03.18 - 2018-03-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 03.18 - 2018-03-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Arts graphiques -- 21e siècle Arts graphiques -- Mise en page et typographie Arts graphiques -- Tokyo (Japon) Conditionnement Ornements typographiques Produits cosmétiques -- Conditionnement Reliure -- Dorure -- 21e siècle Sculpture en papier Typographie - Design Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : This issue really pulls out all the stops! A wrap-around cover resplendent in all the colours of the rainbow, fine gold paper and relief varnishing – no point in choosing gold unless you really go for it! Gold is not as easy a choice as you might think, however. It can quickly look over the top, which is why many designers only use it sparingly. But who wants to be modest and sensible all the time? In this issue of novum we thought we´d really push the boat out and go all out for gold. It fills the novum+ section and the cover, too, is a gilded delight. A brand new print and finishing technique inspired the designers at Paperlux to this cover. And we think you’ll agree, the results are amazing. Sophisticated printing technology combined with good design – that is real luxury! novum 03.18 is also available as PDF for only 8,99 Euro To buy the printed issue, please visit our Shop Note de contenu : The Midas touch If you want to make an impression, then you´ve really got to go for it. No half measures. When everybody else is dressed up to the nines, then you don´t want to be the one in jeans and T-shirt. Choosing gold as the theme for this month´s novum+ section was at the same time an obligation – to really shine. With features about great projects and also with the cover – that, too, had to be gold. Not just a little, but a lot! The creatives at Paperlux were certainly on board with this idea. These Hamburg-based designers pulled off a coup for us once before with the 11/11 novum cover, which you could fold in three dimensions. This time, it as a new technique that inspired this latest cover. The cover At the end of 2017 Scodix rolled out its new digital print enhancement press. This enables spot varnishing, unusually high relief varnishes and foil finishes. You can see what´s possible on the new novum cover: It shimmers in all the colours of the rainbow and is a delight to touch. The special thing about this process is that it dispenses with the need for screens or printing plates, it can be printed direct from the computer. In this way you can save costs, proofs are cheaper and designers have more scope. It´s even possible to apply different finishes one after the other, to create brand new effects. For the paper we chose Splendorlux Mirror Oro in 320 gsm from Fedrigoni. This cast coated board is well suited for a wide range of applications and has an attractive gold tone and a reflecting surface. The foil used on the cover came from Kurz, a company that developed a new foil specially for use with the Scodix printing process. It is available in all the colours of the rainbow. In the novum+ section, too, it´s all about gold. Used in the CD for a model agency gold adds sophistication, for a Japanese restaurant, freshness. It turns a six-pack of beer into a wild work of art and adds class to cannabis packaging. These and many other projects show just how diverse the applications are for the colour gold. In the Showroom section, Düsseldorf agency KittoKatsu lives up to its name and Italian designer Monica Lovati shows us CIs with feeling. At Buenaventura from Granada, they love bright and bold, and know just how to blend cultural elements into their work. In Vorarlberg, too, the designers have a knack for fine design: Atelier Hanselwanter shows how to create fantastic design for small clients too. And, last but not least, we visit Ufomammoot in Berlin for our series on New Talents Berlin. These creatives use the latest technologies and test out the limits of the possible. Gilt edging We couldn´t resist and just had to do a gilt edge as well. So ten of the copies of novum 03.18 sport this sophisticated finish. They are randomly distributed among our subscribers and the newsagents, and if you are the lucky recipient of one of them, then you have hit lucky twice: Not only do you have a real collectors´ piece, you also get a free one-day ticket to our Creative Paper Conference 2018! The content novum+ Bibliothèque (GBR) Happycentro (ITA) Pavement (USA) Brighhead Studio (RUS) Knoed (USA) Mind Design (GBR) The Bakery (RUS) Toolbox (CAN) Paperlux (GER) Showroom KittoKatsu (GER) Monica