01.18 - 2018-01-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 01.18 - 2018-01-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches de spectacles -- Munich (Allemagne) Aliments -- Conditionnement Arts graphiques -- 21e siècle Bayerisches Staatsorchester -- Affiches Illustrations des livres -- 21e siècle Livres -- Mise en page Logos (Symboles) Photographie publicitaire Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : In our novum+ section design stars like Paula Scher, Mirko Borsche and Fons Hickmann talked to us about the challenges of designing for small and big theatres and how to guarantee visibility even with a small budget. In our showroom we visited the designers at DN&CO, who enjoy print as much as digital creation. Jess Bonham surprised us with her photographic illustrations and in our new series New Talents Berlin we took a look at Feld studio for digital crafts. Last, but not least we talked to the typo nerds at Afrika, a small, but fine studio located in Switzerland. The cover To correspond with our main focus »theatre« the design of our cover will spark a whole series of emotions. We used the paper Reef by Gruppo Cordenons, a material with a particularly deep shade of black and a rough, almost sandy surface. Silk screen printing allowed for very rich inking and a partial soft-touch varnish offers a surprising contrast to the rough surface of the paper. The design comes from Studio Mut and the designers from northern Italy quite literally managed to put a lot of drama on our cover. Note de contenu : Content novum+ Bureau Borsche (GER) IDNA Group (DEN) Fons Hickmann (GER) Formdusche (GER) KW Neun (GER) Pentagram (USA) TGG Hafen Senn Stieger (SWI) Atelier Malte Martin (FRA) Showroom Afrika (SWI) DN&CO (GBR) Jess Bonham (GBR) New Talents Berlin: Feld studio for digital crafts (GER) Das Cover Design: Studio Mut Papier: Reef black, 330 g/qm von Gruppo Cordenons Siebdruck: Stainer Schriften & Siebdruck Druck Innenteil: f&w Druck & Mediencenter Fotos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0118/ [n° ou bulletin]  est un bulletin de Novum 01.18 - 2018-01-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches de spectacles -- Munich (Allemagne) Aliments -- Conditionnement Arts graphiques -- 21e siècle Bayerisches Staatsorchester -- Affiches Illustrations des livres -- 21e siècle Livres -- Mise en page Logos (Symboles) Photographie publicitaire Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : In our novum+ section design stars like Paula Scher, Mirko Borsche and Fons Hickmann talked to us about the challenges of designing for small and big theatres and how to guarantee visibility even with a small budget. In our showroom we visited the designers at DN&CO, who enjoy print as much as digital creation. Jess Bonham surprised us with her photographic illustrations and in our new series New Talents Berlin we took a look at Feld studio for digital crafts. Last, but not least we talked to the typo nerds at Afrika, a small, but fine studio located in Switzerland. The cover To correspond with our main focus »theatre« the design of our cover will spark a whole series of emotions. We used the paper Reef by Gruppo Cordenons, a material with a particularly deep shade of black and a rough, almost sandy surface. Silk screen printing allowed for very rich inking and a partial soft-touch varnish offers a surprising contrast to the rough surface of the paper. The design comes from Studio Mut and the designers from northern Italy quite literally managed to put a lot of drama on our cover. Note de contenu : Content novum+ Bureau Borsche (GER) IDNA Group (DEN) Fons Hickmann (GER) Formdusche (GER) KW Neun (GER) Pentagram (USA) TGG Hafen Senn Stieger (SWI) Atelier Malte Martin (FRA) Showroom Afrika (SWI) DN&CO (GBR) Jess Bonham (GBR) New Talents Berlin: Feld studio for digital crafts (GER) Das Cover Design: Studio Mut Papier: Reef black, 330 g/qm von Gruppo Cordenons Siebdruck: Stainer Schriften & Siebdruck Druck Innenteil: f&w Druck & Mediencenter Fotos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0118/

Réservation

Réserver ce document

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 22319	Novum	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

02.19 - 2019-02-12 (Bulletin de Novum) 

