Titre :	Touching vision : Essays on restoration theory and the perception of art /
Type de document :	texte imprimé
Auteurs :	Hiltrud Schinzel, Auteur
Editeur :	[Ghent] : Ghent University, Faculty of Arts and Philosophy
Année de publication :	2004
Importance :	262 p.
Présentation :	ill. en coul., couv. en coul.
Format :	24 cm
ISBN/ISSN/EAN :	978-90-5487-352-5
Langues :	Anglais (eng)
Catégories :	Art -- Conservation et restauration -- Étude et enseignement Art -- Conservation et restauration -- Histoire Conservation et restauration -- Philosophie
Index. décimale :	7.025 Dommages. Conservation. Protection
Résumé :	Providing a detailed study of art restoration, this collection of essays addresses not only conservators but also artists, museum and exhibition staff, scientists, collectors, and anyone who appreciates art. The first eight writings contain a chronological view of conservation's expanding and difficult concerns within modern and postmodern art, leading up to the present day. The effects of art are made transparent with studies on phenomena apparent in modern art's restoration. The chapters go on to discuss how conservation has had to adapt itself to the development of culture and civilization in the last century, addressing the history, theory, and ethics of restoration. Perception is also debated, focusing on how art can enrich a person's life to reflect creativity.

Touching vision : Essays on restoration theory and the perception of art / [texte imprimé] / Hiltrud Schinzel, Auteur . - [Ghent] : Ghent University, Faculty of Arts and Philosophy, 2004 . - 262 p. : ill. en coul., couv. en coul. ; 24 cm.
ISBN : 978-90-5487-352-5
Langues : Anglais (eng)

Catégories :	Art -- Conservation et restauration -- Étude et enseignement Art -- Conservation et restauration -- Histoire Conservation et restauration -- Philosophie
Index. décimale :	7.025 Dommages. Conservation. Protection
Résumé :	Providing a detailed study of art restoration, this collection of essays addresses not only conservators but also artists, museum and exhibition staff, scientists, collectors, and anyone who appreciates art. The first eight writings contain a chronological view of conservation's expanding and difficult concerns within modern and postmodern art, leading up to the present day. The effects of art are made transparent with studies on phenomena apparent in modern art's restoration. The chapters go on to discuss how conservation has had to adapt itself to the development of culture and civilization in the last century, addressing the history, theory, and ethics of restoration. Perception is also debated, focusing on how art can enrich a person's life to reflect creativity.