Lovati (ITA) Buenaventura (ESP) Haselwanter Grafik_und Design (AUT) Ufomammoot (GER) Das Cover Design: Paperlux (GER) Papier: Splendorlux Mirror Oro, 320 g/qm Fedrigoni Druck & Veredelung Cover: Mediadruckwerk Folien: Kurz Fotos: Tobias Holzmann Goldschnitt: 10 Exemplare wurden zudem von der Firma Steinbrenner mit einem Goldschnitt versehen, novum 03.18 Gold En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0318/ [n° ou bulletin]  est un bulletin de Novum   03.18 - 2018-03-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Arts graphiques -- 21e siècle Arts graphiques -- Mise en page et typographie Arts graphiques -- Tokyo (Japon) Conditionnement Ornements typographiques Produits cosmétiques -- Conditionnement Reliure -- Dorure -- 21e siècle Sculpture en papier Typographie - Design Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : This issue really pulls out all the stops! A wrap-around cover resplendent in all the colours of the rainbow, fine gold paper and relief varnishing – no point in choosing gold unless you really go for it! Gold is not as easy a choice as you might think, however. It can quickly look over the top, which is why many designers only use it sparingly. But who wants to be modest and sensible all the time? In this issue of novum we thought we´d really push the boat out and go all out for gold. It fills the novum+ section and the cover, too, is a gilded delight. A brand new print and finishing technique inspired the designers at Paperlux to this cover. And we think you’ll agree, the results are amazing. Sophisticated printing technology combined with good design – that is real luxury! novum 03.18 is also available as PDF for only 8,99 Euro To buy the printed issue, please visit our Shop Note de contenu : The Midas touch If you want to make an impression, then you´ve really got to go for it. No half measures. When everybody else is dressed up to the nines, then you don´t want to be the one in jeans and T-shirt. Choosing gold as the theme for this month´s novum+ section was at the same time an obligation – to really shine. With features about great projects and also with the cover – that, too, had to be gold. Not just a little, but a lot! The creatives at Paperlux were certainly on board with this idea. These Hamburg-based designers pulled off a coup for us once before with the 11/11 novum cover, which you could fold in three dimensions. This time, it as a new technique that inspired this latest cover. The cover At the end of 2017 Scodix rolled out its new digital print enhancement press. This enables spot varnishing, unusually high relief varnishes and foil finishes. You can see what´s possible on the new novum cover: It shimmers in all the colours of the rainbow and is a delight to touch. The special thing about this process is that it dispenses with the need for screens or printing plates, it can be printed direct from the computer. In this way you can save costs, proofs are cheaper and designers have more scope. It´s even possible to apply different finishes one after the other, to create brand new effects. For the paper we chose Splendorlux Mirror Oro in 320 gsm from Fedrigoni. This cast coated board is well suited for a wide range of applications and has an attractive gold tone and a reflecting surface. The foil used on the cover came from Kurz, a company that developed a new foil specially for use with the Scodix printing process. It is available in all the colours of the rainbow. In the novum+ section, too, it´s all about gold. Used in the CD for a model agency gold adds sophistication, for a Japanese restaurant, freshness. It turns a six-pack of beer into a wild work of art and adds class to cannabis packaging. These and many other projects show just how diverse the applications are for the colour gold. In the Showroom section, Düsseldorf agency KittoKatsu lives up to its name and Italian designer Monica Lovati shows us CIs with feeling. At Buenaventura from Granada, they love bright and bold, and know just how to blend cultural elements into their work. In Vorarlberg, too, the designers have a knack for fine design: Atelier Hanselwanter shows how to create fantastic design for small clients too. And, last but not least, we visit Ufomammoot in Berlin for our series on New Talents Berlin. These creatives use the latest technologies and test out the limits of the possible. Gilt edging We couldn´t resist and just had to do a gilt edge as well. So ten of the copies of novum 03.18 sport this sophisticated finish. They are randomly distributed among our subscribers and the newsagents, and if you