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 02.19 - 2019-02-12 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Aliments -- Conditionnement Art de performance -- 21e siècle Arts graphiques -- Mise en page et typographie Blanc Braille -- Typographie -- 21e siècle Couleur en design Couleurs Couleurs -- Interprétation -- Mise en page Illustration des livres -- 21e siècle Marques de commerce Noir Olislaeger, François (1978-....) Peinture monochrome Scheinberger, Felix (1969-....) Stark, Martin (1973-....) Index. décimale : 766 Arts graphiques Résumé : Even though a whole rainbow of colours is available, creatives still love black and white. Elegant, expressive and somehow fascinatingly elusive, this play of light and shade gives rise to some fantastic work of all kinds. Starting with a wonderful, lavishly produced cover, we bring you exciting work in black and white!For example, we look at the new Frankenstein book, impressively illustrated by Martin Stark in black and white, and we conduct an interview with this gifted illustrator. Sagmeister+Walsh, too, delight us with some insights into a new and exciting project. In Australia we discover the Dolphin Hotel which had it´s new visual identity done all in monochrome (m35). François Olislaeger intrigues us with an installation … entirely without colour. For their own CI, the creatives at Forth+Back also went for monochrome, as did Paul Belford in his packaging for a brand of soap. All this and more awaits in the monochrome world presented in novum 02.19. Note de contenu : In the Showroom section we interviewed Kilian Stauss in his studio processform and talked about interdisciplinary work and the delights of the unexpected. A thought-provoking encounter! We head to Thailand, to Jackkrit Anantakul and delight in his fireworks display of colour and form. In the Netherlands, we discover a talented duo - twins Janna and Hilde Meeus, and their top-class graphic design. Then there´s Studio91 and the intriguing story of how it got going … something you´ll not find by googling. A new series by Patrick Rössler takes us to the more hidden aspects of the Bauhaus, on this, the 100th anniversary of the influential design school. We bring you the first part in this issue. The cover The splendid, mostly hand-finished (!) cover of this issue plays with contrasts in multiple ways: two levels give added charm – finely lasered by Stigler and also hand laminated there. The material AstroKing by Gruppo Cordenons in variants black and white provides the perfect base. You can read just how this was created, and about the technique of delicate lasering and laminating in an interview with Andrea Stigler in this issue. A handy hint in case you want to try out this technique: If you want to do it in a large print run, then start planning well ahead, because it takes time. A lot of it is high-precision work done by hand, and you don´t get this kind of perfection overnight. The result is even more fascinating: Our typographical cover in black and white, designed by Melville Brand Design, was in expert hands at Stigler, who have the skill and patience to produce this kind of quality. Our choice of paper for this – AstroKing (250 gsm, white and 350 gsm black) from Grupo Cordenons, was also perfect for this production: The deep black variant was used as the background, because for lasering it would have produced too much black dust. The bright white variant was no problem to laser. To avoid any colour leakage of the black paper (this, too, you have to check), we varnished the surface, which in turn produced a very interesting surface feel. We also did a binding test on it at f&w (offset printing) – with laminated sheets the final thickness is very much something to take into account. Showrooms processform (GER) Jackkrit Anantakul (THA) Meeusantwerp (NLD) Serie: 100 Jahre Bauhaus Studio 91 (GBR) novum+ BIS Studio Graphique (FRA) Forth + Back (USA) François Olislaeger (FRA) M35 (AUS) Martin Stark (GER) Paul Belford (GBR) SDL (SWE) Sagmeister+Walsh (USA) Studio Oeding (GER) Cover: Melville Brand Design Fotos: Tobias Holzmann / Miriam Zimmer Offset-Druck: f+w Filigranlaserung + -kaschierung: Stigler GmbH Papier: AstroKing (Gruppo Cordenons) [n° ou bulletin]  est un bulletin de Novum 02.19 - 2019-02-12 [texte imprimé] . - 2019. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Aliments -- Conditionnement Art de performance -- 21e siècle Arts graphiques -- Mise en page et typographie Blanc Braille -- Typographie -- 21e siècle Couleur en design Couleurs Couleurs -- Interprétation -- Mise en page Illustration des livres -- 21e siècle Marques de commerce Noir Olislaeger, François (1978-....) Peinture monochrome Scheinberger, Felix (1969-....) Stark, Martin (1973-....) Index. décimale : 766 Arts graphiques Résumé : Even though a whole rainbow of colours is available, creatives still love black and white. Elegant, expressive and somehow fascinatingly elusive, this play of light and shade gives rise to some fantastic work of all kinds. Starting with a wonderful, lavishly produced cover, we bring you exciting work in black and white!For example, we look at the new Frankenstein book, impressively illustrated by Martin Stark in black and white, and we conduct an interview with this gifted illustrator. Sagmeister+Walsh, too, delight us with some insights into a new and exciting project. In Australia we discover the Dolphin Hotel which had it´s new visual identity done all in monochrome (m35). François Olislaeger intrigues us with an installation … entirely without colour. For their own CI, the creatives at Forth+Back also went for monochrome, as did Paul Belford in his packaging for a brand of soap. All this and more awaits in the monochrome world presented in novum 02.19. Note de contenu : In the Showroom section we interviewed Kilian Stauss in his studio processform and talked about interdisciplinary work and the delights of the unexpected. A thought-provoking encounter! We head to Thailand, to Jackkrit Anantakul and delight in his fireworks display of colour and form. In the Netherlands, we discover a talented duo - twins Janna and Hilde Meeus, and their top-class graphic design. Then there´s Studio91 and the intriguing story of how it got going … something you´ll not find by googling. A new series by Patrick Rössler takes us to the more hidden aspects of the Bauhaus, on this, the 100th anniversary of the influential design school. We bring you the first part in this issue. The cover The splendid, mostly hand-finished (!) cover of this issue plays with contrasts in multiple ways: two levels give added charm – finely lasered by Stigler and also hand laminated there. The material AstroKing by Gruppo Cordenons in variants black and white provides the perfect base. You can read just how this was created, and about the technique of delicate lasering and laminating in an interview with Andrea Stigler in this issue. A handy hint in case you want to try out this technique: If you want to do it in a large print run, then start planning well ahead, because it takes time. A lot of it is high-precision work done by hand, and you don´t get this kind of perfection overnight. The result is even more fascinating: Our typographical cover in black and white, designed by Melville Brand Design, was in expert hands at Stigler, who have the skill and patience to produce this kind of quality. Our choice of paper for this – AstroKing (250 gsm, white and 350 gsm black) from Grupo Cordenons, was also perfect for this production: The deep black variant was used as the background, because for lasering it would have produced too much black dust. The bright white variant was no problem to laser. To avoid any colour leakage of the black paper (this, too, you have to check), we varnished the surface, which in turn produced a very interesting surface feel. We also did a binding test on it at f&w (offset printing) – with laminated sheets the final thickness is very much something to take into account. Showrooms processform (GER) Jackkrit Anantakul (THA) Meeusantwerp (NLD) Serie: 100 Jahre Bauhaus Studio 91 (GBR) novum+ BIS Studio Graphique (FRA) Forth + Back (USA) François Olislaeger (FRA) M35 (AUS) Martin Stark (GER) Paul Belford (GBR) SDL (SWE) Sagmeister+Walsh (USA) Studio Oeding (GER) Cover: Melville Brand Design Fotos: Tobias Holzmann / Miriam Zimmer Offset-Druck: f+w Filigranlaserung + -kaschierung: Stigler GmbH Papier: AstroKing (Gruppo Cordenons)

