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[n° ou bulletin]
Titre : 02.18 - 2018-02-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques -- 21e siècle
Azambuja, Martín
Cédille, Noémie (1988?-....)
Conditionnement
Couleurs -- Dans l'art -- Illustrations
Graphistes -- 21e siècle
Hewlett, Jamie (1968-....)
Livres -- Couvertures
Livres -- Mise en page
Périodiques -- Couvertures
Typographie -- 21e siècle
White, EdwinaIndex. décimale : 766 Arts graphiques Résumé :
Out of the blue
12.01.2018
»Blue skies, smilin' at me – nothin' but blue skies do I see« – you’d be forgiven for bursting into song at the sight of the sky-blue cover for novum February.
Our focus theme this time is the fascinating world of illustration – thanks to the daily torrent of photos on all channels, illustration is enjoying a real revival. To inspire your own work this year, we bring you 23 pages of very different illustration styles and highly individual creations.
Note de contenu :
The works of French designer Noémie Cédille exude charm and vitality, whether she is illustrating for a new magazine or for packaging. For a contrast we visited Sea Change, a designer duo that pursues its own very individual philosophy and is not afraid to change direction. Last but not least, we also delved into the work of Tata&Friends who are based in both Linz and Madrid – you, too, will be delighted by their portfolio and the new ideas it delivers.
In our legal series this month we gather together all the key facts on founding and winding up a »GmbH« company and Andreas Koop looks at how to visualise the same content from different cultural perspectives.
Two exciting new indie magazines are featured by Herbert Lechner, along with a new volume from Hermann Schmidt publishers called »Buchstaben im Kopf«, a practical and readable compendium for all those involved in designing texts that whet the reader’s appetite.
The cover
The Pop’Set Range offers a real rainbow palette – for our focus theme on illustration, however, our choice was Blue Sky, an elegant canvas that also heralds spring. Not a single cloud masks the smoothness of the paper with its pleasantly high volume. In terms of printing and processing, there are no limits – it can be embossed and finished with film. Here we bring you the full charm of this paper in its essential form, because the expressive line of Uruguayan illustrator Martin Azambuja (whom we featured in novum 04.16) needs no more than expressive colours to achieve maximum effect. As a speciality we also used a Pantone colour which really brings the tree of pencils to life.
novum+
Freistil, Interview mit Raban Rudigkeit
Chester Holme (GBR)
Nate Kitch (USA)
Sebastian Haslauer (GER)
Edwina White (AUS)
Merijn Hos (NLD)
Sarah Maycock (GBR)
Michela Natella (ITA)
Herbarium
Showroom
Tata & Friends (AUT / ESP)
Noémie Cédille (FRA)
Ruben Pater (NLD)
Sea Change (NLZ)
New Talents Berlin: Simone Klimmeck
Das Cover
Design: Martin Azambuja (URY)
Paper: Pop’Set, Antalis
Print: f&w Druck & Mediencenter
Photos: Tobias HolzmannEn ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0218/ [n° ou bulletin] 02.18 - 2018-02-12 [texte imprimé] . - 2018.
Langues : Allemand (ger) Anglais (eng)
Catégories : Arts graphiques -- 21e siècle
Azambuja, Martín
Cédille, Noémie (1988?-....)
Conditionnement
Couleurs -- Dans l'art -- Illustrations
Graphistes -- 21e siècle
Hewlett, Jamie (1968-....)
Livres -- Couvertures
Livres -- Mise en page
Périodiques -- Couvertures
Typographie -- 21e siècle
White, EdwinaIndex. décimale : 766 Arts graphiques Résumé :
Out of the blue
12.01.2018
»Blue skies, smilin' at me – nothin' but blue skies do I see« – you’d be forgiven for bursting into song at the sight of the sky-blue cover for novum February.
Our focus theme this time is the fascinating world of illustration – thanks to the daily torrent of photos on all channels, illustration is enjoying a real revival. To inspire your own work this year, we bring you 23 pages of very different illustration styles and highly individual creations.
Note de contenu :
The works of French designer Noémie Cédille exude charm and vitality, whether she is illustrating for a new magazine or for packaging. For a contrast we visited Sea Change, a designer duo that pursues its own very individual philosophy and is not afraid to change direction. Last but not least, we also delved into the work of Tata&Friends who are based in both Linz and Madrid – you, too, will be delighted by their portfolio and the new ideas it delivers.
