01.19 - 2019-01-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 01.19 - 2019-01-12 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design Arts graphiques -- Mise en page et typographie Brechbühl, Erich (1977-....) Cartonnages (reliure) -- 21e siècle Communication visuelle -- 21e siècle Design interactif Identité visuelle -- 21e siècle Illustration des livres -- 21e siècle Livres -- Couvertures Marques de commerce Reinke, Katinka Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : Visual identities from all over the world are the focus of this month’s novum+. For clients as diverse as festivals, craftsmen, cannabis products suppliers, or an international ceramic tile award. Explore visual identities in all their facets and international showroom articles on themes from poster design to illustration. Developing visual identities is an exciting process, and not infrequently it involves a lot of work persuading clients to venture in new directions. In the novum+ section of this issue we present a very broad spectrum of distinctive and eye-catching visual identities. The multiple-award-winning visual identity for Theater Rotterdam by Vruchtvlees definitely grabbed our attention, and so, too, did the perfect storytelling in the CI for a Greek boutique hotel by the Luminous Design Group. Last year MRD, a German TV channel, also ventured a new look, with a very finely positioned and strongly conceptual design. Contrasting with this, we present a playful interpretation, for the Edelwise Festival (Das Buro), and a design for an electronics retailer (by Werner Design Werks) that really makes this business stand out from its competitors. In total eleven exciting projects are lined up here for you to explore and enjoy... For our Showroom section we conducted an interview with the outstanding Swiss-school designer and typographer Erich Brechbühl, who has produced some remarkable posters. You can also discover Eva-Maria Offermann’s very conceptual approach to unconventional projects and designs. Plus, we look at how contemporary campaigns develop, in an article about the agency Wolf/Osmankovic, whose work includes the design for a successful election campaign by the Green Party. Also not to be missed is a dip into the portfolio of Casmic Lab, and the imaginative illustrations of Katinka Reinke. Altogether a rich collection of inspiration for a successful new year! The cover Whether it’s for a festival, a new brand or a woodworking business – visual identities all start with the proverbial blank canvas. To reflect this initially neutral surface, we chose for our cover a paper that is very elegant in appearance, but not overt; its charm lies in the interesting structure that lends an added haptic experience. Zeta from Reflex is available in five colours and different weights, which makes it perfect for creating a good impression in both standard business applications and as packaging. It comes in a range of surface finishes – hammered, micro, matt, smooth or linen, each of these variants communicated in a very subtle way. The trouble-free processing and finishing of Zeta gives this paper added advantages as the perfect »blank canvas«. Munich-based designer Christian Hundertmark (C100 Studio) used all these qualities to best effect in communicating our novum+ theme on this month´s cover. Showroom: Erich Brechbühl (SWI) Katinka Reinke (GER) Casmic Lab (ESP) Wolf/Osmankovic (GER) Eva-Maria Offermann (GER) novum+ Bruketa&Zinic&Grey (HRV) Bob Design (GBR) Vruchtvlees (NLD) Das Buro (NLD) Studio Yinsen (ESP) Jens Nilsson (SWE) TRÜF (USA) Werner Design Werks (USA) Blok Design (CAN) Luminous Design Group (GRI) MDR (GER) Cover: Christian Hundertmark (c100 studio) Paper: Reflex Pure (Zeta, 350 g/qm, Leinen, weiß) Print: f&w Mediencenter Photos: Miriam Zimmer, Tobias Holzmann En ligne : https://novum.graphics/magazin/aktuelle-ausgabe/detail/novum-0119/ [n° ou bulletin]  est un bulletin de Novum 01.19 - 2019-01-12 [texte imprimé] . - 2019. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design Arts graphiques -- Mise en page et typographie Brechbühl, Erich (1977-....) Cartonnages (reliure) -- 21e siècle Communication visuelle -- 21e siècle Design interactif Identité visuelle -- 21e siècle Illustration des livres -- 21e siècle Livres -- Couvertures Marques de commerce Reinke, Katinka Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : Visual identities from all over the world are the focus of this month’s novum+. For clients as diverse as festivals, craftsmen, cannabis products suppliers, or an international ceramic tile award. Explore visual identities in all their facets and international showroom articles on themes from poster design to illustration. Developing visual identities is an exciting process, and not infrequently it involves a lot of work persuading clients to venture in new directions. In the novum+ section of this issue we present a very broad spectrum of distinctive and eye-catching visual identities. The multiple-award-winning visual identity for Theater Rotterdam by Vruchtvlees definitely grabbed our attention, and so, too, did the perfect storytelling in the CI for a Greek boutique hotel by the Luminous Design Group. Last year MRD, a German TV channel, also ventured a new look, with a very finely positioned and strongly conceptual design. Contrasting