are the lucky recipient of one of them, then you have hit lucky twice: Not only do you have a real collectors´ piece, you also get a free one-day ticket to our Creative Paper Conference 2018! The content novum+ Bibliothèque (GBR) Happycentro (ITA) Pavement (USA) Brighhead Studio (RUS) Knoed (USA) Mind Design (GBR) The Bakery (RUS) Toolbox (CAN) Paperlux (GER) Showroom KittoKatsu (GER) Monica Lovati (ITA) Buenaventura (ESP) Haselwanter Grafik_und Design (AUT) Ufomammoot (GER) Das Cover Design: Paperlux (GER) Papier: Splendorlux Mirror Oro, 320 g/qm Fedrigoni Druck & Veredelung Cover: Mediadruckwerk Folien: Kurz Fotos: Tobias Holzmann Goldschnitt: 10 Exemplare wurden zudem von der Firma Steinbrenner mit einem Goldschnitt versehen, novum 03.18 Gold En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0318/

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05.18 - 2018-05-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 05.18 - 2018-05-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design Affiches de spectacle Arts graphiques -- Mise en page et typographie Conditionnement Dessin de mode Graphistes -- 21e siècle Livres -- Mise en page Marques de commerce Mode Photographie de mode Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : Graphic haute couture In our May issue we enter into a sector that thrives on change like perhaps none other: fashion. The designs that are presented in autumn for the following spring are already passé come the fashion shows in January. The points of contact with graphic design are often more sustainable, but no less interesting: How do fashion labels present themselves in terms of graphic design? How do you capture fashion models in drawings? And: What’s the best way to update a traditional brand? Note de contenu : We went on the trail and discovered some tremendous CIs behind the catwalks, as it were. For example, we have an interview with the gifted fashion illustrator David Downton, whose portfolio contains a string of illustrious names from Chanel to Valentino, and from Harper’s Bazaar to Vogue. He gives us an insider´s view and also passes on some advice to the next generation of fashion illustrators. In our Showrooms you can look forward to an exciting and international mix of creative talent: Stefano Marro delights with his magical illustrations that rekindle the spirit of Italian futurism. By contrast, the posters and editorial designs of Sven Lindhorst-Emme impress with precision minimalism. A little pop is here, too, in the work of Portuguese designer Marta Veludo, whose creative home is now Amsterdam. We drop in on Manuel Kreuzer who turns out some amazing things from his small studio … with or without a commission. And then there’s Neu – Designbüro – meaning »new«. The innovative approaches seen here confirm the old adage »nomen est omen«. With this month’s brand story, we revel in being a child again – Schuco’s model vehicles still delight boys and girls of all ages. We also have some exciting paper projects of our own for you: Eberl Print treated its customers to a clever construction, surprising them not only with delightfully scented content, but also and above all with the presentation. One other thing we were keen to share with you – the ever-growing area of foil applications in fashion. A particularly beautiful project by Kurz for this year’s MCBW delighted us all. Herbert Lechner is here, too, reporting on his visit to the German offices of Laurence Publishing in Berlin, which offers a very select programme. The cover Our search for New Talents Berlin continues this month: This time Felix Wiesner visited Lucas Doerre und Marius Sperlich, who under the name of Vater Lin Miro are experimenting with all the digital and analogue diversity in graphic design in combination with an artistic slant. The cover for this issue of novum, designed by the two creatives, reflects this appetite for different dimensions and design possibilities. As the plan was to use different finishes, the material had to meet a number of criteria: We finally found the ideal solution in the high-white paper MetsäBoard Prime FBB Bright. This allowed precision embossing and gave a good clean result in hot-foil finishing. This card is also good because of its lightweight design that spells cost-efficiency and sustainability. What you see on the 280 gsm cover is a sculpture created in several embossing stages and then treated to full-page hot-foil finishing – Frank Denninghoff from the Forum Prägefolien Veredelung put all his expertise into this classy creation. In combination with the mysterious