| Titre : |
Framed ink : Drawing and composition for visual storytellers |
| Type de document : |
texte imprimé |
| Auteurs : |
Marcos Mateu-Mestre, Auteur |
| Editeur : |
Culver City, CA : Design Studio Press |
| Année de publication : |
2010 |
| Importance : |
1 vol.(127 p.) |
| Présentation : |
ill. en noir et blanc, couv. ill. en coul. |
| Format : |
28 cm |
| ISBN/ISSN/EAN : |
978-1-933492-95-7 |
| Note générale : |
Index. |
| Langues : |
Anglais (eng) |
| Catégories : |
Composition (art) -- Bandes dessinées
Dessin -- Technique
Storyboard -- Technique
|
| Index. décimale : |
741.5 Bandes dessinées |
| Résumé : |
Synopsis : The ultimate guide to visual storytelling! How to make the audience "feel" the story while they are "reading" the story. Using his experiences from working in the comic book industry, movie studios and teaching, Marcos introduces the reader to a step-by-step system that will create the most successful storyboards and graphics for the best visual communication.
After a brief discussion on narrative art, Marcos introduces us to drawing and composing a single image, to composing steady shots to drawing to compose for continuity between all the shots. These lessons are then applied to three diverse story lines - a train accident, a cowboy tale and bikers approaching a mysterious house.
In addition to setting up the shots, he also explains and illustrates visual character development, emotive stances and expressions along with development of the environmental setting to fully develop the visual narrative |
Framed ink : Drawing and composition for visual storytellers [texte imprimé] / Marcos Mateu-Mestre, Auteur . - Culver City, CA : Design Studio Press, 2010 . - 1 vol.(127 p.) : ill. en noir et blanc, couv. ill. en coul. ; 28 cm. ISBN : 978-1-933492-95-7 Index. Langues : Anglais ( eng)
| Catégories : |
Composition (art) -- Bandes dessinées
Dessin -- Technique
Storyboard -- Technique
|
| Index. décimale : |
741.5 Bandes dessinées |
| Résumé : |
Synopsis : The ultimate guide to visual storytelling! How to make the audience "feel" the story while they are "reading" the story. Using his experiences from working in the comic book industry, movie studios and teaching, Marcos introduces the reader to a step-by-step system that will create the most successful storyboards and graphics for the best visual communication.
After a brief discussion on narrative art, Marcos introduces us to drawing and composing a single image, to composing steady shots to drawing to compose for continuity between all the shots. These lessons are then applied to three diverse story lines - a train accident, a cowboy tale and bikers approaching a mysterious house.
In addition to setting up the shots, he also explains and illustrates visual character development, emotive stances and expressions along with development of the environmental setting to fully develop the visual narrative |
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