In our legal series this month we gather together all the key facts on founding and winding up a »GmbH« company and Andreas Koop looks at how to visualise the same content from different cultural perspectives.
Two exciting new indie magazines are featured by Herbert Lechner, along with a new volume from Hermann Schmidt publishers called »Buchstaben im Kopf«, a practical and readable compendium for all those involved in designing texts that whet the reader’s appetite.
The cover
The Pop’Set Range offers a real rainbow palette – for our focus theme on illustration, however, our choice was Blue Sky, an elegant canvas that also heralds spring. Not a single cloud masks the smoothness of the paper with its pleasantly high volume. In terms of printing and processing, there are no limits – it can be embossed and finished with film. Here we bring you the full charm of this paper in its essential form, because the expressive line of Uruguayan illustrator Martin Azambuja (whom we featured in novum 04.16) needs no more than expressive colours to achieve maximum effect. As a speciality we also used a Pantone colour which really brings the tree of pencils to life.
novum+
Freistil, Interview mit Raban Rudigkeit
Chester Holme (GBR)
Nate Kitch (USA)
Sebastian Haslauer (GER)
Edwina White (AUS)
Merijn Hos (NLD)
Sarah Maycock (GBR)
Michela Natella (ITA)
Herbarium
Showroom
Tata & Friends (AUT / ESP)
Noémie Cédille (FRA)
Ruben Pater (NLD)
Sea Change (NLZ)
New Talents Berlin: Simone Klimmeck
Das Cover
Design: Martin Azambuja (URY)
Paper: Pop’Set, Antalis
Print: f&w Druck & Mediencenter
Photos: Tobias HolzmannEn ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0218/ Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 22320 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 10.19 - 2019-10-14 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle
Aliments -- Conditionnement
Arts graphiques -- 21e siècle
Arts graphiques -- Design
Arts graphiques -- Mise en page et typographie
Arts graphiques -- Norvège -- 21e siècle
Bauhaus
Bauhaus -- Publicité -- Europe
Gaufrage
Impression numérique
Impression sérigraphique
Impression sur étoffes -- Design
Livres -- Couvertures
Livres d'artistes
Papier -- Dans l'art
Périodiques -- Couvertures
Publicité -- Mise en page et typographie -- 20e siècle
Réalité augmentée
Scheinberger, Felix (1969-....)
Textiles et tissus -- Design
Vieux papiers -- RecyclageIndex. décimale : 766 Arts graphiques Résumé : The Oktoberfest in Munich is not normally relevant to the design world, but in this issue of novum it serves as a wonderful source of inspiration for the cover, which is quite literally an all-round delight. On a standard recycling card we used different hot-foil stampings, adding micro-embossing for stylish accent. A total of four different colour variants was produced, finished with two foils in silver and gold and a gold spot colour – the wrap-around motif comes from the Munich design agency Milch+Honig.
Other great projects that exploit the possibilities of paper, print and finishing can be found in our novum+ and Showroom sections. There you can enjoy first-class design from France, Hungary, Norway and the Netherlands, as well as eight pages of prize-winning posters from Germany, Austria and Switzerland.Note de contenu : Paper & Print
Multisensorics is a big theme at the moment in marketing and communication. After all, we human beings don´t just see, we can also feel, hear and smell. Things that appeal to us on several levels are therefore perceived more intensively, we feel them to be more positive and we remember them for longer.
Unusually designed print products can achieve this sustained effect. In the novum+ section this month we bring you lots of exciting examples, such as intelligently conceived packaging, illustrations with hand-made charm and campaigns that attract attention through high-quality finishes. Also there´s lots to discover about recycling papers, beautiful books and sophisticated CIs.
In the Showroom section Dutch designer Gilles de Brock explains how coding can boost creativity. Treize Grammes from France takes an opposite line, building charming settings by hand, and Kind from Norway impresses with visual identities that combine emotions with Nordic minimalism. Patrick Rössler presents graphic design treasures from the Bauhaus era, the Hungarian design agency Classmate shows how designers collaborate across different countries and still manage to maintain a coherent line in terms of design. Last, but not least, we interviewed Anette Lenz, jury member of the competition »100 Best Posters — Germany, Austria, Switzerland«, about trends and the meaning of posters today.