Réservation

Réserver ce document

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23252	Novum	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

03.18 - 2018-03-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 03.18 - 2018-03-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Arts graphiques -- 21e siècle Arts graphiques -- Mise en page et typographie Arts graphiques -- Tokyo (Japon) Conditionnement Ornements typographiques Produits cosmétiques -- Conditionnement Reliure -- Dorure -- 21e siècle Sculpture en papier Typographie - Design Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : This issue really pulls out all the stops! A wrap-around cover resplendent in all the colours of the rainbow, fine gold paper and relief varnishing – no point in choosing gold unless you really go for it! Gold is not as easy a choice as you might think, however. It can quickly look over the top, which is why many designers only use it sparingly. But who wants to be modest and sensible all the time? In this issue of novum we thought we´d really push the boat out and go all out for gold. It fills the novum+ section and the cover, too, is a gilded delight. A brand new print and finishing technique inspired the designers at Paperlux to this cover. And we think you’ll agree, the results are amazing. Sophisticated printing technology combined with good design – that is real luxury! novum 03.18 is also available as PDF for only 8,99 Euro To buy the printed issue, please visit our Shop Note de contenu : The Midas touch If you want to make an impression, then you´ve really got to go for it. No half measures. When everybody else is dressed up to the nines, then you don´t want to be the one in jeans and T-shirt. Choosing gold as the theme for this month´s novum+ section was at the same time an obligation – to really shine. With features about great projects and also with the cover – that, too, had to be gold. Not just a little, but a lot! The creatives at Paperlux were certainly on board with this idea. These Hamburg-based designers pulled off a coup for us once before with the 11/11 novum cover, which you could fold in three dimensions. This time, it as a new technique that inspired this latest cover. The cover At the end of 2017 Scodix rolled out its new digital print enhancement press. This enables spot varnishing, unusually high relief varnishes and foil finishes. You can see what´s possible on the new novum cover: It shimmers in all the colours of the rainbow and is a delight to touch. The special thing about this process is that it dispenses with the need for screens or printing plates, it can be printed direct from the computer. In this way you can save costs, proofs are cheaper and designers have more scope. It´s even possible to apply different finishes one after the other, to create brand new effects. For the paper we chose Splendorlux Mirror Oro in 320 gsm from Fedrigoni. This cast coated board is well suited for a wide range of applications and has an attractive gold tone and a reflecting surface. The foil used on the cover came from Kurz, a company that developed a new foil specially for use with the Scodix printing process. It is available in all the colours of the rainbow. In the novum+ section, too, it´s all about gold. Used in the CD for a model agency gold adds sophistication, for a Japanese restaurant, freshness. It turns a six-pack of beer into a wild work of art and adds class to cannabis packaging. These and many other projects show just how diverse the applications are for the colour gold. In the Showroom section, Düsseldorf agency KittoKatsu lives up to its name and Italian designer Monica Lovati shows us CIs with feeling. At Buenaventura from Granada, they love bright and bold, and know just how to blend cultural elements into their work. In Vorarlberg, too, the designers have a knack for fine design: Atelier Hanselwanter shows how to create fantastic design for small clients too. And, last but not least, we visit Ufomammoot in Berlin for our series on New Talents Berlin. These creatives use the latest technologies and test out the limits of the possible. Gilt edging We couldn´t resist and just had to do a gilt edge as well. So ten of the copies of novum 03.18 sport this sophisticated finish. They are randomly distributed among our subscribers and the newsagents, and if you are the lucky recipient of one of them, then you have hit lucky twice: Not only do you have a real collectors´ piece, you also get a free one-day ticket to our Creative Paper Conference 2018! The content novum+ Bibliothèque (GBR) Happycentro (ITA) Pavement (USA) Brighhead Studio (RUS) Knoed (USA) Mind Design (GBR) The Bakery (RUS) Toolbox (CAN) Paperlux (GER) Showroom KittoKatsu (GER) Monica Lovati (ITA) Buenaventura (ESP) Haselwanter Grafik_und Design (AUT) Ufomammoot (GER) Das Cover Design: Paperlux (GER) Papier: Splendorlux Mirror Oro, 320 g/qm Fedrigoni Druck & Veredelung Cover: Mediadruckwerk Folien: Kurz Fotos: Tobias Holzmann Goldschnitt: 10 Exemplare wurden zudem von der Firma Steinbrenner mit einem Goldschnitt