sculpture, the reflective surface (in which the reader can see his/her own reflection) visualises precisely that which fashion is: A seductive envelope. Note the mirror is not homogeneous – its shimmering pattern hints at the transformation that fashion can bring. The two creatives Lucas Doerre and Marius Sperlich opted for »Neon Seamless« from Kurz, that generates fascinating effects. Such transformational properties are indeed comparable with fashion: It, too, can play with colour and contrasts, change surfaces and enliven them, conjure up a new me and create a particular radiance. On top of this, there is of course always a hint of poetry – an art form that seems delicate but is nevertheless powerful… novum+ Donkey (GER) Studio Small (GBR) 032c (GER) Design Unit (DEN) Lotta Nieminen (USA) Design Ranch (USA) David Downton (GBR) Showroom Sven Lindhorst-Emme (GER) Stefano Marra (ITA) Marta Veludo (NLD) Neu Designbüro (GER) Manuel Kreuzer (GER) New Talents Berlin: Vater Lin Miro (GER) Cover: Vater Lin Miro (GER) Paper: MetsäBoard (Prime FBB Bright) Photos: Tobias Holzmann Offset-Print: f&w Druck- und Mediencenter Hot foil: Leonhard Kurz Foil finishes and embossing: Forum Prägefolien Veredelung En ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-0518/ [n° ou bulletin]  est un bulletin de Novum   05.18 - 2018-05-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design Affiches de spectacle Arts graphiques -- Mise en page et typographie Conditionnement Dessin de mode Graphistes -- 21e siècle Livres -- Mise en page Marques de commerce Mode Photographie de mode Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : Graphic haute couture In our May issue we enter into a sector that thrives on change like perhaps none other: fashion. The designs that are presented in autumn for the following spring are already passé come the fashion shows in January. The points of contact with graphic design are often more sustainable, but no less interesting: How do fashion labels present themselves in terms of graphic design? How do you capture fashion models in drawings? And: What’s the best way to update a traditional brand? Note de contenu : We went on the trail and discovered some tremendous CIs behind the catwalks, as it were. For example, we have an interview with the gifted fashion illustrator David Downton, whose portfolio contains a string of illustrious names from Chanel to Valentino, and from Harper’s Bazaar to Vogue. He gives us an insider´s view and also passes on some advice to the next generation of fashion illustrators. In our Showrooms you can look forward to an exciting and international mix of creative talent: Stefano Marro delights with his magical illustrations that rekindle the spirit of Italian futurism. By contrast, the posters and editorial designs of Sven Lindhorst-Emme impress with precision minimalism. A little pop is here, too, in the work of Portuguese designer Marta Veludo, whose creative home is now Amsterdam. We drop in on Manuel Kreuzer who turns out some amazing things from his small studio … with or without a commission. And then there’s Neu – Designbüro – meaning »new«. The innovative approaches seen here confirm the old adage »nomen est omen«. With this month’s brand story, we revel in being a child again – Schuco’s model vehicles still delight boys and girls of all ages. We also have some exciting paper projects of our own for you: Eberl Print treated its customers to a clever construction, surprising them not only with delightfully scented content, but also and above all with the presentation. One other thing we were keen to share with you – the ever-growing area of foil applications in fashion. A particularly beautiful project by Kurz for this year’s MCBW delighted us all. Herbert Lechner is here, too, reporting on his visit to the German offices of Laurence Publishing in Berlin, which offers a very select programme. The cover Our search for New Talents Berlin continues this month: This time Felix Wiesner visited Lucas Doerre und Marius Sperlich, who under the name of Vater Lin Miro are experimenting with all the digital and analogue diversity in graphic design in combination with an artistic slant. The cover for this issue of novum, designed by the two creatives, reflects this appetite for different dimensions and design possibilities. As the plan was to use different finishes, the material had to meet a number of criteria: We finally found the ideal solution in the high-white paper MetsäBoard Prime FBB Bright. This allowed precision embossing and gave a good clean result in hot-foil finishing. This