with this, we present a playful interpretation, for the Edelwise Festival (Das Buro), and a design for an electronics retailer (by Werner Design Werks) that really makes this business stand out from its competitors. In total eleven exciting projects are lined up here for you to explore and enjoy... For our Showroom section we conducted an interview with the outstanding Swiss-school designer and typographer Erich Brechbühl, who has produced some remarkable posters. You can also discover Eva-Maria Offermann’s very conceptual approach to unconventional projects and designs. Plus, we look at how contemporary campaigns develop, in an article about the agency Wolf/Osmankovic, whose work includes the design for a successful election campaign by the Green Party. Also not to be missed is a dip into the portfolio of Casmic Lab, and the imaginative illustrations of Katinka Reinke. Altogether a rich collection of inspiration for a successful new year! The cover Whether it’s for a festival, a new brand or a woodworking business – visual identities all start with the proverbial blank canvas. To reflect this initially neutral surface, we chose for our cover a paper that is very elegant in appearance, but not overt; its charm lies in the interesting structure that lends an added haptic experience. Zeta from Reflex is available in five colours and different weights, which makes it perfect for creating a good impression in both standard business applications and as packaging. It comes in a range of surface finishes – hammered, micro, matt, smooth or linen, each of these variants communicated in a very subtle way. The trouble-free processing and finishing of Zeta gives this paper added advantages as the perfect »blank canvas«. Munich-based designer Christian Hundertmark (C100 Studio) used all these qualities to best effect in communicating our novum+ theme on this month´s cover. Showroom: Erich Brechbühl (SWI) Katinka Reinke (GER) Casmic Lab (ESP) Wolf/Osmankovic (GER) Eva-Maria Offermann (GER) novum+ Bruketa&Zinic&Grey (HRV) Bob Design (GBR) Vruchtvlees (NLD) Das Buro (NLD) Studio Yinsen (ESP) Jens Nilsson (SWE) TRÜF (USA) Werner Design Werks (USA) Blok Design (CAN) Luminous Design Group (GRI) MDR (GER) Cover: Christian Hundertmark (c100 studio) Paper: Reflex Pure (Zeta, 350 g/qm, Leinen, weiß) Print: f&w Mediencenter Photos: Miriam Zimmer, Tobias Holzmann En ligne : https://novum.graphics/magazin/aktuelle-ausgabe/detail/novum-0119/

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02.19 - 2019-02-12 (Bulletin de Novum) 

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 02.19 - 2019-02-12 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Aliments -- Conditionnement Art de performance -- 21e siècle Arts graphiques -- Mise en page et typographie Blanc Braille -- Typographie -- 21e siècle Couleur en design Couleurs Couleurs -- Interprétation -- Mise en page Illustration des livres -- 21e siècle Marques de commerce Noir Olislaeger, François (1978-....) Peinture monochrome Scheinberger, Felix (1969-....) Stark, Martin (1973-....) Index. décimale : 766 Arts graphiques Résumé : Even though a whole rainbow of colours is available, creatives still love black and white. Elegant, expressive and somehow fascinatingly elusive, this play of light and shade gives rise to some fantastic work of all kinds. Starting with a wonderful, lavishly produced cover, we bring you exciting work in black and white!For example, we look at the new Frankenstein book, impressively illustrated by Martin Stark in black and white, and we conduct an interview with this gifted illustrator. Sagmeister+Walsh, too, delight us with some insights into a new and exciting project. In Australia we discover the Dolphin Hotel which had it´s new visual identity done all in monochrome (m35). François Olislaeger intrigues us with an installation … entirely without colour. For their own CI, the creatives at Forth+Back also went for monochrome, as did Paul Belford in his packaging for a brand of soap. All this and more awaits in the monochrome world presented in novum 02.19. Note de contenu : In the Showroom section we interviewed Kilian Stauss in his studio processform and talked about interdisciplinary work and the delights of the unexpected. A thought-provoking encounter! We head to Thailand, to Jackkrit Anantakul and delight in his fireworks display of colour and form. In the Netherlands, we discover a talented duo - twins Janna and Hilde Meeus, and their top-class graphic design. Then there´s Studio91 and the intriguing story of how it got going … something you´ll not find by googling. A new series by Patrick Rössler takes us to the more hidden aspects of the Bauhaus, on this, the 100th anniversary of the influential design school. We bring you the first part in this issue. The cover The splendid, mostly hand-finished (!) cover of this issue plays with contrasts in multiple ways: two levels give added charm – finely lasered by Stigler and also hand laminated there. The material AstroKing by Gruppo Cordenons in variants black and white provides the perfect base. You can read just how this was created, and about the technique of delicate lasering and laminating in an interview with Andrea Stigler in this issue. A handy hint in case you want to try out this technique: If you want to do it in a large print