versehen, novum 03.18 Gold En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0318/ [n° ou bulletin]  est un bulletin de Novum 03.18 - 2018-03-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Arts graphiques -- 21e siècle Arts graphiques -- Mise en page et typographie Arts graphiques -- Tokyo (Japon) Conditionnement Ornements typographiques Produits cosmétiques -- Conditionnement Reliure -- Dorure -- 21e siècle Sculpture en papier Typographie - Design Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : This issue really pulls out all the stops! A wrap-around cover resplendent in all the colours of the rainbow, fine gold paper and relief varnishing – no point in choosing gold unless you really go for it! Gold is not as easy a choice as you might think, however. It can quickly look over the top, which is why many designers only use it sparingly. But who wants to be modest and sensible all the time? In this issue of novum we thought we´d really push the boat out and go all out for gold. It fills the novum+ section and the cover, too, is a gilded delight. A brand new print and finishing technique inspired the designers at Paperlux to this cover. And we think you’ll agree, the results are amazing. Sophisticated printing technology combined with good design – that is real luxury! novum 03.18 is also available as PDF for only 8,99 Euro To buy the printed issue, please visit our Shop Note de contenu : The Midas touch If you want to make an impression, then you´ve really got to go for it. No half measures. When everybody else is dressed up to the nines, then you don´t want to be the one in jeans and T-shirt. Choosing gold as the theme for this month´s novum+ section was at the same time an obligation – to really shine. With features about great projects and also with the cover – that, too, had to be gold. Not just a little, but a lot! The creatives at Paperlux were certainly on board with this idea. These Hamburg-based designers pulled off a coup for us once before with the 11/11 novum cover, which you could fold in three dimensions. This time, it as a new technique that inspired this latest cover. The cover At the end of 2017 Scodix rolled out its new digital print enhancement press. This enables spot varnishing, unusually high relief varnishes and foil finishes. You can see what´s possible on the new novum cover: It shimmers in all the colours of the rainbow and is a delight to touch. The special thing about this process is that it dispenses with the need for screens or printing plates, it can be printed direct from the computer. In this way you can save costs, proofs are cheaper and designers have more scope. It´s even possible to apply different finishes one after the other, to create brand new effects. For the paper we chose Splendorlux Mirror Oro in 320 gsm from Fedrigoni. This cast coated board is well suited for a wide range of applications and has an attractive gold tone and a reflecting surface. The foil used on the cover came from Kurz, a company that developed a new foil specially for use with the Scodix printing process. It is available in all the colours of the rainbow. In the novum+ section, too, it´s all about gold. Used in the CD for a model agency gold adds sophistication, for a Japanese restaurant, freshness. It turns a six-pack of beer into a wild work of art and adds class to cannabis packaging. These and many other projects show just how diverse the applications are for the colour gold. In the Showroom section, Düsseldorf agency KittoKatsu lives up to its name and Italian designer Monica Lovati shows us CIs with feeling. At Buenaventura from Granada, they love bright and bold, and know just how to blend cultural elements into their work. In Vorarlberg, too, the designers have a knack for fine design: Atelier Hanselwanter shows how to create fantastic design for small clients too. And, last but not least, we visit Ufomammoot in Berlin for our series on New Talents Berlin. These creatives use the latest technologies and test out the limits of the possible. Gilt edging We couldn´t resist and just had to do a gilt edge as well. So ten of the copies of novum 03.18 sport this sophisticated finish. They are randomly distributed among our subscribers and the newsagents, and if you are the lucky recipient of one of them, then you have hit lucky twice: Not only do you have a real collectors´ piece, you also get a free one-day ticket to our Creative Paper Conference 2018! The content novum+ Bibliothèque (GBR) Happycentro (ITA) Pavement (USA) Brighhead Studio (RUS) Knoed (USA) Mind Design (GBR) The Bakery (RUS) Toolbox (CAN) Paperlux (GER) Showroom KittoKatsu (GER) Monica Lovati (ITA) Buenaventura (ESP) Haselwanter Grafik_und Design (AUT) Ufomammoot (GER) Das Cover Design: Paperlux (GER) Papier: Splendorlux Mirror Oro, 320 g/qm Fedrigoni Druck & Veredelung Cover: Mediadruckwerk Folien: Kurz Fotos: Tobias Holzmann Goldschnitt: 10 Exemplare wurden zudem von der Firma Steinbrenner mit einem Goldschnitt versehen, novum 03.18 Gold En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0318/