card is also good because of its lightweight design that spells cost-efficiency and sustainability. What you see on the 280 gsm cover is a sculpture created in several embossing stages and then treated to full-page hot-foil finishing – Frank Denninghoff from the Forum Prägefolien Veredelung put all his expertise into this classy creation. In combination with the mysterious sculpture, the reflective surface (in which the reader can see his/her own reflection) visualises precisely that which fashion is: A seductive envelope. Note the mirror is not homogeneous – its shimmering pattern hints at the transformation that fashion can bring. The two creatives Lucas Doerre and Marius Sperlich opted for »Neon Seamless« from Kurz, that generates fascinating effects. Such transformational properties are indeed comparable with fashion: It, too, can play with colour and contrasts, change surfaces and enliven them, conjure up a new me and create a particular radiance. On top of this, there is of course always a hint of poetry – an art form that seems delicate but is nevertheless powerful… novum+ Donkey (GER) Studio Small (GBR) 032c (GER) Design Unit (DEN) Lotta Nieminen (USA) Design Ranch (USA) David Downton (GBR) Showroom Sven Lindhorst-Emme (GER) Stefano Marra (ITA) Marta Veludo (NLD) Neu Designbüro (GER) Manuel Kreuzer (GER) New Talents Berlin: Vater Lin Miro (GER) Cover: Vater Lin Miro (GER) Paper: MetsäBoard (Prime FBB Bright) Photos: Tobias Holzmann Offset-Print: f&w Druck- und Mediencenter Hot foil: Leonhard Kurz Foil finishes and embossing: Forum Prägefolien Veredelung En ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-0518/

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no.3(1994:déc./1995:janv.) - 1994-12-01 (Bulletin de Etapes graphiques / Pyramyd NTCV)

Public ISBD [n° ou bulletin]  est un bulletin de Etapes graphiques / Pyramyd NTCV Titre : no.3(1994:déc./1995:janv.) - 1994-12-01 Type de document : texte imprimé Année de publication : 1994 Langues : Français (fre) Catégories : Arts graphiques -- Mise en page et typographie Cédéroms Communication visuelle -- Typographie -- Berlin (Allemagne) Freakshow -- Cédéroms Infographie -- 20e siècle Peinture -- Conditionnement Photographie Typographie -- 20e siècle Index. décimale : 766 Arts graphiques [n° ou bulletin]  est un bulletin de Etapes graphiques / Pyramyd NTCV no.3(1994:déc./1995:janv.) - 1994-12-01 [texte imprimé] . - 1994. Langues : Français (fre) Catégories : Arts graphiques -- Mise en page et typographie Cédéroms Communication visuelle -- Typographie -- Berlin (Allemagne) Freakshow -- Cédéroms Infographie -- 20e siècle Peinture -- Conditionnement Photographie Typographie -- 20e siècle Index. décimale : 766 Arts graphiques

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10.18 - 2018-10-12 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 10.18 - 2018-10-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design Aliments -- Conditionnement Arts graphiques -- 21e siècle Arts graphiques -- Mise en page et typographie Arts graphiques -- Technique -- Innovations Magasins -- Aménagement Magasins -- Décoration Marques de commerce Index. décimale : 766 Arts graphiques Résumé : Online sales keep on rising – so how should real bricks-and-mortar stores react? We present communication and interior design concepts that work … From attractive window displays to strong visual identities for retailers, and also how to present the brand experience in store: In our October issue of novum you can sit back and enjoy a relaxed shopping tour of innovative ideas from all over the world. Note de contenu : Our cover design sets just the right tone for the focus this month on retail design. It’s about real physical spaces, about visual and material experiences. Where does the shopper’s gaze linger longest? Why do we spend more time in one store than in another? Attractive window displays, the right spatial organisation and a feeling of willing and pleasant immersion in a brand experience or philosophy – these are some of the keys to keeping the customers coming into the store. On this subject we interviewed retail specialists at DFrost and peeked into the excellent and award-winning small shop, rar. We also present you a new concept for a newspaper stand and we report on a visit to a charming children’s boutique designed by Silvio Girolamo. Then we talked to Storey Design about eye-catching window displays and dipped into the unusual shop concepts from the Mexican studio Yeye. Not forgetting, of course, an introduction to the innovative ideas of the Spanish agency Zooco. In the