The cover
Why just one cover, when you can have a variety? Embracing this idea, the October issue of novum appears in four different colours and was embossed with two different hot foils and a gold spot colour. For the first time we also used micro-embossing, a technique that enables very fine details to be worked into the embossing die. Often this technique is used in protection against forgery, but as you see from our cover, it is also a great way to create intriguing optical accents.
On the wrap-around cover we used five embossing dies in different sizes, made by MSP Prägetechnik. As both larger areas and also fine details were embossed, it was necessary to do extensive testing to produce the best results with foils (Kurz) and paper (RecyCard from Papyrus Deutschland). The embossing itself also required great skill and sensitivity and that was delivered superbly by August Conzelmann AG.
The design on the cover comes from Milch+Honig, and, as a design bureau based in Munich, for the October issue the subject foremost in many people´s minds here is the Oktoberfest. As the designers at Milch+Honig have extensive experience with high-end print products, the finishing technique, the paper and the design were all expertly coordinated to produce a beautiful and successful result.
And, as masters of all that, Milch+Honig went one step further: with micro-embossing to integrate hidden messages. Working with the motion agency Paul Bewegt, they also concealed one or two things in the cover of novum – digitally, you understand. Using augmented reality parts of the cover can be brought to life – you can see this via an app on your smartphone or tablet.
Inhalt
Showroom
Gilles de Brock
Classmate
Kind
Treize grammes
100 Beste Plakate
Bauhaus
novum+
Clormann Design
WRK
Recycling Papiere
Anna Niestroj
Luminous
Editions Non Standard
Commission
Anagrama
Cover design: Milch+Honig
Paper: Papyrus Deutschland
Hot foil & micro embossing: August Conzelmann GmbH
Stamping die: MSP Prägetechnik
Foils: Kurz
Offset: f&w Medien
Augmented Reality: Paul Bewegt
Photography: Janina Engel, Tobias HolzmannEn ligne : https://novum.graphics/en/magazine/archive/detail/novum-1019/ [n° ou bulletin] 10.19 - 2019-10-14 [texte imprimé] . - 2019.
Langues : Allemand (ger) Anglais (eng)
Catégories : Affiches -- 21e Siècle
Aliments -- Conditionnement
Arts graphiques -- 21e siècle
Arts graphiques -- Design
Arts graphiques -- Mise en page et typographie
Arts graphiques -- Norvège -- 21e siècle
Bauhaus
Bauhaus -- Publicité -- Europe
Gaufrage
Impression numérique
Impression sérigraphique
Impression sur étoffes -- Design
Livres -- Couvertures
Livres d'artistes
Papier -- Dans l'art
Périodiques -- Couvertures
Publicité -- Mise en page et typographie -- 20e siècle
Réalité augmentée
Scheinberger, Felix (1969-....)
Textiles et tissus -- Design
Vieux papiers -- RecyclageIndex. décimale : 766 Arts graphiques Résumé : The Oktoberfest in Munich is not normally relevant to the design world, but in this issue of novum it serves as a wonderful source of inspiration for the cover, which is quite literally an all-round delight. On a standard recycling card we used different hot-foil stampings, adding micro-embossing for stylish accent. A total of four different colour variants was produced, finished with two foils in silver and gold and a gold spot colour – the wrap-around motif comes from the Munich design agency Milch+Honig.
Other great projects that exploit the possibilities of paper, print and finishing can be found in our novum+ and Showroom sections. There you can enjoy first-class design from France, Hungary, Norway and the Netherlands, as well as eight pages of prize-winning posters from Germany, Austria and Switzerland.Note de contenu : Paper & Print
Multisensorics is a big theme at the moment in marketing and communication. After all, we human beings don´t just see, we can also feel, hear and smell. Things that appeal to us on several levels are therefore perceived more intensively, we feel them to be more positive and we remember them for longer.
Unusually designed print products can achieve this sustained effect. In the novum+ section this month we bring you lots of exciting examples, such as intelligently conceived packaging, illustrations with hand-made charm and campaigns that attract attention through high-quality finishes. Also there´s lots to discover about recycling papers, beautiful books and sophisticated CIs.