Réservation

Réserver ce document

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 22322	Novum	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

04.18 - 2018-04-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 04.18 - 2018-04-12 Type de document : texte imprimé Année de publication : 2018 Accompagnement : + 1 f. 30x23 cm coul. num. 551/600 Langues : Allemand (ger) Anglais (eng) Catégories : Alcool -- Conditionnement Aliments -- Conditionnement Arts graphiques -- 21e siècle Communication visuelle -- 21e siècle Duplicateurs Durán, Lorenzo Feuilles -- Dans l'art Illustrations, images, etc. -- Reproduction -- Technique Impression numérique Impression sérigraphique Neubert, Franziska (1977-....) Produits cosmétiques -- Conditionnement Renault -- Communication visuelle -- Histoire et critique Travail manuel Travaux artistiques d'étudiants -- Münster in Westfalen (Allemagne) Typographie -- Caractères Index. décimale : 766 Arts graphiques Résumé : For a long time perfection was the only goal, now we value the small imperfections, the individual features that make up the charm of the hand-made. The April issue of novum, dedicated to the theme of »hand-made«, presents a range of projects that have been carefully and lovingly hand-crafted. Woodcuts, screenprints, tape art, hand-lettering – all of this and more awaits your discovery in the new novum. And, in line with the theme, the cover of this month´s issue is also hand-made: Students from the University of Applied Sciences in Münster numbered each copy by hand! Note de contenu : The cover Our plan was to do all the covers in risographic printing, but sadly this was abandoned because of the technical requirements. But in an issue dedicated to the theme of “hand-made”, the cover itself also had to feature some element of hand-crafting. For this we were pleased to have support from students at the University of Applied Sciences in Münster who literally hand-processed each copy! 12,000 covers were numbered in sequence by the budding illustrators – a remarkable achievement. The numbering takes up another aspect of the cover of novum 04.18: As we had to rule our risographic printing, we decided instead to produce individual risographs and place them on the cover. Only our subscribers will have a chance to be the lucky recipients of these signed and numbered art prints. But all our other readers can still enjoy a hand-lettered unique print. As long as stocks last, the risographs will be available to buy as a pack in our online shop. The risographs The designs for the risographs were created on the illustration course of Felix Scheinberger and Rüdiger Quass von Deyen at the University of Applied Sciences in Münster. The only brief was to interpret the theme of “hand-made” and the results are most impressive and diverse. Fourteen designs in total were produced, each illustrating different aspects of the hand-made and hand-craft work, or the process of creating such work. Click here for more about the individual designs… The risographs were printed in the Munich studio Herr & Frau Rio which has years of experience and interest in this technique. As it is a very special technique, it was important to choose the right material. We used the paper Extrarough by Metapaper which has a very rough surface, as the name says, and also delivers very good printability. The content In the novum+ section this month we focus on the theme of »hand-made« and bring you a broad spectrum of works, from woodcut book illustrations and screen prints to hand-painted shop windows, gilded labels, hand-lettering and lots more. In our Showroom, we go to Berlin to the creative studio of Stan Hema and to all-round talent Vinzent Britz. In London we visit sought-after designers the Yarza Twins, and we report on the American studio Colony. Austria beckons, too, as we drop in on Dunkelblaufastschwarz, returning then to Germany to visit Mydsgn in the Bavarian Allgäu. The content novum+ Franziska Neubert (GER) Lander Project (ITA) Klebebande (GER) Herr & Frau Rio (GER) Lorenzo Durán (ESP) Katharina Konte (GER) Kate Gibb (GBR) Meike Meyer (USA) Showroom Stan Hema (GER) Dunkelblaufastschwarz (AUT) Colony (USA) Yarza Twins (GBR) Mydsgn (GER) New Talents Berlin: Vinzent Britz (GER) The cover Design: Students of FH Münster Risograph printing: Herr & Frau Rio Risograph paper: Extrarough, 175 