[n° ou bulletin]
Titre : |
Vol.2018:N°3 - 2018-03-01 - Bühnenbauten = Theatre Structures |
Type de document : |
texte imprimé |
Année de publication : |
2018 |
Langues : |
Allemand (ger) Anglais (eng) |
Catégories : |
Acoustique architecturale Architecture -- Dessins et plans Auditoriums CHIPPERFIELD, David (1953 - ....) Construction en béton Constructions circulaires Constructions en verre Couleur en architecture Éclairage architectural et décoratif Foster associates (Londres) Louvre-Abu Dhabi -- Dessins et plans Luminaires - Design Musées (constructions) Museum Würth (Künzelsau, Allemagne) Opéras (constructions) Plein air Salles de spectacle Théâtres - Conception et construction Théâtres en rond
|
Index. décimale : |
72 Architecture |
Résumé : |
Approximately one year ago, the Elbphilharmonie in Hamburg opened its doors for the first time. With the advent of this new landmark on the River Elbe in North Germany, one registers an increase in the general esteem for stage structures. Nowadays their cultural significance is no longer called in question; it is appreciated instead. In the public perception, buildings of this kind everywhere have assumed a status that was formerly reserved for museums.
In the March issue of Detail, we present concepts for auditoriums and open-air theatres, congress centres and large opera houses. The one thing they all have in common, of course, is a stage – sometimes larger, sometimes smaller and sometimes even variable in size. The examples we include here, from Swabia to North Jutland, from Canada and China, allow a comparison of typological aspects; for example, questions of access and circulation and the layout of the individual halls. In the two longer “Process” contributions, which describe the Music Forum in Bochum and the Auditorium and Congress Centre in Plasencia, Spain, we investigate concrete issues involving the acoustics and planning.
Stage structures are public places where people gather and feel at home. In Bochum, Bez+Kock Architects have succeeded in reactivating a 19th-century neo-Gothic church for this purpose. And in the Extremadura in Spain, a new auditorium by José Selgas and Lucía Cano has caught the attention of the public for the first time in this context in a remote location where such an audience did not previously exist. These, too, are aspects with which we have been keenly concerned in the editorial team. |
Note de contenu : |
Magazin Reports
Louvre in Abu Dhabi – Symbol der Toleranz? = Louvre in Abu Dhabi – Symbol of Tolerance?
Apple für Besucher = Apple Park Visitor Centre
Regeln, Normen und Paragraphen = Rules, Norms and Paragraphs
Bücher = Books
DETAIL research
Origami aus Beton = Concrete Origami
Architektur im Dialog = Architecture in Dialogue
Produkte = Products
Light + Building Special
Innenausbau = Interior Construction
Essay
Der Auftritt vor dem Auftritt = The Show before the Show
Frank Kaltenbach
Typologie = Typology
Carmen Würth Forum bei Heilbronn (DE)= Carmen Würth Forum near Heilbronn (DE)
David Chipperfield Architects Berlin
Oper in Harbin (CN)= Opera House in Harbin (CN)
MAD Architects
Freilufttheater in Québec (CA)= Open-Air Theatre in Québec (CA)
Atelier Paul Laurendeau
Vendsyssel-Theater in Hjørring (DK) = Vendsyssl Theatre in Hjørring (DK)
Schmidt Hammer Lassen Architects
Theaterturm auf dem Julierpass (CH) = Theatre Tower on the Julier Pass (CH)
Giovanni Netzer, Walter Bieler
Barenboim-Said Akademie in Berlin (DE)= Barenboim-Said Academy in Berlin (DE)
Gehry Partners, HG Merz, rw
Prozess = Process
Auditorium und Kongresszentrum in der Extremadura = Auditorium and Congress Centre in the Extremadura selgascano
Musikforum in Bochum = Music Forum in Bochum
Bez + Kock |
En ligne : |
https://www.detail-online.com/fileadmin/uploads/hogeweyk/DETAIL-3-2018-Inhalt.pd [...] |
