Authenticity in transition / Erma Hermens ; Frances Robertson

Public ISBD Titre : Authenticity in transition : Changing practices in art making and conservation, proceedings of the international conference held at the University of Glasgow, 1-2 December 2014 Type de document : texte imprimé Auteurs : Erma Hermens (1958-....), Directeur de publication, rédacteur en chef ; Frances Robertson (1952-....), Directeur de publication, rédacteur en chef Editeur : London : Archetype publications Année de publication : 2016 Importance : 1 vol. (205 p.) Présentation : ill. en coul., couv. ill. en noir et en coul. Format : 25 cm ISBN/ISSN/EAN : 978-1-909492-36-3 Langues : Anglais (eng) Catégories : Art -- Conservation et restauration -- Innovations -- 21e siècle Art numérique -- Conservation et restauration Conservation et restauration -- Numérisation Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : This volume contains papers from the NeCCAR 2014 conference “Authenticity in Transition”. The papers debate the various ways that changing artistic practices affect our interpretation, conservation, and curation of contemporary art, with a special reference to the shifting concepts of authenticity and artistic intent. The papers examine the topic through many mediums including artists’ viewpoints, the ephemeral nature of materials, historical perspective. The volume especially focuses on the problems caused by a shifting concept of authenticity to the conservation of artworks and conservation ethics. Note de contenu : Sommaire: Preface Acknowledgements Contemporary conservation: keynotes In the wings Jill Sterrett The aesthetics of change: on the relative durations of the impermanent and critical thinking in conservation Hanna Hölling Contemporary conservation: curating and translating art history Reconfiguring contemporary art in the museum Glenn Wharton Moving away from the artist’s sway: changes in the critical reception of Mike Kelley’s Day Is Done Ariane Noël de Tilly The Cybernetic Tower by Nicolas Schöffer: the conservator’s role between continuity and historicity of the production Manon D’haenens Between curator and the artist: a problem of authority Agnieszka Wielocha Stills and touches: merging concepts of authenticity between a paper conservator, artists and curators in a private art gallery Magdalena Grenda-Kurmanow ... Designed to exist in passing time: Robert Rauschenberg’s Black Painting Jennifer Hickey Identifying aesthetic and technological thresholds in the restoration of contemporary art Tiarna Doherty and L.H. (Hugh) Shockey, Jr. The legalities of authenticity and contemporary art Jean E. Brown Contemporary conservation: connecting practices Authenticity and authorship in socially engaged art Rebecca Gordon Connecting practices of preservation: exploring authenticities in collaborative performance-based artworks Hélia Marçal, Andreia Nogueira, Isabel Pires and Rita Macedo Blind spots in contemporary art conservation? Results of an interdisciplinary workshop Julia Giebeler and Gunnar Heydenreich Contemporary conservation: reinventing technologies and media Conservation of contemporary art: from concepts to practice, Cloaca by Wim Delvoye Muriel Verbeeck and Nico Broers In search of the real Suzanne: authenticity and evolving artistic practice in the conservation of a time-based media sculpture by Julian Opie Joanna Shepard Good vibrations: the conservation of Soto’s Grande muro panoramico vibrante Paolo Martore Through the conservator’s lens: from analogue photowork to digital printout. How is authenticity served? Sanneke Stigter Exploring the conservation of net art: a call for authentic alliances Annet Dekker Artist’s experiments with new materials in works of art: how to preserve intent and matter Monika Jadzinska Motors matter: some reflections on the preservation of electro-mechanical devices in contemporary art Laura Calvi, Roberto Dipasquale and Iolanda Ratti Authenticity in transition : Changing practices in art making and conservation, proceedings of the international conference held at the University of Glasgow, 1-2 December 2014 [texte imprimé] / Erma Hermens (1958-....), Directeur de publication, rédacteur en chef ; Frances Robertson (1952-....), Directeur de publication, rédacteur en chef . - London  : Archetype publications, 2016 . - 1 vol. (205 p.) : ill. en coul., couv. ill. en noir et en coul. ; 25 cm. ISBN : 978-1-909492-36-3 Langues : Anglais (eng) Catégories : Art -- Conservation et restauration -- Innovations -- 21e siècle Art numérique -- Conservation et restauration Conservation et restauration -- Numérisation Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : This volume contains papers from the NeCCAR 2014 conference “Authenticity in Transition”. The papers debate the various ways that changing artistic practices affect our interpretation, conservation, and curation of contemporary art, with a special reference to the shifting concepts of authenticity and artistic intent. The papers examine the topic through many mediums including artists’ viewpoints, the ephemeral nature of materials, historical perspective. The volume especially focuses on the problems caused by a shifting concept of authenticity to the conservation of artworks and conservation ethics. Note de contenu : Sommaire: Preface Acknowledgements Contemporary conservation: keynotes In the wings Jill Sterrett The aesthetics of change: on the relative durations of the impermanent and critical thinking in conservation Hanna Hölling Contemporary conservation: curating and translating art history Reconfiguring contemporary art in the museum Glenn Wharton Moving away from the artist’s sway: changes in the critical reception of Mike Kelley’s Day Is Done Ariane Noël de Tilly The Cybernetic Tower by Nicolas Schöffer: the conservator’s role between continuity and historicity of the production Manon D’haenens Between curator and the artist: a problem of authority Agnieszka Wielocha Stills and touches: merging concepts of authenticity between a paper conservator, artists and curators in a private art gallery Magdalena Grenda-Kurmanow ... Designed to exist in passing time: Robert Rauschenberg’s Black Painting Jennifer Hickey Identifying aesthetic and technological thresholds in the restoration of contemporary art Tiarna Doherty and L.H. (Hugh) Shockey, Jr. The legalities of authenticity and contemporary art Jean E. Brown Contemporary conservation: connecting practices Authenticity and authorship in socially engaged art Rebecca Gordon Connecting practices of preservation: exploring authenticities in collaborative performance-based artworks Hélia Marçal, Andreia Nogueira, Isabel Pires and Rita Macedo Blind spots in contemporary art conservation? Results of an interdisciplinary workshop Julia Giebeler and Gunnar Heydenreich Contemporary conservation: reinventing technologies and media Conservation of contemporary art: from concepts to practice, Cloaca by Wim Delvoye Muriel Verbeeck and Nico Broers In search of the real Suzanne: authenticity and evolving artistic practice in the conservation of a time-based media sculpture by Julian Opie Joanna Shepard Good vibrations: the conservation of Soto’s Grande muro panoramico vibrante Paolo Martore Through the conservator’s lens: from analogue photowork to digital printout. How is authenticity served? Sanneke Stigter Exploring the conservation of net art: a call for authentic alliances Annet Dekker Artist’s experiments with new materials in works of art: how to preserve intent and matter Monika Jadzinska Motors matter: some reflections on the preservation of electro-mechanical devices in contemporary art Laura Calvi, Roberto Dipasquale and Iolanda Ratti

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Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 27912	7.025 HER	Livre	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

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