gsm by Metapaper Offset printing: f&w Photos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/current-issue/ [n° ou bulletin]  est un bulletin de Novum 04.18 - 2018-04-12 [texte imprimé] . - 2018 . -  + + 1 f. 30x23 cm coul. num. 551/600. Langues : Allemand (ger) Anglais (eng) Catégories : Alcool -- Conditionnement Aliments -- Conditionnement Arts graphiques -- 21e siècle Communication visuelle -- 21e siècle Duplicateurs Durán, Lorenzo Feuilles -- Dans l'art Illustrations, images, etc. -- Reproduction -- Technique Impression numérique Impression sérigraphique Neubert, Franziska (1977-....) Produits cosmétiques -- Conditionnement Renault -- Communication visuelle -- Histoire et critique Travail manuel Travaux artistiques d'étudiants -- Münster in Westfalen (Allemagne) Typographie -- Caractères Index. décimale : 766 Arts graphiques Résumé : For a long time perfection was the only goal, now we value the small imperfections, the individual features that make up the charm of the hand-made. The April issue of novum, dedicated to the theme of »hand-made«, presents a range of projects that have been carefully and lovingly hand-crafted. Woodcuts, screenprints, tape art, hand-lettering – all of this and more awaits your discovery in the new novum. And, in line with the theme, the cover of this month´s issue is also hand-made: Students from the University of Applied Sciences in Münster numbered each copy by hand! Note de contenu : The cover Our plan was to do all the covers in risographic printing, but sadly this was abandoned because of the technical requirements. But in an issue dedicated to the theme of “hand-made”, the cover itself also had to feature some element of hand-crafting. For this we were pleased to have support from students at the University of Applied Sciences in Münster who literally hand-processed each copy! 12,000 covers were numbered in sequence by the budding illustrators – a remarkable achievement. The numbering takes up another aspect of the cover of novum 04.18: As we had to rule our risographic printing, we decided instead to produce individual risographs and place them on the cover. Only our subscribers will have a chance to be the lucky recipients of these signed and numbered art prints. But all our other readers can still enjoy a hand-lettered unique print. As long as stocks last, the risographs will be available to buy as a pack in our online shop. The risographs The designs for the risographs were created on the illustration course of Felix Scheinberger and Rüdiger Quass von Deyen at the University of Applied Sciences in Münster. The only brief was to interpret the theme of “hand-made” and the results are most impressive and diverse. Fourteen designs in total were produced, each illustrating different aspects of the hand-made and hand-craft work, or the process of creating such work. Click here for more about the individual designs… The risographs were printed in the Munich studio Herr & Frau Rio which has years of experience and interest in this technique. As it is a very special technique, it was important to choose the right material. We used the paper Extrarough by Metapaper which has a very rough surface, as the name says, and also delivers very good printability. The content In the novum+ section this month we focus on the theme of »hand-made« and bring you a broad spectrum of works, from woodcut book illustrations and screen prints to hand-painted shop windows, gilded labels, hand-lettering and lots more. In our Showroom, we go to Berlin to the creative studio of Stan Hema and to all-round talent Vinzent Britz. In London we visit sought-after designers the Yarza Twins, and we report on the American studio Colony. Austria beckons, too, as we drop in on Dunkelblaufastschwarz, returning then to Germany to visit Mydsgn in the Bavarian Allgäu. The content novum+ Franziska Neubert (GER) Lander Project (ITA) Klebebande (GER) Herr & Frau Rio (GER) Lorenzo Durán (ESP) Katharina Konte (GER) Kate Gibb (GBR) Meike Meyer (USA) Showroom Stan Hema (GER) Dunkelblaufastschwarz (AUT) Colony (USA) Yarza Twins (GBR) Mydsgn (GER) New Talents Berlin: Vinzent Britz (GER) The cover Design: Students of FH Münster Risograph printing: Herr & Frau Rio Risograph paper: Extrarough, 175 gsm by Metapaper Offset printing: f&w Photos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/current-issue/