run, then start planning well ahead, because it takes time. A lot of it is high-precision work done by hand, and you don´t get this kind of perfection overnight. The result is even more fascinating: Our typographical cover in black and white, designed by Melville Brand Design, was in expert hands at Stigler, who have the skill and patience to produce this kind of quality. Our choice of paper for this – AstroKing (250 gsm, white and 350 gsm black) from Grupo Cordenons, was also perfect for this production: The deep black variant was used as the background, because for lasering it would have produced too much black dust. The bright white variant was no problem to laser. To avoid any colour leakage of the black paper (this, too, you have to check), we varnished the surface, which in turn produced a very interesting surface feel. We also did a binding test on it at f&w (offset printing) – with laminated sheets the final thickness is very much something to take into account. Showrooms processform (GER) Jackkrit Anantakul (THA) Meeusantwerp (NLD) Serie: 100 Jahre Bauhaus Studio 91 (GBR) novum+ BIS Studio Graphique (FRA) Forth + Back (USA) François Olislaeger (FRA) M35 (AUS) Martin Stark (GER) Paul Belford (GBR) SDL (SWE) Sagmeister+Walsh (USA) Studio Oeding (GER) Cover: Melville Brand Design Fotos: Tobias Holzmann / Miriam Zimmer Offset-Druck: f+w Filigranlaserung + -kaschierung: Stigler GmbH Papier: AstroKing (Gruppo Cordenons) [n° ou bulletin]  est un bulletin de Novum 02.19 - 2019-02-12 [texte imprimé] . - 2019. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Aliments -- Conditionnement Art de performance -- 21e siècle Arts graphiques -- Mise en page et typographie Blanc Braille -- Typographie -- 21e siècle Couleur en design Couleurs Couleurs -- Interprétation -- Mise en page Illustration des livres -- 21e siècle Marques de commerce Noir Olislaeger, François (1978-....) Peinture monochrome Scheinberger, Felix (1969-....) Stark, Martin (1973-....) Index. décimale : 766 Arts graphiques Résumé : Even though a whole rainbow of colours is available, creatives still love black and white. Elegant, expressive and somehow fascinatingly elusive, this play of light and shade gives rise to some fantastic work of all kinds. Starting with a wonderful, lavishly produced cover, we bring you exciting work in black and white!For example, we look at the new Frankenstein book, impressively illustrated by Martin Stark in black and white, and we conduct an interview with this gifted illustrator. Sagmeister+Walsh, too, delight us with some insights into a new and exciting project. In Australia we discover the Dolphin Hotel which had it´s new visual identity done all in monochrome (m35). François Olislaeger intrigues us with an installation … entirely without colour. For their own CI, the creatives at Forth+Back also went for monochrome, as did Paul Belford in his packaging for a brand of soap. All this and more awaits in the monochrome world presented in novum 02.19. Note de contenu : In the Showroom section we interviewed Kilian Stauss in his studio processform and talked about interdisciplinary work and the delights of the unexpected. A thought-provoking encounter! We head to Thailand, to Jackkrit Anantakul and delight in his fireworks display of colour and form. In the Netherlands, we discover a talented duo - twins Janna and Hilde Meeus, and their top-class graphic design. Then there´s Studio91 and the intriguing story of how it got going … something you´ll not find by googling. A new series by Patrick Rössler takes us to the more hidden aspects of the Bauhaus, on this, the 100th anniversary of the influential design school. We bring you the first part in this issue. The cover The splendid, mostly hand-finished (!) cover of this issue plays with contrasts in multiple ways: two levels give added charm – finely lasered by Stigler and also hand laminated there. The material AstroKing by Gruppo Cordenons in variants black and white provides the perfect base. You can read just how this was created, and about the technique of delicate lasering and laminating in an interview with Andrea Stigler in this issue. A handy hint in case you want to try out this technique: If you want to do it in a large print run, then start planning well ahead, because it takes time. A lot of it is high-precision work done by hand, and you don´t get this kind of perfection overnight. The result is even more fascinating: Our typographical cover in black and white, designed by Melville Brand Design, was in expert hands at Stigler, who have the skill and patience to produce this kind of quality. Our choice of paper for this – AstroKing (250 gsm, white and 350 gsm black) from Grupo Cordenons, was also perfect for this production: The deep black variant was used as the background, because for lasering it would have produced too much black dust. The bright white variant was no problem to laser. To avoid any colour leakage of the black paper (this, too, you have to check), we varnished the surface, which in turn produced a very interesting surface feel. We also did a binding test on it at f&w (offset printing) – with laminated sheets the final thickness is very much something to take into account. Showrooms processform (GER) Jackkrit Anantakul (THA) Meeusantwerp (NLD) Serie: 100 Jahre Bauhaus Studio 91 (GBR) novum+ BIS Studio Graphique (FRA) Forth + Back (USA) François Olislaeger (FRA) M35 (AUS) Martin Stark (GER) Paul Belford (GBR) SDL (SWE) Sagmeister+Walsh (USA) Studio Oeding (GER) Cover: Melville Brand Design Fotos: Tobias Holzmann / Miriam Zimmer Offset-Druck: f+w Filigranlaserung + -kaschierung: Stigler GmbH Papier: AstroKing (Gruppo Cordenons)