Showroom section we are pleased to present the fantastic illustrations of Daniel Egneus, we visited the studio of Tough Slate Design in Ukraine and report on the results of the 2018 edition of the venerable 100 Best Posters award. Then, to round this section off, we end up in Spain, with »I am blue I am pink«, enjoying their amazing set designs that really give wings to the imagination… The cover A visual magnet is one way of describing what the Cologne-based agency KD1 produced for this month’s cover: it’s a three-dimensional fireworks display, interpreting the spatial aspect of the novum+ theme. The material chosen for this impressive realisation is also one that can be used in store design: The Yupo range of long-lasting, synthetic papers that are water and UV-resistant - available from Papier Union (www.papierunion.de). The particular type chosen for our cover is SuperYupo, often used for city maps, climbing or diving maps, price tickets or also for packaging. This real all-rounder, which is also easy to print, is available in 90 to 400 gsm weights. The range also contains a self-adhesive variant, called YupoTako, which has tiny »suction cups« on the back that leave no trace when it´s time to remove the paper. Another remarkable paper in this range is YupoJelly, PVC-free and 100% recyclable, that was developed for applications on glass, making it interesting for use in window designs. This variety, too, can be easily removed and even re-applied elsewhere. For offset printing the manufacturer recommends foil colours. With this glowing introduction, we send you on a shopping expedition where you won’t need your wallet…. Showroom: Daniel Egneus Tough Slate Design 100 beste Plakate 2018 I am blue I am pink novum+: DFrost Rar (Super BFG) Storey Studio Newstand (Verdes) Zooco Silvio Girolamo Yeye Cover: KD1 Offset-Druck: f&w Fotos: Tobias Holzmann (Assistenz: Miriam Zimmer) En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1018/ [n° ou bulletin]  est un bulletin de Novum   10.18 - 2018-10-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design Aliments -- Conditionnement Arts graphiques -- 21e siècle Arts graphiques -- Mise en page et typographie Arts graphiques -- Technique -- Innovations Magasins -- Aménagement Magasins -- Décoration Marques de commerce Index. décimale : 766 Arts graphiques Résumé : Online sales keep on rising – so how should real bricks-and-mortar stores react? We present communication and interior design concepts that work … From attractive window displays to strong visual identities for retailers, and also how to present the brand experience in store: In our October issue of novum you can sit back and enjoy a relaxed shopping tour of innovative ideas from all over the world. Note de contenu : Our cover design sets just the right tone for the focus this month on retail design. It’s about real physical spaces, about visual and material experiences. Where does the shopper’s gaze linger longest? Why do we spend more time in one store than in another? Attractive window displays, the right spatial organisation and a feeling of willing and pleasant immersion in a brand experience or philosophy – these are some of the keys to keeping the customers coming into the store. On this subject we interviewed retail specialists at DFrost and peeked into the excellent and award-winning small shop, rar. We also present you a new concept for a newspaper stand and we report on a visit to a charming children’s boutique designed by Silvio Girolamo. Then we talked to Storey Design about eye-catching window displays and dipped into the unusual shop concepts from the Mexican studio Yeye. Not forgetting, of course, an introduction to the innovative ideas of the Spanish agency Zooco. In the Showroom section we are pleased to present the fantastic illustrations of Daniel Egneus, we visited the studio of Tough Slate Design in Ukraine and report on the results of the 2018 edition of the venerable 100 Best Posters award. Then, to round this section off, we end up in Spain, with »I am blue I am pink«, enjoying their amazing set designs that really give wings to the imagination… The cover A visual magnet is one way of describing what the Cologne-based agency KD1 produced for this month’s cover: it’s a three-dimensional fireworks display, interpreting the spatial aspect of the novum+ theme. The material chosen for this impressive realisation is also one that can be used in store design: The Yupo range of long-lasting, synthetic papers that are water and UV-resistant - available from Papier Union (www.papierunion.de). The particular