In the Showroom section Dutch designer Gilles de Brock explains how coding can boost creativity. Treize Grammes from France takes an opposite line, building charming settings by hand, and Kind from Norway impresses with visual identities that combine emotions with Nordic minimalism. Patrick Rössler presents graphic design treasures from the Bauhaus era, the Hungarian design agency Classmate shows how designers collaborate across different countries and still manage to maintain a coherent line in terms of design. Last, but not least, we interviewed Anette Lenz, jury member of the competition »100 Best Posters — Germany, Austria, Switzerland«, about trends and the meaning of posters today.
The cover
Why just one cover, when you can have a variety? Embracing this idea, the October issue of novum appears in four different colours and was embossed with two different hot foils and a gold spot colour. For the first time we also used micro-embossing, a technique that enables very fine details to be worked into the embossing die. Often this technique is used in protection against forgery, but as you see from our cover, it is also a great way to create intriguing optical accents.
On the wrap-around cover we used five embossing dies in different sizes, made by MSP Prägetechnik. As both larger areas and also fine details were embossed, it was necessary to do extensive testing to produce the best results with foils (Kurz) and paper (RecyCard from Papyrus Deutschland). The embossing itself also required great skill and sensitivity and that was delivered superbly by August Conzelmann AG.
The design on the cover comes from Milch+Honig, and, as a design bureau based in Munich, for the October issue the subject foremost in many people´s minds here is the Oktoberfest. As the designers at Milch+Honig have extensive experience with high-end print products, the finishing technique, the paper and the design were all expertly coordinated to produce a beautiful and successful result.
And, as masters of all that, Milch+Honig went one step further: with micro-embossing to integrate hidden messages. Working with the motion agency Paul Bewegt, they also concealed one or two things in the cover of novum – digitally, you understand. Using augmented reality parts of the cover can be brought to life – you can see this via an app on your smartphone or tablet.
Inhalt
Showroom
Gilles de Brock
Classmate
Kind
Treize grammes
100 Beste Plakate
Bauhaus
novum+
Clormann Design
WRK
Recycling Papiere
Anna Niestroj
Luminous
Editions Non Standard
Commission
Anagrama
Cover design: Milch+Honig
Paper: Papyrus Deutschland
Hot foil & micro embossing: August Conzelmann GmbH
Stamping die: MSP Prägetechnik
Foils: Kurz
Offset: f&w Medien
Augmented Reality: Paul Bewegt
Photography: Janina Engel, Tobias HolzmannEn ligne : https://novum.graphics/en/magazine/archive/detail/novum-1019/ Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23875 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible La fête du graphisme, 2 / Fête du graphisme (2015) (Paris)
Titre : La fête du graphisme, 2 Type de document : texte imprimé Auteurs : Michel Bouvet, Editeur scientifique Congrès : Fête du graphisme (2015) (Paris), Auteur Editeur : Suresnes : Editions du limonaire Année de publication : 2015 Importance : 500 p. Présentation : ill. en coul., couv. ill. en coul. Format : 24 cm Note générale : Cet ouvrage est publié à l'occasion de la deuxième édition de la Fête du graphisme qui s'est tenue à Paris du 7 janvier au 4 mars 2015 Langues : Français (fre) Catégories : Arts graphiques - 2010-2020
Arts graphiques -- 21e siècle
Fanzines
Livres -- Couvertures
Périodiques -- CouverturesIndex. décimale : 766 Arts graphiques La fête du graphisme, 2 [texte imprimé] / Michel Bouvet, Editeur scientifique / Fête du graphisme (2015) (Paris), Auteur . - Suresnes : Editions du limonaire, 2015 . - 500 p. : ill. en coul., couv. ill. en coul. ; 24 cm.
Cet ouvrage est publié à l'occasion de la deuxième édition de la Fête du graphisme qui s'est tenue à Paris du 7 janvier au 4 mars 2015
Langues : Français (fre)
Catégories : Arts graphiques - 2010-2020
Arts graphiques -- 21e siècle
Fanzines
Livres -- Couvertures
Périodiques -- CouverturesIndex. décimale : 766 Arts graphiques Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 18733 766 FET Livre ESA Saint-Luc Beaux-Arts - Biblio Disponible