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05.18 - 2018-05-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 05.18 - 2018-05-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design Affiches de spectacle Arts graphiques -- Mise en page et typographie Conditionnement Dessin de mode Graphistes -- 21e siècle Livres -- Mise en page Marques de commerce Mode Photographie de mode Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : Graphic haute couture In our May issue we enter into a sector that thrives on change like perhaps none other: fashion. The designs that are presented in autumn for the following spring are already passé come the fashion shows in January. The points of contact with graphic design are often more sustainable, but no less interesting: How do fashion labels present themselves in terms of graphic design? How do you capture fashion models in drawings? And: What’s the best way to update a traditional brand? Note de contenu : We went on the trail and discovered some tremendous CIs behind the catwalks, as it were. For example, we have an interview with the gifted fashion illustrator David Downton, whose portfolio contains a string of illustrious names from Chanel to Valentino, and from Harper’s Bazaar to Vogue. He gives us an insider´s view and also passes on some advice to the next generation of fashion illustrators. In our Showrooms you can look forward to an exciting and international mix of creative talent: Stefano Marro delights with his magical illustrations that rekindle the spirit of Italian futurism. By contrast, the posters and editorial designs of Sven Lindhorst-Emme impress with precision minimalism. A little pop is here, too, in the work of Portuguese designer Marta Veludo, whose creative home is now Amsterdam. We drop in on Manuel Kreuzer who turns out some amazing things from his small studio … with or without a commission. And then there’s Neu – Designbüro – meaning »new«. The innovative approaches seen here confirm the old adage »nomen est omen«. With this month’s brand story, we revel in being a child again – Schuco’s model vehicles still delight boys and girls of all ages. We also have some exciting paper projects of our own for you: Eberl Print treated its customers to a clever construction, surprising them not only with delightfully scented content, but also and above all with the presentation. One other thing we were keen to share with you – the ever-growing area of foil applications in fashion. A particularly beautiful project by Kurz for this year’s MCBW delighted us all. Herbert Lechner is here, too, reporting on his visit to the German offices of Laurence Publishing in Berlin, which offers a very select programme. The cover Our search for New Talents Berlin continues this month: This time Felix Wiesner visited Lucas Doerre und Marius Sperlich, who under the name of Vater Lin Miro are experimenting with all the digital and analogue diversity in graphic design in combination with an artistic slant. The cover for this issue of novum, designed by the two creatives, reflects this appetite for different dimensions and design possibilities. As the plan was to use different finishes, the material had to meet a number of criteria: We finally found the ideal solution in the high-white paper MetsäBoard Prime FBB Bright. This allowed precision embossing and gave a good clean result in hot-foil finishing. This card is also good because of its lightweight design that spells cost-efficiency and sustainability. What you see on the 280 gsm cover is a sculpture created in several embossing stages and then treated to full-page hot-foil finishing – Frank Denninghoff from the Forum Prägefolien Veredelung put all his expertise into this classy creation. In combination with the mysterious sculpture, the reflective surface (in which the reader can see his/her own reflection) visualises precisely that which fashion is: A seductive envelope. Note the mirror is not homogeneous – its shimmering pattern hints at the transformation that fashion can bring. The two creatives Lucas Doerre and Marius Sperlich opted for »Neon Seamless« from Kurz, that generates fascinating effects. Such transformational properties are indeed comparable with fashion: It, too, can play with colour and contrasts, change surfaces and enliven them, conjure up a new me and create a particular radiance. On top of this, there is of course always a hint of poetry – an art form that seems delicate but is nevertheless powerful… novum+ Donkey (GER) Studio Small (GBR) 032c (GER) Design Unit (DEN) Lotta Nieminen (USA) Design Ranch (USA) David Downton (GBR) Showroom Sven Lindhorst-Emme (GER) Stefano Marra (ITA) Marta Veludo (NLD) Neu Designbüro (GER) Manuel Kreuzer (GER) New Talents Berlin: Vater Lin Miro (GER) Cover: Vater Lin Miro (GER) Paper: MetsäBoard (Prime FBB Bright) Photos: Tobias Holzmann Offset-Print: f&w Druck- und Mediencenter Hot foil: Leonhard Kurz Foil finishes and embossing: Forum Prägefolien Veredelung En ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-0518/ [n° ou bulletin]  est un bulletin de Novum 05.18 - 2018-05-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design Affiches de spectacle Arts graphiques -- Mise en page et typographie Conditionnement Dessin de mode Graphistes -- 21e siècle Livres -- Mise en page Marques de commerce Mode Photographie de mode Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : Graphic haute couture In our May issue we enter into a sector that thrives on change like perhaps none other: fashion. The designs that are presented in autumn for the following spring are already passé come the fashion shows in January. The points of contact with graphic design are often more sustainable, but no less interesting: How do fashion labels present themselves in terms of graphic design? How do you capture fashion models in drawings? And: What’s the best way to update a traditional brand? Note de contenu : We went on the trail and discovered some tremendous CIs behind the catwalks, as it were. For example, we have an interview with the gifted fashion illustrator David Downton, whose portfolio contains a string of illustrious names from Chanel to Valentino, and from Harper’s Bazaar to Vogue. He gives us an insider´s view and also passes on some advice to the next generation of fashion illustrators. In our Showrooms you can look forward to an exciting and international mix of creative talent: Stefano Marro delights with his magical illustrations that rekindle the spirit of Italian futurism. By contrast, the posters and editorial designs of Sven Lindhorst-Emme impress with precision minimalism. A little pop is here, too, in the work of Portuguese designer Marta Veludo, whose creative home is now Amsterdam. We drop in on Manuel Kreuzer who turns out some amazing things from his small studio … with or without a commission. And then there’s Neu – Designbüro – meaning »new«. The innovative approaches seen here confirm the old adage »nomen est omen«. With this month’s brand story, we revel in being a child again – Schuco’s model vehicles still delight boys and girls of all ages. We also have some exciting paper projects of our own for you: Eberl Print treated its customers to a clever construction, surprising them not only with delightfully scented content, but also and above all with the presentation. One other thing we were keen to share with you – the ever-growing area of foil applications in fashion. A particularly beautiful project by Kurz for this year’s MCBW delighted us all. Herbert Lechner is here, too, reporting on his visit to the German offices of Laurence Publishing in Berlin, which offers a very select programme. The cover Our search for New Talents Berlin continues this month: This time Felix Wiesner visited Lucas Doerre und Marius Sperlich, who under the name of Vater Lin Miro are experimenting with all the digital and analogue diversity in graphic design in combination with an artistic slant. The cover for this issue of novum, designed by the two creatives, reflects this appetite for different dimensions and design possibilities. As the plan was to use different finishes, the material had to meet a number of criteria: We finally found the ideal solution in the high-white paper MetsäBoard Prime FBB Bright. This allowed precision embossing and gave a good clean result in hot-foil finishing. This card is also good because of its lightweight design that spells cost-efficiency and sustainability. What you see on the 280 gsm cover is a sculpture created in several embossing stages and then treated to full-page hot-foil finishing – Frank Denninghoff from the Forum Prägefolien Veredelung put all his expertise into this classy creation. In combination with the mysterious sculpture, the reflective surface (in which the reader can see his/her own reflection) visualises precisely that which fashion is: A seductive envelope. Note the mirror is not homogeneous – its shimmering pattern hints at the transformation that fashion can bring. The two creatives Lucas Doerre and Marius Sperlich opted for »Neon Seamless« from Kurz, that generates fascinating effects. Such transformational properties are indeed comparable with fashion: It, too, can play with colour and contrasts, change surfaces and enliven them, conjure up a new me and create a particular radiance. On top of this, there is of course always a hint of poetry – an art form that seems delicate but is nevertheless powerful… novum+ Donkey (GER) Studio Small (GBR) 032c (GER) Design Unit (DEN) Lotta Nieminen (USA) Design Ranch (USA) David Downton (GBR) Showroom Sven Lindhorst-Emme (GER) Stefano Marra (ITA) Marta Veludo (NLD) Neu Designbüro (GER) Manuel Kreuzer (GER) New Talents Berlin: Vater Lin Miro (GER) Cover: Vater Lin Miro (GER) Paper: MetsäBoard (Prime FBB Bright) Photos: Tobias Holzmann Offset-Print: f&w Druck- und Mediencenter Hot foil: Leonhard Kurz Foil finishes and embossing: Forum Prägefolien Veredelung En ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-0518/