[n° ou bulletin]
Vol.2018:N°3 - 2018-03-01 - Bühnenbauten = Theatre Structures [texte imprimé] . - 2018. Langues : Allemand ( ger) Anglais ( eng)
Catégories : |
Acoustique architecturale Architecture -- Dessins et plans Auditoriums CHIPPERFIELD, David (1953 - ....) Construction en béton Constructions circulaires Constructions en verre Couleur en architecture Éclairage architectural et décoratif Foster associates (Londres) Louvre-Abu Dhabi -- Dessins et plans Luminaires - Design Musées (constructions) Museum Würth (Künzelsau, Allemagne) Opéras (constructions) Plein air Salles de spectacle Théâtres - Conception et construction Théâtres en rond
|
Index. décimale : |
72 Architecture |
Résumé : |
Approximately one year ago, the Elbphilharmonie in Hamburg opened its doors for the first time. With the advent of this new landmark on the River Elbe in North Germany, one registers an increase in the general esteem for stage structures. Nowadays their cultural significance is no longer called in question; it is appreciated instead. In the public perception, buildings of this kind everywhere have assumed a status that was formerly reserved for museums.
In the March issue of Detail, we present concepts for auditoriums and open-air theatres, congress centres and large opera houses. The one thing they all have in common, of course, is a stage – sometimes larger, sometimes smaller and sometimes even variable in size. The examples we include here, from Swabia to North Jutland, from Canada and China, allow a comparison of typological aspects; for example, questions of access and circulation and the layout of the individual halls. In the two longer “Process” contributions, which describe the Music Forum in Bochum and the Auditorium and Congress Centre in Plasencia, Spain, we investigate concrete issues involving the acoustics and planning.
Stage structures are public places where people gather and feel at home. In Bochum, Bez+Kock Architects have succeeded in reactivating a 19th-century neo-Gothic church for this purpose. And in the Extremadura in Spain, a new auditorium by José Selgas and Lucía Cano has caught the attention of the public for the first time in this context in a remote location where such an audience did not previously exist. These, too, are aspects with which we have been keenly concerned in the editorial team. |
Note de contenu : |
Magazin Reports
Louvre in Abu Dhabi – Symbol der Toleranz? = Louvre in Abu Dhabi – Symbol of Tolerance?
Apple für Besucher = Apple Park Visitor Centre
Regeln, Normen und Paragraphen = Rules, Norms and Paragraphs
Bücher = Books
DETAIL research
Origami aus Beton = Concrete Origami
Architektur im Dialog = Architecture in Dialogue
Produkte = Products
Light + Building Special
Innenausbau = Interior Construction
Essay
Der Auftritt vor dem Auftritt = The Show before the Show
Frank Kaltenbach
Typologie = Typology
Carmen Würth Forum bei Heilbronn (DE)= Carmen Würth Forum near Heilbronn (DE)
David Chipperfield Architects Berlin
Oper in Harbin (CN)= Opera House in Harbin (CN)
MAD Architects
Freilufttheater in Québec (CA)= Open-Air Theatre in Québec (CA)
Atelier Paul Laurendeau
Vendsyssel-Theater in Hjørring (DK) = Vendsyssl Theatre in Hjørring (DK)
Schmidt Hammer Lassen Architects
Theaterturm auf dem Julierpass (CH) = Theatre Tower on the Julier Pass (CH)
Giovanni Netzer, Walter Bieler
Barenboim-Said Akademie in Berlin (DE)= Barenboim-Said Academy in Berlin (DE)
Gehry Partners, HG Merz, rw
Prozess = Process
Auditorium und Kongresszentrum in der Extremadura = Auditorium and Congress Centre in the Extremadura selgascano
Musikforum in Bochum = Music Forum in Bochum
Bez + Kock |
En ligne : |
https://www.detail-online.com/fileadmin/uploads/hogeweyk/DETAIL-3-2018-Inhalt.pd [...] |
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