type chosen for our cover is SuperYupo, often used for city maps, climbing or diving maps, price tickets or also for packaging. This real all-rounder, which is also easy to print, is available in 90 to 400 gsm weights. The range also contains a self-adhesive variant, called YupoTako, which has tiny »suction cups« on the back that leave no trace when it´s time to remove the paper. Another remarkable paper in this range is YupoJelly, PVC-free and 100% recyclable, that was developed for applications on glass, making it interesting for use in window designs. This variety, too, can be easily removed and even re-applied elsewhere. For offset printing the manufacturer recommends foil colours. With this glowing introduction, we send you on a shopping expedition where you won’t need your wallet…. Showroom: Daniel Egneus Tough Slate Design 100 beste Plakate 2018 I am blue I am pink novum+: DFrost Rar (Super BFG) Storey Studio Newstand (Verdes) Zooco Silvio Girolamo Yeye Cover: KD1 Offset-Druck: f&w Fotos: Tobias Holzmann (Assistenz: Miriam Zimmer) En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1018/

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01.19 - 2019-01-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 01.19 - 2019-01-12 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design Arts graphiques -- Mise en page et typographie Brechbühl, Erich (1977-....) Cartonnages (reliure) -- 21e siècle Communication visuelle -- 21e siècle Design interactif Identité visuelle -- 21e siècle Illustration des livres -- 21e siècle Livres -- Couvertures Marques de commerce Reinke, Katinka Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : Visual identities from all over the world are the focus of this month’s novum+. For clients as diverse as festivals, craftsmen, cannabis products suppliers, or an international ceramic tile award. Explore visual identities in all their facets and international showroom articles on themes from poster design to illustration. Developing visual identities is an exciting process, and not infrequently it involves a lot of work persuading clients to venture in new directions. In the novum+ section of this issue we present a very broad spectrum of distinctive and eye-catching visual identities. The multiple-award-winning visual identity for Theater Rotterdam by Vruchtvlees definitely grabbed our attention, and so, too, did the perfect storytelling in the CI for a Greek boutique hotel by the Luminous Design Group. Last year MRD, a German TV channel, also ventured a new look, with a very finely positioned and strongly conceptual design. Contrasting with this, we present a playful interpretation, for the Edelwise Festival (Das Buro), and a design for an electronics retailer (by Werner Design Werks) that really makes this business stand out from its competitors. In total eleven exciting projects are lined up here for you to explore and enjoy... For our Showroom section we conducted an interview with the outstanding Swiss-school designer and typographer Erich Brechbühl, who has produced some remarkable posters. You can also discover Eva-Maria Offermann’s very conceptual approach to unconventional projects and designs. Plus, we look at how contemporary campaigns develop, in an article about the agency Wolf/Osmankovic, whose work includes the design for a successful election campaign by the Green Party. Also not to be missed is a dip into the portfolio of Casmic Lab, and the imaginative illustrations of Katinka Reinke. Altogether a rich collection of inspiration for a successful new year! The cover Whether it’s for a festival, a new brand or a woodworking business – visual identities all start with the proverbial blank canvas. To reflect this initially neutral surface, we chose for our cover a paper that is very elegant in appearance, but not overt; its charm lies in the interesting structure that lends an added haptic experience. Zeta from Reflex is available in five colours and different weights, which makes it perfect for creating a good impression in both standard business applications and as packaging. It comes in a range of surface finishes – hammered, micro, matt, smooth or linen, each of these variants communicated in a very subtle way. The trouble-free processing and finishing of Zeta gives this paper added advantages as the perfect »blank canvas«. Munich-based designer Christian Hundertmark (C100 Studio) used all these qualities to best effect in communicating our novum+ theme on this month´s cover. Showroom: Erich Brechbühl (SWI) Katinka Reinke (GER) Casmic Lab (ESP) Wolf/Osmankovic (GER) Eva-Maria Offermann (GER) novum+ Bruketa&Zinic&Grey (HRV) Bob Design (GBR) Vruchtvlees (NLD) Das Buro (NLD) Studio Yinsen (ESP) Jens Nilsson (SWE) TRÜF (USA) Werner Design Werks (USA) Blok Design (CAN) Luminous Design Group (GRI) MDR (GER) Cover: Christian Hundertmark (c100 studio) Paper: Reflex Pure (Zeta, 350 g/qm, Leinen, weiß) Print: f&w Mediencenter Photos: Miriam Zimmer, Tobias Holzmann En ligne : https://novum.graphics/magazin/aktuelle-ausgabe/detail/novum-0119/ [n° ou bulletin]  est un bulletin de Novum   01.19 - 2019-01-12 [texte imprimé] . - 2019. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design Arts graphiques -- Mise en page et typographie Brechbühl, Erich (1977-....) Cartonnages (reliure) -- 21e siècle Communication visuelle -- 21e siècle Design interactif Identité visuelle -- 21e siècle Illustration des livres -- 21e siècle Livres -- Couvertures Marques de commerce Reinke, Katinka Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : Visual identities from all over the world are the focus of this month’s novum+. For clients as diverse as festivals, craftsmen, cannabis products suppliers, or an international ceramic tile award. Explore visual identities in all their facets and international showroom articles on themes from poster design to illustration. Developing visual identities is an exciting process, and not infrequently it involves a lot of work persuading clients to venture in new directions. In the novum+ section of this issue we present a very broad spectrum of distinctive and eye-catching visual identities. The multiple-award-winning visual identity for Theater Rotterdam by Vruchtvlees definitely grabbed our attention, and so, too, did the perfect storytelling in the CI for a Greek boutique hotel by the Luminous Design Group. Last year MRD, a German TV channel, also ventured a new look, with a very finely positioned and strongly conceptual design. Contrasting with this, we present a playful interpretation, for the Edelwise Festival (Das Buro), and a design for an electronics retailer (by Werner Design Werks) that really makes this business stand out from its competitors. In total eleven exciting projects are lined up here for you to explore and enjoy... For our Showroom section we conducted an interview with the outstanding Swiss-school designer and typographer Erich Brechbühl, who has produced some remarkable posters. You can also discover Eva-Maria Offermann’s very conceptual approach to unconventional projects and designs. Plus, we look at how contemporary campaigns develop, in an article about the agency Wolf/Osmankovic, whose work includes the design for a successful election campaign by the Green Party. Also not to be missed is a dip into the portfolio of Casmic Lab, and the imaginative illustrations of Katinka Reinke. Altogether a rich collection of inspiration for a successful new year! The cover Whether it’s for a festival, a new brand or a woodworking business – visual identities all start with the proverbial blank canvas. To reflect this initially neutral surface, we chose for our cover a paper that is very elegant in appearance, but not overt; its charm lies in the interesting structure that lends an added haptic experience. Zeta from Reflex is available in five colours and different weights, which makes it perfect for creating a good impression in both standard business applications and as packaging. It comes in a range of surface finishes – hammered, micro, matt, smooth or linen, each of these variants communicated in a very subtle way. The trouble-free processing and finishing of Zeta gives this paper added advantages as the perfect »blank canvas«. Munich-based designer Christian Hundertmark (C100 Studio) used all these qualities to best effect in communicating our novum+ theme on this month´s cover. Showroom: Erich Brechbühl (SWI) Katinka Reinke (GER) Casmic Lab (ESP) Wolf/Osmankovic (GER) Eva-Maria Offermann (GER) novum+ Bruketa&Zinic&Grey (HRV) Bob Design (GBR) Vruchtvlees (NLD) Das Buro (NLD) Studio Yinsen (ESP) Jens Nilsson (SWE) TRÜF (USA) Werner Design Werks (USA) Blok Design (CAN) Luminous Design Group (GRI) MDR (GER) Cover: Christian Hundertmark (c100 studio) Paper: Reflex Pure (Zeta, 350 g/qm, Leinen, weiß) Print: f&w Mediencenter Photos: Miriam Zimmer, Tobias Holzmann En ligne : https://novum.graphics/magazin/aktuelle-ausgabe/detail/novum-0119/

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Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23095	Novum	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

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