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07.18 - 2018-07-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 07.18 - 2018-07-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Café -- Conditionnement Communication en design Illusions d'optique -- Design Livres -- Couvertures Livres -- Mise en page Lufthansa Marques de commerce Signaux et signalisation Thé -- Conditionnement Twinings (Firm) Typographie Index. décimale : 766 Arts graphiques Résumé : Whatever your preference – espresso or cappuccino, black or green tea – for our July issue we have inspected the entire range and selected some very attractive packaging and visual identities from this market segment for you. But apart from the novum+ on »Tea & Coffee«, we have many more visual delights for you to savour in this month’s novum. Note de contenu : This month our Showroom takes us to the city of Québec in Canada, where Jeremy Hall runs an excellent small studio. Guillermo Flores, alias Orbeh, charms us with his unique illustrations that conjure up brand new worlds. The works of Monica Zec delight in a different way, with intriguing little visual tricks. Then we go to Austria to Seite Zwei, whose portfolio boasts clever and extensive visual identities, and also to Knoed in Poland, where the creations, whether print or digital, are always an experience. A special kind of design collective goes under the name of Bureau Stabil, based in Saarbrücken. And, finally, we present you an extensive »making of« about the major Lufthansa re-design, realised by Martin et Karczinski. Our typography section this time features two new fonts that are quite unusual, and our legal corner continues with part two of an article on the new data-protection regulations – explained expertly and in a way that´s easy to understand. If you missed the first part, you can order a back copy of issue 06.18 here. The mood lightens then in our brand story, which homes in on the long history of Miele with its many charming subjects from various decades. The cover A paper that bursts with summer and enjoyment: Dolcelicious presents titbits such as »Lemon Drizzle«, »Roasted Chestnut« and »Elderflower White«, which combine beautifully into a harmonious colour palette. This is just one of the new additions to the Römerturm range and it came from the recent cooperation with the British manufacturer James Cropper. For our »Coffee & Tea« theme Dolcelicious is of course a perfect fit, and in the nostalgic colours»“Summer Coulis« and »Kiwi Fizz« it conjures up the ice cafés of the 1950s and mouth-watering petit fours. The luxurious surface finishing on this paper is a real eye-catcher, not just when used on covers: it positively gleams (note: also certified for use in direct food contact) in the field of luxury packaging. Whether for a folding carton or a carrier bag, this brand new material (available in eleven colours and grammages up to 330 gsm) inspired our cover designers Mursal Nasr and Patrick Marc Sommer (typoint, www.typoint.com): If you place the two novum variants in pink and green next to each other, you get a whimsical coffee table scene that looks an absolute delight. Dolcelicious can of course be finished quite easily with many different techniques – its great touch & feel, however, in combination with the expressive colours, has turned our cover into a really »hands-on« experience. Grab those cups and enjoy! The content Showroom Orbeh (MEX) Lufthansa Re-Design (Martin et Karczinski, GER) Monica Zec (MKD) Seite Zwei (AUT) Bureau Stabil (GER) Knoed (USA) Studio Figure (CAN) novum+ Collins (USA) Salvita (LIT) Juana Alvarez (ITA) Here Design (GBR) Plenum (RUS) Hugo Aranha (BRA) Futura (MEX) Branded (AUT) Brand Opus (GBR) Coffee Style / Prestel Verlag Cover design: Typoint Paper: Dolcelicious, 330 g/qm, two colours (»Kiwi Fizz«, »Summer Coulis«), Römerturm (distribution), James Cropper (manufacturer) Photos: Guillaume Sinopoli Offset printing: f&w Druck- und Mediencenter En ligne : https://novum.graphics/en/news/all-news/ [n° ou bulletin]  est un bulletin de Novum 07.18 - 2018-07-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Café -- Conditionnement Communication en design Illusions d'optique -- Design Livres -- Couvertures Livres -- Mise en page Lufthansa Marques de commerce Signaux et signalisation Thé -- Conditionnement Twinings (Firm) Typographie Index. décimale : 766 Arts graphiques Résumé : Whatever your preference – espresso or cappuccino, black or green tea – for our July issue we have inspected the entire range and selected some very attractive packaging and visual identities from this market segment for you. But apart from the novum+ on »Tea & Coffee«, we have many more visual delights for you to savour in this month’s novum. Note de contenu : This month our Showroom takes us to the city of Québec in Canada, where Jeremy Hall runs an excellent small studio. Guillermo Flores, alias Orbeh, charms us with his unique illustrations that conjure up brand new worlds. The works of Monica Zec delight in a different way, with intriguing little visual tricks. Then we go to Austria to Seite Zwei, whose portfolio boasts clever and extensive visual identities, and also to Knoed in Poland, where the creations, whether print or digital, are always an experience. A special kind of design collective goes under the name of Bureau Stabil, based in Saarbrücken. And, finally, we present you an extensive »making of« about the major Lufthansa re-design, realised by Martin et Karczinski. Our typography section this time features two new fonts that are quite unusual, and our legal corner continues with part two of an article on the new