Réservation

Réserver ce document

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 22321	Novum	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

05/19 - 2019-03-12 - Typography Special (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 05/19 - 2019-03-12 - Typography Special Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Aliments -- Conditionnement Arts graphiques -- Mise en page et typographie Caractères d'imprimerie Composition (industries graphiques) Livres -- Mise en page Publicité -- Mise en pages et typographie Typographie Typographie -- 21e siècle Typographie -- Caractères Index. décimale : 766 Arts graphiques Note de contenu : The March issue of novum is all about typography: Custom fonts for corporates, quirky creations such as »Typeknitting«, an interview with one of the best contemporary typographers Akira Kobayashi and a kinetic typeface – an exciting line-up for you to explore. In the Showroom section we have expressive illustrations from France, powerful corporate designs from Italy and clever packaging from Brazil – a creative journey of inspiration around the world. When it comes to choice of paper, our novum+ made it very easy for this issue: The finest typography always looks good, so long as the printer really knows his craft. For our glowing highlights, part of a fantastic artwork by Typejockeys that bring light into this winter month, we selected a bright-white recycling paper. Typography is ever popular – and never before have there been so many fonts available. What more could we possibly want? We talked about this to Akira Kobayashi, Type Director at Monotype, discussing trends and developments, the weird and the wonderful. We also cast an eye over the new IBM typeface, present a kinetic font, typographic book covers from Anne Jordan and even have a font that helps the forgetful. Creative typesmiths Dinamo shared their latest coups with us and a purely typographical CI from Ragged Edge amazed us all. This and many more typography features in novum+. The Showroom section is as diverse as it is colourful. French illustrator Aleia Roux delights us with her imaginative worlds and Elefante Project injects a bit of Brazilian fire. The portfolio of nju:communicazione is bursting with inspiration – we bring you the highlights and take a look behind the scenes. We also explore the philosophy behind Studio Build … and of course feature examples of their outstanding work. Last but not least, we present the winners of this year’s poster competition for Kieler Woche – Daniel Wiesmann surprises us with brand new design approaches and ideas. The cover The common view that recycling paper is a dirty grey colour and therefore boring has now long since been proven false. Our cover is a clear example of the superb printability of the premium recycling papers now on offer. RecyStar, from Papyrus, is a good example: Available with an uncoated matt finish in 70 to 300 gsm, it’s perfect for flyers and direct mailings as well as cards, notepads, posters, magazines and envelopes. To ensure perfect production of this purely typographical design from Typejockeys (Vienna), we relied on the skills of Beisner Druck and the global manufacturer of metallic, scratch-off and fluorescent inks, radior. Showroom: Alexia Roux (FRA) Elefante Project (BRA) nju:comunicazione (ITA) Studio Build (GBR) Daniel Wiesmann (GER) novum+ Akira Kobayashi (GER) Ragged Edge (GBR) Dinamo (SWI) Etaoin Shrdlu Studio (ITA) IBM (USA) Anne Jordan (USA) Kintetic Typeface (GBR) SansForgetica (GBR) Typeknitting (SWI) Cover: Design / handlettering: Typejockeys Paper: RecyStar, hochweiß, 300 g/qm (Papyrus) Cover print: Beisner Druck Colours: radior Photos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/archive/detail/novum-0319/ [n° ou bulletin]  est un bulletin de Novum 05/19 - 2019-03-12 - Typography Special [texte imprimé] . - 2019. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Aliments -- Conditionnement Arts graphiques -- Mise en page et typographie Caractères d'imprimerie Composition (industries graphiques) Livres -- Mise en page Publicité -- Mise en pages et typographie Typographie Typographie -- 21e siècle Typographie -- Caractères Index. décimale : 766 Arts graphiques Note de contenu : The March issue of novum is all about typography: Custom fonts for corporates, quirky creations such as »Typeknitting«, an interview with one of the best contemporary typographers Akira Kobayashi and a kinetic typeface – an exciting line-up for you to explore. In the Showroom section we have expressive illustrations from France, powerful corporate designs from Italy and clever packaging from Brazil – a creative journey of inspiration around the world. When it comes to choice of paper, our novum+ made it very easy for this issue: The finest typography always looks good, so long as the printer really knows his craft. For our glowing highlights, part of a fantastic artwork by Typejockeys that bring light into this winter month, we selected a bright-white recycling paper. Typography is ever popular – and never before have there been so many fonts available. What more could we possibly want? We talked about this to Akira Kobayashi, Type Director at Monotype, discussing trends and developments, the weird and the wonderful. We also cast an eye over the new IBM typeface, present a kinetic font, typographic book covers from Anne Jordan and even have a font that helps the forgetful. Creative typesmiths Dinamo shared their latest coups with us and a purely typographical CI from Ragged Edge amazed us all. This and many more typography features in novum+. The Showroom section is as diverse as it is colourful. French illustrator Aleia Roux delights us with her imaginative worlds and Elefante Project injects a bit of Brazilian fire. The portfolio of nju:communicazione is bursting with inspiration – we bring you the highlights and take a look behind the scenes. We also explore the philosophy behind Studio Build … and of course feature examples of their outstanding work. Last but not least, we present the winners of this year’s poster competition for Kieler Woche – Daniel Wiesmann surprises us with brand new design approaches and ideas. The cover The common view that recycling paper is a dirty grey colour and therefore boring has now long since been proven false. Our cover is a clear example of the superb printability of the premium recycling papers now on offer. RecyStar, from Papyrus, is a good example: Available with an uncoated matt finish in 70 to 300 gsm, it’s perfect for flyers and direct mailings as well as cards, notepads, posters, magazines and envelopes. To ensure perfect production of this purely typographical design from Typejockeys (Vienna), we relied on the skills of Beisner Druck and the global manufacturer of metallic, scratch-off and fluorescent inks, radior. Showroom: Alexia Roux (FRA) Elefante Project (BRA) nju:comunicazione (ITA) Studio Build (GBR) Daniel Wiesmann (GER) novum+ Akira Kobayashi (GER) Ragged Edge (GBR) Dinamo (SWI) Etaoin Shrdlu Studio (ITA) IBM (USA) Anne Jordan (USA) Kintetic Typeface (GBR) SansForgetica (GBR) Typeknitting (SWI) Cover: Design / handlettering: Typejockeys Paper: RecyStar, hochweiß, 300 g/qm (Papyrus) Cover print: Beisner Druck Colours: radior Photos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/archive/detail/novum-0319/

Réservation

Réserver ce document

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23385	Novum	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

06.20 - 2020-06-12 (Bulletin de Novum)    

Permalink

07.18 - 2018-07-12 (Bulletin de Novum)  

Permalink

08.17 - 2017-08-12 (Bulletin de Novum)  

Permalink

09.17 - 2017-09-12 (Bulletin de Novum)  

Permalink

10.18 - 2018-10-12 (Bulletin de Novum)    

Permalink

10.19 - 2019-10-14 (Bulletin de Novum)    

Permalink

11.17 - 2017-11-13 (Bulletin de Novum)  

Permalink

12.17 - 2017-12-12 (Bulletin de Novum)

Permalink

Intervention de l'architecture d'intérieur dans la valorisation des magasins de produits en vrac / Camille Genty

Permalink

no253(2020:janvier-février) - 2020-01-01 - Design végétal & ornement. Zerozoro. Aaron Duffy. Vienne (Bulletin de Étapes)    

Permalink

---

1 2 (1 - 15 / 17) Par page : Tout afficher