natural white, as well as cream white – each in a smooth or rougher surface. For stiffer weights there are four papers in »rough« quality, with 1.4 volume and a distinctive surface feel. novum+ Davilla (AUT) Sion Hsu (TWN) Aline HD (FRA) Greco Design (BRA) Porigami (CZE) Trends in print finishing (Gräfe Druckveredelung) Makerie Studio (GBR) Showroom: Peter Mussfeldt (ECU) Victor Balko (GER) Here Design (GBR) Esiete (ESP) APFEL (GBR) Cover: Design: Twopoints.net Papier: Munken Pure, Cremeweiß, 300 g/qm von Papyrus Offset-Druck: f&w Heißfolie: Kurz Heißfolienprägung: Gräfe Druckveredelung Fotos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-1118/

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12.18 - 2018-12-12 (Bulletin de Novum)    

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12.20 - 2020-12-12 (Bulletin de Novum)    

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03.20 - 2020-03-12 (Bulletin de Novum)    

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no245(2018:septembre-octobre) - 2018-09-01 - Art contemporain. Palais de Justice. Une saison graphique, ED Awards, The Rodina, Plaid, Montréal (Bulletin de Étapes)    

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First things first ! / Rebecca Silus

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Type hybrid / Michael Seibert

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Type player 3 / François Xavier Saint Georges

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