data-protection regulations – explained expertly and in a way that´s easy to understand. If you missed the first part, you can order a back copy of issue 06.18 here. The mood lightens then in our brand story, which homes in on the long history of Miele with its many charming subjects from various decades. The cover A paper that bursts with summer and enjoyment: Dolcelicious presents titbits such as »Lemon Drizzle«, »Roasted Chestnut« and »Elderflower White«, which combine beautifully into a harmonious colour palette. This is just one of the new additions to the Römerturm range and it came from the recent cooperation with the British manufacturer James Cropper. For our »Coffee & Tea« theme Dolcelicious is of course a perfect fit, and in the nostalgic colours»“Summer Coulis« and »Kiwi Fizz« it conjures up the ice cafés of the 1950s and mouth-watering petit fours. The luxurious surface finishing on this paper is a real eye-catcher, not just when used on covers: it positively gleams (note: also certified for use in direct food contact) in the field of luxury packaging. Whether for a folding carton or a carrier bag, this brand new material (available in eleven colours and grammages up to 330 gsm) inspired our cover designers Mursal Nasr and Patrick Marc Sommer (typoint, www.typoint.com): If you place the two novum variants in pink and green next to each other, you get a whimsical coffee table scene that looks an absolute delight. Dolcelicious can of course be finished quite easily with many different techniques – its great touch & feel, however, in combination with the expressive colours, has turned our cover into a really »hands-on« experience. Grab those cups and enjoy! The content Showroom Orbeh (MEX) Lufthansa Re-Design (Martin et Karczinski, GER) Monica Zec (MKD) Seite Zwei (AUT) Bureau Stabil (GER) Knoed (USA) Studio Figure (CAN) novum+ Collins (USA) Salvita (LIT) Juana Alvarez (ITA) Here Design (GBR) Plenum (RUS) Hugo Aranha (BRA) Futura (MEX) Branded (AUT) Brand Opus (GBR) Coffee Style / Prestel Verlag Cover design: Typoint Paper: Dolcelicious, 330 g/qm, two colours (»Kiwi Fizz«, »Summer Coulis«), Römerturm (distribution), James Cropper (manufacturer) Photos: Guillaume Sinopoli Offset printing: f&w Druck- und Mediencenter En ligne : https://novum.graphics/en/news/all-news/

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10.18 - 2018-10-12 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 10.18 - 2018-10-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design Aliments -- Conditionnement Arts graphiques -- 21e siècle Arts graphiques -- Mise en page et typographie Arts graphiques -- Technique -- Innovations Magasins -- Aménagement Magasins -- Décoration Marques de commerce Index. décimale : 766 Arts graphiques Résumé : Online sales keep on rising – so how should real bricks-and-mortar stores react? We present communication and interior design concepts that work … From attractive window displays to strong visual identities for retailers, and also how to present the brand experience in store: In our October issue of novum you can sit back and enjoy a relaxed shopping tour of innovative ideas from all over the world. Note de contenu : Our cover design sets just the right tone for the focus this month on retail design. It’s about real physical spaces, about visual and material experiences. Where does the shopper’s gaze linger longest? Why do we spend more time in one store than in another? Attractive window displays, the right spatial organisation and a feeling of willing and pleasant immersion in a brand experience or philosophy – these are some of the keys to keeping the customers coming into the store. On this subject we interviewed retail specialists at DFrost and peeked into the excellent and award-winning small shop, rar. We also present you a new concept for a newspaper stand and we report on a visit to a charming children’s boutique designed by Silvio Girolamo. Then we talked to Storey Design about eye-catching window displays and dipped into the unusual shop concepts from the Mexican studio Yeye. Not forgetting, of course, an introduction to the innovative ideas of the Spanish agency Zooco. In the Showroom section we are pleased to present the fantastic illustrations of Daniel Egneus, we visited the studio of Tough Slate Design in Ukraine and report on the results of the 2018 edition of the venerable 100 Best Posters award. Then, to round this section off, we end up in Spain, with »I am blue I am pink«, enjoying their amazing set designs that really give wings to the imagination… The cover A visual magnet is one way of describing what the Cologne-based agency KD1 produced for this month’s cover: it’s a three-dimensional fireworks display, interpreting the spatial aspect of the novum+ theme. The material chosen for this impressive realisation is also one that can be used in store design: The Yupo range of long-lasting, synthetic papers that are water and UV-resistant - available from Papier Union (www.papierunion.de). The particular type chosen for our cover is SuperYupo, often used for city maps, climbing or diving maps, price tickets or also for packaging. This real all-rounder, which is also easy to print, is available in 90 to 400 gsm weights. The range also contains a self-adhesive variant, called YupoTako, which has tiny »suction cups« on the back that leave no trace when it´s time to remove the paper. Another remarkable paper in this range is YupoJelly, PVC-free and 100% recyclable, that was developed for applications on glass, making it interesting for use in window designs. This variety, too, can be easily removed and even re-applied elsewhere. For offset printing the manufacturer recommends foil colours. With this glowing introduction, we send you on a shopping expedition where you won’t need your wallet…. Showroom: Daniel Egneus Tough Slate Design 100 beste Plakate 2018 I am blue I am pink novum+: DFrost Rar (Super BFG) Storey Studio Newstand (Verdes) Zooco Silvio Girolamo Yeye Cover: KD1 Offset-Druck: f&w Fotos: Tobias Holzmann (Assistenz: Miriam Zimmer) En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1018/ [n° ou bulletin]  est un bulletin de Novum 10.18 - 2018-10-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design Aliments -- Conditionnement Arts graphiques -- 21e siècle Arts graphiques -- Mise en page et typographie Arts graphiques -- Technique -- Innovations Magasins -- Aménagement Magasins -- Décoration Marques de commerce Index. décimale : 766 Arts graphiques Résumé : Online sales keep on rising – so how should real bricks-and-mortar stores react? We present communication and interior design concepts that work … From attractive window displays to strong visual identities for retailers, and also how to present the brand experience in store: In our October issue of novum you can sit back and enjoy a relaxed shopping tour of innovative ideas from all over the world. Note de contenu : Our cover design sets just the right tone for the focus this month on retail design. It’s about real physical spaces, about visual and material experiences. Where does the shopper’s gaze linger longest? Why do we spend more time in one store than in another? Attractive window displays, the right spatial organisation and a feeling of willing and pleasant immersion in a brand experience or philosophy – these are some of the keys to keeping the customers coming into the store. On this subject we interviewed retail specialists at DFrost and peeked into the excellent and award-winning small shop, rar. We also present you a new concept for a newspaper stand and we report on a visit to a charming children’s boutique designed by Silvio Girolamo. Then we talked to Storey Design about eye-catching window displays and dipped into the unusual shop concepts from the Mexican studio Yeye. Not forgetting, of course, an introduction to the innovative ideas of the Spanish agency Zooco. In the Showroom section we are pleased to present the fantastic illustrations of Daniel Egneus, we visited the studio of Tough Slate Design in Ukraine and report on the results of the 2018 edition of the venerable 100 Best Posters award. Then, to round this section off, we end up in Spain, with »I am blue I am pink«, enjoying their amazing set designs that really give wings to the imagination… The cover A visual magnet is one way of describing what the Cologne-based agency KD1 produced for this month’s cover: it’s a three-dimensional fireworks display, interpreting the spatial aspect of the novum+ theme. The material chosen for this impressive realisation is also one that can be used in store design: The Yupo range of long-lasting, synthetic papers that are water and UV-resistant - available from Papier Union (www.papierunion.de). The particular type chosen for our cover is SuperYupo, often used for city maps, climbing or diving maps, price tickets or also for packaging. This real all-rounder, which is also easy to print, is available in 90 to 400 gsm weights. The range also contains a self-adhesive variant, called YupoTako, which has tiny »suction cups« on the back that leave no trace when it´s time to remove the paper. Another remarkable paper in this range is YupoJelly, PVC-free and 100% recyclable, that was developed for applications on glass, making it interesting for use in window designs. This variety, too, can be easily removed and even re-applied elsewhere. For offset printing the manufacturer recommends foil colours. With this glowing introduction, we send you on a shopping expedition where you won’t need your wallet…. Showroom: Daniel Egneus Tough Slate Design 100 beste Plakate 2018 I am blue I am pink novum+: DFrost Rar (Super BFG) Storey Studio Newstand (Verdes) Zooco Silvio Girolamo Yeye Cover: KD1 Offset-Druck: f&w Fotos: Tobias Holzmann (Assistenz: Miriam Zimmer) En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1018/

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11.20 - 2020-11-12 (Bulletin de Novum)    

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Les fondamentaux du branding / Mélissa Davis

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N°199(2019:avril-mai-juin) - 2019-04-01 - Pool, un duo en roue libre (Bulletin de Intramuros)    

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no247(2019:janvier-février) - 2019-01-01 - Réalités augmentés. Bráulio Amado. Madrid. Pentawards (Bulletin de Étapes)    

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Problèmes généraux du droit des marques / F. Gotzen

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La transformation positive des marques / Jean Allary 

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